Name: Chez à Deux - Mijo by Chez à Deux
Duration: 3 min 13 s
Description: Paloma is a meditative journey through expressive guitar instrumental, drifting in tempo through time & space, with echoes of the old continent.

did I find a hidden gem or is this an unpopular upload of something, I'm so confused

Recording of the classic "When a Man Loves a Woman" on the alto saxophone. Enjoy!

When A Man Loves A Woman - Alto Saxophone

Paloma is a meditative journey through expressive guitar instrumental, drifting in tempo through time & space, with echoes of the old continent.

Chez à Deux - Mijo

🌙 Midnight in Montmartre – by Nexus ft. Jessica & Rodrigo

Midnight in Montmartre is a moody, velvet-laced journey through the shadowy streets of Paris at night — where whispered secrets drift through jazz-soaked air. 🎷🖤 With the expressive vocals of Jessica and the smoky baritone of Rodrigo, Nexus brings together noir jazz, urban blues, and classic big band swing, painting scenes of old-world elegance and late-night mystery.

Each track feels like a cinematic memory — dusky cafés, clinking glasses, silhouettes in the rain. The arrangements are lush and evocative, blending sultry horns, brooding keys, and rhythms that sway like candlelight. This is jazz for the lost hours… romantic, restless, and rich with story. 🎙️🕯️🎩

Midnight In Montmartre

Zechriel

Richard Galliano - Lili

Captivation

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For Heaven’s Sake was composed by Sherman Edwards, Donald Meyer and Elise Bretton. For Heaven’s Sake is a very good example of a song composed during The Golden Age of American Pop Song by comparatively unknown writers, when compared to the composers of most of the other songs that appear in this series. There were many such songs that were discovered by great artists looking for great songs. Billie Holiday made a beautiful recording of this on her iconic album “Lady In Satin”. It has also been recorded by artists including, Chet Baker, Bill Evans and Wes Montgomery.

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For Heaven's Sake

What ever happened to Diane

Nancy Jazz Pulsations 2004:
Jan Garbarek (saxophones, flute), Rainer Bruninhaus (piano), Eberhard Weber (basse), Marilyn Mazur (percussions)

Jan Garbarek - Hasta Siempre (Puebla)

Michel Legrand - Oum Le Dauphin 1971

No beginning, no end. Not quite here, not quite then. Just rhythm, residue, and the echo of something you almost remembered. A place, a feeling, a flicker caught between breaths. Music like a soft distortion in our memory’s fabric. Familiar, but unplaceable.

Chez à Deux - Mijo

Chez à Deux

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