Interambiento - The Internet Mix

Interambiento Connected (UniCAT 009)

Lyrics:

Melissa E. Logan:
There was this thing in the late  eighteenth, nineteenth century,
The Internet, 
It connected Everyone, the whole world, 
Even people who didn't speak the same languages, 
There were these things called chats
And you were supposed to chat with each other
It was amazing at first it was like supposed to be like everyone can communicate,  
Everyone is so close, no berriors, we can all communicate,
And then these chats started just taking over, algorithms harassing
Chatting and chatting, 
Chats were being compromised
People were arrested because of Chats
They were going to jail because of chats in the internet
I mean it became like the the chats were taking over

The storms were different,
The storms were, you know, - not like the satellites hitting the self-driving cars
And the green clouds of uprooted trees,
No not like that, it was like, -within this thing. What happened? 
It’s like the whole internet became a whole flurry taking over
It just- it had to be stopped.

NLLY:
The Internet, The Internet,

Mary Ocher:
You have made my life complete, internet oh internet
When I stare into your screen there endless things I see
You have made my life complete Internet oh internet
When I stare into your screen
There's endless things I see

Melissa E. Logan:
I’m never bored, I’m never bored I’m never bored
I'm never bored, I'm never alone 
Change the Profile, I’m never alone
I’m never bored, I’m never alone
it's just a storm it's just a storm, change the profile
I’m never in the storm
I Don’t Want to Be so Intimate, Change the Profile


Keys: NLLY
Tenor Saxophone: Melissa E. Logan
Guitar: Orkun Tunc and NLLY
Vocals: Melissa E. Logan, NLLY, and Mary Ocher

written and recorded in Berlin and Cologne by Melissa E. Logan, NLLY, and Orkun Tunc aka Armageddon Turk in Istanbul
Label: UniCAT, Label and publishing, Berlin
(UniCAT009)

VooCha *** Interambiento - Connected – by VooCha, Armageddon Turk, Mary Ocher

Just Dropped

VooCha *** Wolfsong - VooCha feat. Yohanna Logan and NLLY

Produced by Melissa E. Logan. Performed by Cecilia Candia and Melissa E. Logan.
Written by Melissa E. Logan

The best things of the time now? a question we ask ourselves in order to dig through a petrified, frozen place in time and orbit into a more meaningful life, spending precious time doing what we love.
Instruments: computer, drum machine, synth, voice pitch,
Produced by: VooCha (Melissa E. Logan)
Written by: Melissa E. Logan, 
additional percussion: Armageddon Turk
Vocals: Melissa E. Logan, Cecilia Candia
Vocal Recordings: Temporary Gallery, Cologne & Momo Molina
Mastering: Feedback Studios Vienna/Patrick Pulsinger
Project MGMT: Hopkinz MGMT Kathleen Kinzel
Label: University of Craft Action Thought
Publishing: UniCAT UG 
contact:
voocha@protonmail.com

Everything Changes

DANCE Party - VooCha feat. Cecilia Candia

Cetacea produced by Mel_E_Logan, Keys NLLY, Vocals performed by Yohanna Logan, written by Mel_E_Logan

VooCha *** CETACEA - VooCha feat. Yohanna Logan and NLLY

Produced by NLLY written by Melissa E. Logan and Nelly Ellinor
Performed by Cecilia Candia, Nelly Ellinor, Meliswsa E. Logan, Bass played by :
Voodoo Chanel Studios, Lütticherstr. Köln
Instruments:
bass, guitar, drum machine, computer, trumpet samples, pitched vocal samples
Originally produced and released with Robot Love, Frankenstein in a mini skirt is about being kind to the robots. To Us ultimately, in the anthropomorphic view we cannot throw off. How can seeing ourselves through the perspective assist in getting us out of this climate and survailiance catastrophe?  VooCha thinks about this, A perspective from a point of imagined unknowing and neutrality could assist us to see. When we open the eyes of the robot, what do we see? will this open our eyes?
The reflections of humanity in AI, which is not artificial, but rather a very large amount of data. Our data. Humans fall in love with their reflections skewed and varied to carry innocence  control, perhaps hope

