An opening tone poem. “Prelude (TC)” sets the mood for what’s to come. A haunted hum before the spark built from tape hiss, echo chambers, and instinct. It’s not meant to be loud. It’s meant to linger.

Elbows Don't Have Eyes

Prelude (TC)

PASSION - dont stop my love (Philly Vanilli Percussive Dub)

﻿Improvised piano music. classical base with a touch of Jazz and contemporary piano.
No editing or overdubbing.
Comments and suggestions or just an encouraging word are much appreciated.
Thank you for listening!

impro521

Website: https://www.enricomilano.it/disco-music/maximize-overdrive/
Spotify: https://open.spotify.com/track/5YwhoAFV4lAHk8fcQJ2vkt
Apple Music: https://music.apple.com/us/song/maximize-overdrive/1827082483
SoundCloud: https://soundcloud.com/electro-music-dj/maximize-overdrive
Tidal: http://www.tidal.com/track/448487382
Shazam: https://www.shazam.com/song/1827082483/maximize-overdrive
Youtube Music: https://music.youtube.com/watch?v=PIg14Lv-bQU

Maximize Overdrive

WEBSITE

postapocalyptic

Improvised piano music. classical base with a touch of Jazz and contemporary piano.
No editing or overdubbing.
Comments and suggestions or just an encouraging word are much appreciated.
Thank you for listening!


﻿Improvised piano music# Jazz piano# contemporary piano# ﻿Improvised piano# classical improvisations# Piano impros# Crossover piano

impro522

Fantasie prelude

Debut single from Milwaukee based singer/rapper Slick Da Sol God.

Prod. by Rydell West, Nelson Rich IV, t milla
Mixed by Rydell West, Ric McRae

BABYDAW - DIAMANTE NEGRO REMIX (DEAD KAIJU VIP)

Here is my arrangement of "Prelude" from Konami's Castlevania III: Dracula's Curse.
コナミ 悪魔城伝説 の Prelude をアレンジしました。

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I vividly recall conceiving this arrangement with a set of keywords in mind: noble, decadent, aesthetic, salon-style, modern, minimal, and clarity. The accompanying visual was also created to incorporate all of these keywords, portraying the fleeting moment a once-noble material begins to decay. It is an attempt to express the aesthetic found on the blurred line between the pristine and the perishing.

The catalyst for its release was my recent work on "Calling from Heaven."
▶ Calling from Heaven - Castlevania: Bloodlines
https://youtu.be/qeFU_znDQI8

While arranging the first half of "Calling from Heaven," the melody of this "Prelude" kept weaving in and out of my thoughts. Musically, their chord progressions are quite similar, and their themes are, to some extent, interchangeable. It's a fascinating thought that "Calling from Heaven" might have been composed as a deliberate nod to these roots.

And so, this experience reminded me of the "Prelude" I had arranged long ago, and I decided to release it as well. Upon unearthing the project file, I discovered, to my astonishment, that it dated back 11 years...!

ORIGINAL SOUNDTRACK IS HERE
https://youtu.be/IjPRJ8vh5L8

[LISTEN ON OTHER PLATFORMS]
- YouTube (To get lost in the visuals) https://youtu.be/KqFyLCfUyTM
- SoundCloud (To feel the full resonance) https://soundcloud.com/sdr0x07b6/prelude-decadent-v100-arranged-castlevania-iii-draculas-curse-konami
- NicoVideo (Let's create a storm of comments together) https://www.nicovideo.jp/watch/sm45267306

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この制作では、ノーブル、退廃的、耽美的、サロン的、モダン、ミニマル、透明感、というようなキーワードでアレンジしていたのをよく憶えています。
公開にあたり制作したビジュアル画像もこれらのキーワードをすべて含むようイメージしています。
かつてノーブルであった素材が、退廃していく一瞬を切り取りました。美しいものと朽ちゆくものの曖昧な境界にある耽美を表現しています。

今回これを公開したのは、先日アレンジした「Calling from Heaven」がきっかけです。
▶ Calling from Heaven - Castlevania: Bloodlines
https://youtu.be/qeFU_znDQI8

Calling from Heaven の前半のアレンジをしている間ずっとこの Prelude の前半が思い出されており、頭の中を出たり入ったりしていました。コード進行など音楽理論的にはよく似ており、それぞれのメロディをある程度相互交換可能です。
Calling from Heaven がもし意図的にこのルーツを汲んで作曲されたのなら非常に興味深いことだと思います。

そんな経緯で、ずっと以前にこの Prelude のアレンジをしていたことを思い出したので、流れのまま一緒に公開することにします。
プロジェクトファイルを掘り起こしてみたところ、なんと11年前のファイルでした…！

オリジナルサウンドトラックはこちら
https://youtu.be/IjPRJ8vh5L8

[他のプラットフォームで聴く]
- YouTube（映像とともに没入するなら） https://youtu.be/KqFyLCfUyTM
- SoundCloud（より迫力のあるサウンドで聴くなら） https://soundcloud.com/sdr0x07b6/prelude-decadent-v100-arranged-castlevania-iii-draculas-curse-konami
- ニコニコ動画（みんなで弾幕を厚くしよう） https://www.nicovideo.jp/watch/sm45267306

Prelude (decadent) v1.0.0 - ARRANGED - Castlevania III: Dracula's Curse - Konami | 悪魔城伝説 - 新たなる決意

Prelude no.5

While the end is glorious, the journey of this prelude is more important than the destination.

