Multi instrumentiste tradi-moderne : percussionniste (calebasse, djembe, batterie, toumba, conga, timbaless, derbouka, tama...) et joueur de hoddu (guitarre traditionnelle peule d'Afrique de l'Ouest  à cordes).
Il s'est produit aux côtés de grands artistes : le percussionniste Steve Shehan, le jazzman Marc Del Ferro, le joueur de kora Ablaye Cissoko, la griotte Maalouma Mint Meïdah et le sénégalais Aly Beta. Il a fondé plusieurs groupes (Khoumassi,
Walfadjiri, Saïdou Bâ Family).
Talentueux, caméléon, il est à l’aise tant sur de la folk peule, que sur du rock, du jazz, du bluegrass, du slam, du rap ou du reggae.
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Cheykhou Bâ
Artiste musicien
Nouakchott Mauritanie
+ 32465184188
soundcloud : soundcloud.com/cheykhouba
youtube.com : chaîne Cheykhou Bâ

Manager : Marion Mourre
﻿0032465184188
cheykhouba@gmail.com 

jaguar worship - label - mix series
label@tepememusica.mx

En la mitología azteca, Tepeme Monamictlán es el segundo de los nueve niveles para llegar al inframundo, Mictlán; también residencia de Tepeyóllotl (dios de las montañas, los ecos y el jaguar). Esta es la región donde dos montañas chocan, produciendo enormes ecos como señal a los muertos para cruzar al siguiente nivel

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"the place where mountains come together"

in aztec mythology, Tepeme Monamictlán is the second of nine levels of the underworld Mictlán, also residence of Tepeyóllotl (god of mountains, echoes and jaguar); this is the place where two mountains crash, producing enormous echoes as signs for the dead to cross to the next level

World Musette jazz Trio | accordion, doublebass & percussions

The rue de Tanger, in the northern edge of Paris, near the boulevards La Villette and La Chapelle, traverses some the last remaining working class and truly multicultural neighbourhoods in the city today. Here we find men and women from all horizons, all social classes and all cultures; shopkeepers and undocumented migrants, artisans and criminals, retired industrial workers and yuppies, organic supermarkets and halal butchers. It’s also on this street, specifically at the number 8, where existed one of the most renowned ‘bal musette’ : le Tourbillon. Opened in 1926, ‘Le ‘Tourb’ (for the regulars) was home to the biggest names in accordion music and French Chanson of the time. It symbolises the mythical working-class Paris of the period between the wars as well as the liberation. It is for these reasons no surprise that the three artists chose to give their music the name of this small road in the 19th district. Over and above the multiculturalism that it symbolises, the cultural heritage that it bears, the rue de Tanger invites the listener on a voyage of discovery. A trip towards a land where accordions mix with the drums of Africa and the Orient, where Valse Musette trysts with Algerian Chaâbi. Round these parts, Jo Privat has a meeting with Farid El Atrache , or Tony Murena with Toumani Diabaté. Over and above a simple meeting between three musicians over a shared musical recipe, Rue de Tanger brings the public towards a place where music reflects the struggle for a world which continues to believe in the virtues of exchange, of discovery and of working together towards a common destiny.

I write, compose and perform my own songs and this is a platform for me to share my work in progress with people.

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