Name: Prelude In D-sharp Aeolian by Chitpong in Mixed friends 8
Duration: 2 min 1 s
Description: A study of Aeolian mode or 'natural minor key'. This mode lacks the leading tone on the seventh, therefore the rule of harmony has to be different from the usual minor key. Harmonic progressions in modal music tend to 'oscillate' near and around the tonic. This gives modes a unique soundscape which can be felt as archaic and unsophisticated, but when done carefully can be strangely charming.

Mixed friends 8

Spotify: https://open.spotify.com/track/22vwSltr6EZWbB1ciMWgR3?si=67234a584440409c

Download: https://www.steven-obrien.net/#happy-days-download

Licensed under a Creative Commons Attribution License (meaning you can use it for free if you can give credit, see link above for instructions). If you want to use it without giving credit, a license can be purchased from https://www.steven-obrien.net/#happy-days-download

⏬ Download (free-use)

Guitar Miniature No. 1 in D major

Segundo movimiento de la 10ma sonata para piano.
Como el nombre lo dice, roza lo minimalista pero variando gradualmente la melodía.

Compuesto e interpretado por Palapeto WalaWala

Composed and performed by Palapeto Wala Wala
Second movement in my 10th piano sonata. Like the name ("Lento quasi minimalista") its a movement very similar to the minimalist, but some variations of the principal melody.


Lento quasi minimalista

A study of Aeolian mode or 'natural minor key'. This mode lacks the leading tone on the seventh, therefore the rule of harmony has to be different from the usual minor key. Harmonic progressions in modal music tend to 'oscillate' near and around the tonic. This gives modes a unique soundscape which can be felt as archaic and unsophisticated, but when done carefully can be strangely charming.

Prelude In D-sharp Aeolian

Joy Lisney - 'Thread of the Infinite'

Performed live at West Road Concert Hall by Cambridge University Chamber Orchestra, directed by Thomas Gould, 13th May 2017.

Joy Lisney - Thread Of The Infinite (Thomas Gould/Cambridge University Chamber Orchestra)

Fugue from E minor To G-sharp minor

Available on Spotify, Apple Music, Google Play, and more!
Stream: http://bit.ly/Believe_PL1
Buy: http://bit.ly/Believe_PL2
More: http://PhilLarson.net

Believe

Breath of Earth | Track 13 - Phil Larson - Believe

Fugue in C minor Tranquillo a 5

Fugue in D Major

Artwork: Abbott Handerson Thayer - Autumn Landscape

Fugue on a Wholesome Melody

2018-05-04

departure into the realm of sleep

This started from a idea to use a 'V - I'  sequence that has been used though out the ages..  (reminds me of a staircase).
It starts with that downward zig-zag in the bass at the start, accompanying the 1st theme.  (The 'zig-zag' motif becomes the main cell for exploitation.. The opening melody is also that - though 4x faster than the bass)
 Then the R.H. in the next sequence uses that bass line  inverted as a melody (going upward) -  and the LH takes the melody from the opening, though played in the relative major -   becoming a 2 part invention.  And then  it continues to morph..  
Initially my  intention was for this to work in my progressive studies book, but I didn't keep the guard rails on…  and it ran away with me.

Haunted Staircase 51 ……………………………………………………………fnl 1

Created for:
Disquiet Junto Project 0331: Born Under a Bad Sine
What does it sound like when a robot has the blues?

Can’t quite tell for other cities, but believe me: this is  the kind of music robots like to listen to in my hometown when they get sad and low.
Buenos Aires is a melancholic city, and robots are not spared.

I won’t be surprised if this track becomes a hit among robots, my vacuum cleaner got weird while I was mixing this earlier this morning.
Me too, mind...

Bandoneon performed by Olivier Manoury, the rest by D.D.

Created in Paris, France 
Friday 4th May  2018.
Image by Franck V.


More on this 331st weekly Disquiet Junto project (Disquiet Junto Project 0331: Born Under a Bad Sine / What does it sound like when a robot has the blues?) at:
https://disquiet.com/0331/

More on the Disquiet Junto at:
https://disquiet.com/junto/

When Robots Cry in Buenos Aires

When Robots Cry In Buenos Aires (disquiet0331)

Reminiscence

Download: https://www.steven-obrien.net/#piece-for-harp-and-flute-download

Licensed under a Creative Commons Attribution License (meaning you can use it for free if you can give credit, see link above for instructions). If you want to use it without giving credit, a license can be purchased from https://www.steven-obrien.net/#piece-for-harp-and-flute starting from just $30/track or $12/month

Piece for Flute and Harp

I compose classical music to pursue the truth and the beauty. It's a way to discover what is meant to be living, and what is meant to be part of nature.

Curly Compositions from a German Composer.

Prelude In D-sharp Aeolian

Chitpong

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