J.S. Bach - Prelude in C Major

The solemnity here appears to march towards something inevitable. Somehow, the quiet parts are the loudest to me.

Chopin - Prelude No. 20 in C Minor

The pain Chopin imbues in this melody reminds me of the second movement of Mozart's Sonata Facile.

Chopin - Prelude No. 4 in E Minor

Key Signature: C♯ minor
Time Signature: 12/8
Tempo: Moderato assai (very moderately (126))
Difficulty: Advanced

Nikolai Vasilievich Artsybushev (Russian: Николай Васильевич Арцыбушев; 7 March [O.S. 23 February] 1858 – 15 April 1937) was a Russian jurist, music publisher and promoter, and minor composer. His name is sometimes seen as Artsibushev, Artsybuchev, Artzibushev, Artzybushev, Artchibousheff, Arcybusev, etc.

Artsybushev was born at Tsarskoye Selo in 1858. His legal studies were at the Imperial School of Jurisprudence in Saint Petersburg, after which he practised in St Petersburg as an attorney. He also dabbled in music composition, and Nikolai Rimsky-Korsakov gave him private lessons in music theory after Mily Balakirev said his works showed some promise.He also became acquainted with the music publisher Mitrofan Belyayev and participated in his regular weekly gatherings called "Fridays" (Vendredis). To mark these occasions, a group of 10 composers including Artsybushev collaborated on a 16-part suite for string quartet, called Les Vendredis. His contribution was a Serenade in A major. He also collaborated with others on Variations on a Russian Theme, in versions for both string quartet and orchestra.

He was a member of the St Petersburg City Council. After Belyayev's death in 1903 he became chairman of the board of the Belyayev publishing house, in which capacity he had significant dealings with Alexander Scriabin. From 1908 to 1917 he was President of his city's branch of the Russian Musical Society, and later succeeded Rimsky-Korsakov as President of the Board of Trustees for the Society for the Encouragement of Russian Musicians.

In 1920 he moved to Paris and became a director of the Belyayev publishing house there. He died in Paris in 1937, aged 79.

His works other than those mentioned above are now little known, but include:

-Polka caractéristique, Op. 4, orchestra
-Valse-Fantaisie, Op. 9, orchestra
-Scherzo in C, orchestra (this had its premiere at the same concert at which Rimsky-Korsakov's
-Capriccio Espagnol was premiered)
-Piano pieces
-Orchestral and other arrangements of works by:
--Borodin
--Glazunov (Suite for string quartet, Op. 35)
--Mussorgsky (Night on Bald Mountain, for piano 4-hands;world premiere recording) and
--Rimsky-Korsakov (Sinfonietta on Russian Themes, Op. 31).
[
https://en.wikipedia.org/wiki/Nikolai_Artsybushev
]

Prelude Nikolay

I tune the instrument to A=10, B=9, C=8, D=7. I play D# on the 7 string and use the other basses on this piece, the arrangement is by Hans Dagobert Bruger.

Prelude BWV 999 by J.S. Bach 10-string guitar Ramón León Egea

I'm a IT enginee, programmer. I arrange game music as a hobby.

ITエンジニア、プログラマ。趣味でゲームミュージックのアレンジをしています(･ω･)

“Dark age, sonic raiding party” 🎶 💔 New Album: Elbow's Don't Have Eyes - 13 track out Friday the 13th 🎶

TENTANDO FAZER UMAS NOVAS MERDAS
Tryng to do a new shits
FUCK

Enrico Milano aka Mr. Dub is a disk jockey from Italy. 

Born in 1971, he collects vinyl records of rock music, disco music and a little of jazz. 

Actually, his record collection amount at over than 4000 of vinyl. 

Enrico Milano became famous in the early 1990s for his "Rock and House" style disco nights. 

From 1987 to 1995, Enrico Milano did several club tours playing acid house, ambient, techno, rave, trance, rock and roll and revival music in discos and venues in Sorrento, Positano and Amalfi Coast. 

The alias "Mr. Dub" was born out of a passion for DUB versions of 80's songs. 

After 1995 Enrico Milano dedicated all time to Information Technology studying programming languages like Cobol, .net, PHP and Java, always with music in the heart. 

Starting from 2021, he combines Information Technology and Music buying his first Digital Audio Workstation developing his own electric disco music style, a blend of Electronic Dance Music, Chill Out, Funky and Rock. 

Enrico Milano’s slogan is: “We have the duty to change the color of our life”.

New tracks tagged #prelude