Frankenstein In A Mini Skirt - VooCha feat. Cecilia Candia (NLLY remix)

Bottom Bot - VooCha feat. Cecilia Candia, Jana Salah, NLLY (Eric D. Clark Remix)

By Chicks on Speed Feat - Jeremiah Day
Produced by Chicks on Speed, VooCha, Armageddon Turk
Lyrics Two Songs by Chicks on Speed feat. Jeremiah Day  for karaoke/ spotify/ translations purposes  Two Songs For Julian Assange because the nights in Belmarsh Prison have got to be too long Two Songs For Julian Assange because the nights in Belmarsh Prison have got to be too long  I've got one song for dead journalists who are Iraques Another song for their ghost haunting me I've got one song for those helicopter which killed them being called an Apache Got one song for the cheating of the DNC Another song for the silence about that by Burnie One song for the tears of my mom Another song for her reading about the things we done wrong  Two Songs For Julian Assange because the nights in Belmarsh Prison have got to be too long Two Songs For Julian Assange because the nights in Belmarsh Prison have got to be too long Two Songs For Julian Assange because the nights in Belmarsh Prison have got to be too long Two Songs For Julian Assange because the nights in Belmarsh Prison have got to be too long  Compact, Think Think, The Views, We need to hear truth, the temperature, Doublespeak, small quarters, The Double think, the smells, secrets, of the elites, lights, the sounds, we need to look behind, the birds, what gets made up  by the media, The Stars, Again, Again, Again, Fresh Air, Again, Again, Again, The sheets, Clean Water, If you look back at the writings of George Orwell, Warmth, the Doublethink,  Cover up, the Birds, the Doublethink the Newspeak  Two Songs for Julian Assange because the nights in Belmarsh Prison have got to be too long Two Songs for Julian Assange because the nights in Belmarsh Prison have got to be too long Two Songs for Julian Assange because the nights in Belmarsh Prison have got to be too long Two Songs for Julian Assange because the nights in Belmarsh Prison have got to be too long  Two songs, three, four songs, five, six, seven songs, nine, ten, eleven, twelve thirteen fourteen fifteen songs for Julian Assange Because the nights in Belmarsh Prison have got to be too long. Four Songs,  I've got one song for dead journalists who are Iraques Another song for their ghost haunting me  One song for the helicopter which killed them being called an Apache, One song for the tears of my mom, another song for the things we've done so wrong, Two songs, thee songs, four Songs, five songs, Six seven eight nine ten eleven twelve thirteen fourteen sixteen twenty five songs For Julian Assange, For Julian Assange, we need you.   Two Songs is one of the nodes of energy and dedication towards preservation of free speech and dependent on this the upholding or instilling  of democracy.

Two Songs

Chicks on Speed - Two Songs

Written by Alex Murray Lealie, Melissa E. Logan
Produced by: Christopher Just
Cello: Cornelia Logan
Piano: Marcos Meza
Studio for Vocal recordings: Proxy Studio Marten Thielgas
Mastering: Schwebung Stephan Mathieu
Label UniCAT UG Berlin
Label mgmt: Kathleen Kinzel from hopkinz.management 
Distribution: The Orchard
Release Date: Feb 23, 2023
Press: Centerpoint, Alexa Gensera
Uploading the Human by Chicks on Speed

Smiles on faces on photos
Trips to the mountains over boarders
When will satisfaction level arrive
stay still don't you move
Focused mind on this groove
Smiles on faces on photos
Trips to the mountains over boarders
Turn off the power
Open the cage
Ignition on
Engine upgrade

