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For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


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BIO:
Renowned musical mecca Melbourne, Australia has the reputation for delivering some of the most formidable and talented musical artists that has taken the world by storm. When they created Reece Low, they gave him that extra bit of something special.

Reece Low has trail blazed his way through the ranks to transform from kid with potential to one of Australia's most prominent and well-respected artists. An unrivalled combination of production finesse, DJ ability, and persona has created the Reece Low that is now found jet setting around the globe, delivering his upfront club sound to packed dancefloors throughout Australia, Europe, North America & Asia.

Reece Low's reputation for being one of the games strongest producers speaks for itself with continuous output on labels including DOORN, Dim Mak, Mixmash, Spinnin’, Peak Hour, Armada and more; Top 10 Beatport & ARIA Chart success and support from the likes of Calvin Harris, TJR, Tiesto, Hardwell, Showtek, Chuckie, Laidback Luke, Deorro, GTA, Dillon Francis, MAKJ, Krewella, Steve Aoki, Bingo Players, Pete Tong, DJ Snake, Vinai, Porter Robinson and the list goes on.

It is all guns blazing as Reece continues to leave a trail of bomb records, dance floor destruction, and an ever-growing dedicated fan base of the Reece Low army.

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With features in Complex, Dancing Astronaut, & Tonspion, and supporters including Anna Lunoe, Martin Garrix, Jauz, Zeds Dead, Knife Party, and Tiesto, headline sets around Australia at Chinese Laundry, The Met Brisbane, The Attic, and HQ Complex, alongside additions on Unearthed Radio, guest spots on Triple J’s Mix-Up and Friday Mix, Melbourne-based producer JDG continues to carve his own niche among Australian electronic artists.

Inspired by moody, innovative and unconventional elements, combined with instantly recognisable driving bass-lines, creating music that evokes a sense of raw emotion is paramount to the young artist. Boasting an already impressive catalogue which has already amassed over 30 million streams worldwide, JDG shows no signs of slowing down in 2021 with a slew of new collaborations slated alongside emerging Australian and international vocalists.

>> https://dyro.bio.to/More <<

Dyro’s journey to the top has been fast and swift, marking him out as one of the biggest talents to emerge from an explosive generation of artists. Solidifying his steps in history by becoming the youngest ever highest entry in the acclaimed DJ Mag Top 100, claiming the top 30 for three consecutive years. 

Starting out on an upward trajectory ever since his inaugural releases, Dyro continuously crafted his sound via darker and more experimental strains of electronic music. The launch of his solo imprint WOLV saw Dyro further hone his original take on driving bass lines and grittier sounds. 

Come 2025 Dyro has collaborated with and remixed the greatest – from Hardwell, to Martin Garrix, Tiesto, David Guetta, Rihanna and John Legend. Adding Memory Bank and his remix together with David Guetta of LF System’s Afraid to Feel as recent additions to his top tier tracks. 

With countless releases on industry leading imprints to his name, Dyro continues to elevate his strong output and recent years have seen him as a welcomed guest on labels such as STMPD RCRDS, Monstercat, Spinnin’ Records, HEXAGON and Dim Mak. 

Returning to Revealed Recordings with Bassline Vandal, the anticipated wait is for his new collaboration with Hardwell as teased earlier this year at Ultra Music Festival. With many more productions as well as collaborations in the works – Dyro is showing the world this production powerhouse isn’t ready to slow down!

While it’s no longer surprising that Dyro headlines sold-out shows the world over and boasts an exceptional back catalogue overflowing with quality, it’s clear the best is yet to come for this talented Dutchman.

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