I'm just a self-taught musician and piano player who tries to express his mind and thoughts through the black and white keys.

JOIN: FULL MOON CLUB: https://soundcloud.com/fullmoonclub
composer orchestrator symphonist melodist
BIO:
The Empire of the Full Moon seeks to uncover the mysteries surrounding great songwriting.
Over the years, the Empire has evolved from simple songwriting into creating more complex musical works, viewing music as a true art form.
The Empire blends various styles of music, including classical, thrash metal, heavy metal, hip-hop, and techno, into a unique genre called symphonic metal.

Moht, the main composer behind The Empire of the Full Moon, began creating melodies at an early age.
With an acoustic guitar, xylophone, and toy accordion in his room, Moht started playing instruments during his childhood, learning musical skills from his father, who was also a musician and played the accordion and acoustic guitar.

Today, The Empire is dedicated to crafting outstanding compositions and exploring the depths of songwriting and musical creation.

WELCOME 2 THE TEMPLE OF "SYMPHONIC METAL
Copyright © 2024 THE EMPIRE OF THE FULL MOON  All rights reserved
Canadian Intellectual Property Office (CIPO) www.cipo.ic.gc.ca.
Songwriters Association of Canada (members only) songwriters.ca/education/
SPACQ – The Society of Authors and Composers in Quebec www.spacq.qc.ca.

Australian Music Artist.
Original piano music - peaceful, cinematic, and meditative. 

Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing

I started my musical journey at the age of five, initially composing music with tablature taught by my father. Beginning with the penny whistle and violin, I played in our family band, busking on the streets of Bath.

Our travels across the country inspired compositions like "Road to Wareham." Music became my sanctuary, especially after being diagnosed with Asperger's syndrome. In college, under mentors such as Dr. Rick Birley, Dr. Richard Hall, and Dr. Julie Trevett, I honed my skills in composition, theory, and piano, transitioning to formal music notation using Sibelius.

Today, I compose for film, video games, and theatre. My music, influenced by my diverse experiences, aims to evoke emotion and tell stories.

Thank you to my followers and listeners for your support. I hope you continue to enjoy and share in my musical journey.

Background Music for Videos! Professional Music for Presentations, Commercials, VLOGs, YouTube, Podcasts and many more.

★★★ DOWNLOAD FULL CATALOG (870+ Tracks) + Commercial License / Unlimited Projects. FULL ACCESS ➨ https://www.bluetreeaudio.com/full-access ★★★

▼ Browsing Categories
➜ Business Background (https://bit.ly/2EAVeHF)
➜ Epic Cinematic (https://bit.ly/3joHr5w)
➜ Modern Trailers (https://bit.ly/3lnpoi5)
➜ Ambient Meditation (https://bit.ly/2Quy0Fg)
➜ Happy Upbeat (https://bit.ly/32DwHKa)
➜ Sad Dramatic (https://bit.ly/3lnato1)
➜ Tribal Action Drums (https://bit.ly/3c40Vc8)

▼ Electronic Music
➜ Fashion House (https://bit.ly/2QAQXWU)
➜ Chillout / Lounge (https://bit.ly/3jp8JsO)
➜ Energetic Trance (https://bit.ly/31AYv2g)
➜ Modern Dubstep (https://bit.ly/3b5vtLm)

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

🔺 𝔸 𝕟 𝕕 𝕖 𝕣 𝕤 𝕃 𝕪 𝕔 𝕙 𝕖 🔻
Artist
ᴘʀᴏᴅᴜᴄᴇʀ | ᴅᴊ

I would be genuinely happy if my music could evoke your profound feelings.  Please use headphones if possible. 

I sincerely appreciate your interest and time.

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