Uploading the Human, Uploading the Human, Uploading the Human
Uploading the Human, Uploading the Human, Uploading the Human
Facts, Ecocide
Nature, No way back
We must supplement
It's not what you think it is
Disembodied, Disembodied, Disembodied
Glow, Glow, Glow, Directive glow
Ornaments, Crimes against Nature
Ecocide, next section
Non material, agencies
Ornaments, Crimes against Nature
Uploading the Human, Uploading the Human, Uploading the Human
Uploading the Human, Uploading the Human, Uploading the Human

Chicks on Speed - Uploading The Human

COS Vaccination NeonRave Remix Dynmanic Master#01

everythingCracking3

Melissa E. Logan met with Gregor Schwellenbach on a warm evening in Cologne in the Belgische Vietel district. The long evenings would be spent mulling around the hood from cafés to restaurants, the evening heard would convene at Brussels platz until the police would disperse the crowds at 10:pm.
Gregor and Logan sat on milk crates, the lyrics Logan had written sounded like – well it begins as if it is a love song and then yes, it is a love song to life, to good life.  The Goodlife logan found in the mulling around in the evenings and the crack of dawn runs in the nearby park, the posse of artist friends. Painting for a solo exhibition at Gisela Clement, her new Gallery in Bonn with the ambitious and Glamorous Gisela Clement. Rent prices soared and Logan flew off to Vienna for rerecording vocals at Patrick Pulsingers Feedback studios - not to be confused with the late CAN studio with the same name. 
Logan built a mobile studio to suit the nomadic life. Producing on trains, long haul flights, living rooms, Porches with ocean view, basements and lofts. Collaborating with artists friends musicians.

Lyrics written and performed by Melissa E. Logan, 
Music: Melissa E. Logan & Gregor Schwellenbach
Tenor Sax : Melissa E. Logan
Piano: Gregor Schwellenbach
Pocket Operator:  Melissa E Logan
Percussion and  Key's  played by Gregor Schwellenbach.
Produced by Gregor Schwellenbach & Melissa E. Logan.

Lyrics:
One day I opened my eyes, you were there in front of me
I was dreaming always looking wondering if you'd find me
I thought I had a great set up a view as far as I can see
shadows dispersed contents shown ecstatic now that you're with me
Chorus:
Good Life, where the musics laud,
Bright lights lively crowd, 
Holding dream come true look back and forth at every crossing, 
you're the peak I see, sharp, come to me, 
yeah, you're here to stay, all roads take me to Good Life

Take my hand as I go under, you're the lighthouse I can see 
Giving taking blurs together as the depths are gripping are me
currents pulling change of course flow the stormy path alone
wraith and froth the sparkles gone
where's the compass where to turn?

Chorus:
Good Life, where the musics laud
Bright lights lively crowd, 
Holding dream come true look back and forth at every crossing, 
you're the peak I see, sharp, come to me, 
yeah, you're here to stay, all roads take me to Good Life

OK I'm lost, ok I  don't know where to go,  gatekeepers took it, have take it give it back, pass go,  collect two hundred, all the hotels on part place and-
where's this door in the wall?  The door in the wall that will take me to
Good Life, where the musics laud
Bright lights lively crowd, 
Holding dream come true look back and forth at every crossing, 
you're the peak I see, sharp, come to me, 
yeah, you're here to stay, all roads take me to Good Life

Label: UniCAT gUG 
Artist: VooCha
Title:   Goodlife – feat Gregor Schwellenbach 
Release date February ___

Goodlife - feat Gregor Schwellenbach

VooCha is Melissa E. Logan with collaborators NLLY, Cecilia Candia, Armageddon Turk.VooCha is a figure which latches onto movements in culture.  the VooCha avatar by means of the VooCha Augmented Reality Filter.  Shifting away from the personal, into the universal the collective project of VooCha is a cross section in difficult listening, sound, bridging to DJ culture. 

VooCha has been making music in various configurations for a few years, core founder Melissa E. Logan works with producers DJ Aroma and Armageddon Turk, performers Nelly Ellinor, Jesseline Sarkodie and has multinational spread of guest collaborations.

VooCha

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