Enjoy this particular, inspired Organ Piece of the modern english composer Michael Tippett, played by me! ❤️🎵

Tippett M. - Preludio al Vespro di Monteverdi [1946] (organ)

Prolude

Played by Peter Kravanja. Recorded at home on a Steinway piano, November 2025.

Iberia - Preludio (Evocación)

Isaac Albéniz, Iberia - Preludio (Evocación)

again???
harry 
do you really think this is gonna work

okay yeah thats
thats fair i GUESS

look yeah you can go on but the thing is like
i dont want to be an asshole but this isnt really
gonna
help anymore

yeah no i. i get that but this is really unhealthy
this feels unhealthy to me at least
whens the last time you even talked to me

that didnt count come on
i just
dont think you should be using stuff like that
it isnt gonna help

i

look its

just

ugh. fine
just fucking go 
i dont care anymore

im sorry
you know i dont mean that

WAKE

Scalladosis x Lil Kori - TANMAT Prelude Freestyle [Remastered] (prod. Nick Wiz)

Bandcamp

Fleeting Notes

Second Attempt (Stumbling)

Second Part (Constant Upbeat)

First Attempt (Unrealised)

Prelude - Extended

This Prelude and Fugue was written in Summer of 2025 inspired by J.S. Bach's WTC 1 and 2. 

Prelude and Fugue in E Major

This composition was first set to a more aggressive style with the Comanche as a basis for a Prelude for Orchestra.  With some help from Suno.com and work in the studio it is now rearranged to an interesting compromise with a merging of the thematic material transported and reformulated.  Jazz elements deliver an interesting interplay with the Western native American themes (why not?). The Rocky Mountains were called the Shining Mountains by the Ute (an Indigenous people of the Great Basin and Colorado Plateau in present-day Utah, western Colorado, and northern New Mexico., U.S.A.). 

Visions of the Shining Mountains

Season 2 Episode #5: In this episode of Tech Effect, we meet Chris Woods. Chris has over 16 years of experience in the delivery of global executive search & selection assignments for high-profile blue-chip clients, having worked for the likes of Santander, Vodafone, Saudi Aramco, Dell, Omio, and BeReal. He has also made the transition from Tech Talent Lead to VP of Operations at Prelude, a company that specialises in advancing SMS and OTP verification infrastructure. Join us as Chris takes us through his journey and delivers his insights on what to look out for when it comes to tech talent, effectively empowering teams with AI, SMS & OTP verification, and how Prelude became such a success.

👉 Hit "Follow" on our podcast page to receive updates on future episodes of "Tech Effect," where we bring you the latest news, trends, and expert insights from the world of technology. Together, let's unlock the potential of software solutions and embrace the future of innovation. 

🔔 Follow TestDevLab for more technology & software related content:
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# 24 Chris Woods (Ex-BeReal, Operations VP at Prelude): Solving Problems For Fast-Growing Companies

Sheet Music: https://musescore.com/user/12315586/scores/29909573

Prelude in D Minor

Frank Royal 
Astral Protocol (the album)
12/12/25

Frank Royal - CALIBRATION (prelude)

Headlight Serenade

Moonroof

Prelude

Mean Wheels

I'm an independent rapper, singer and producer who makes a lot of different kinds of music. The meaning of my abstract and unique name is that it doesn't have a specific meaning or make sense, but it sounds cool, just like my music. Welcome to my world!

Been writing lyrics since 2016

Don't remember followin' me?
Bloody miracles, huh??


Loose change? I don't deal with scum like you.

https://redmaker.neocities.org/

Hi there.
"MEGAHIT" is a Retrowave / Synthwave / Outrun music project from Hungary, combining modern synthesizer-based electronic music with 80s inspired retrofuturistic soundscapes.

Midwestern based oboist and composer. Lover of all things orchestra.

TestDevLab's Tech Effect is a podcast where host Josh explores software engineering and tech innovation through conversations with diverse industry professionals. Covering testing, development, and emerging trends, each episode delivers insights valuable for both technical and business roles—ideal for anyone interested in technology's impact across industries.

Dance Music label, founded by @FrankRoyal in 2016. 

Releases on Drone Parade include: 
Frank Royal
Fairy Boy
Nitrah Neon
Meech
eunome
lukas royer
NEO 10Y
Echo Demand
STAC CATO
Restraint
CohmuDose
Auracle
Erivera Reyes
ZWZ
Gumdr0p
David Fields
Bad Martian
RYL0
Gartex
Sisi Superstar
Voyager
Siji
Padlock
Pleasure
Stephan Jacobs
Trowa
King Peanuts
Ahee
GRAUER
moistbreezy
Stephie
Radical One
Cvppa Coffee
Nimasis
OHEY
Kini Solana
St. Loreyn
Ashez
Knundrum
Hurtz
DoBadlyy
FLDS
Vze
Vareons /V1rus/V
Dr.Eam
One Take Jake
All Fallen Angels
Shiny Lake
Terria Xo
The Cooling Channel

Follow our secondary page @droneparadepremiere for DJ Mixes, Remixes, & musical extras from our collective

An amateur composer who's seemingly obsessed with pianos and four flats in the key signature

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

Composing 50 years.  You will find every genre here.

A note about AI assist:

Regarding all my instrumentals, I composed the original works and possess the original manuscripts.  

My compositions are the source material, and for AI assist where used, I create the prompts and style instructions (which is time consuming and require hours of trial and error) at suno.com to produce the final version of the works which I feel are best. What you hear finally is at times the best of perhaps dozens of variations after much work is put in to produce the final outcome.  I try to find the right balance between what I composed originally, and what I envision is perhaps a better result with the assistance of AI.  I also aim for a realistic reproduction should live performance ever be a consideration.

For songs with Lyrics, I am the lyricist in every case, and the music is built from AI where I provide specific instructions as to style, genre, tone, key, and so forth. 

Some tracks are exceptions to the above descriptive process, and when this occurs that track itself will include how the track was developed in its description.

I am an amateur pianist drawn to music where structure and emotion meet, from Bach to Krenek, through Schumann, Chopin, Brahms, Franck, Debussy, Poulenc, Ravel, Scriabin, and other composers. I seek clarity, balance and intimacy rather than display. My repertoire reflects a taste for architecture and reflection, for poetry within precision. I am interested in the quiet intensity behind sound, that fragile space where thought becomes feeling and feeling becomes form. This channel is my way of sharing that search: the architecture of emotion.

New tracks tagged #prelude