Less Stress, More Sex _ DEMO

prelude orphaned melody

Classical Piano Collection, Volume 1

Préludes, Book II in D-Flat Major, L. 123: No. 7. La terrasse des audiences du clair de lune

Soundfont: Yamaha C5 Grand (Dynamic)
Tuning: Bach-Lehman 432 Hz

July/2025 - 25/Oct/2025

Prelude in A Major (Adagietto)

We are welcoming back Nikita Berdnik, who delivered two awesome Melodic Techno tunes again. Great sounds, so get it loud!

Prelude To Autumn EP

Stream / Download

Nikita Berdnik - Prelude To Autumn (Original Mix)

ft. kinelle man around 4 1/2 min around the oprah part. 

Characters Welcome

A fleeting glimmer in the dark, "Spark" captures the moment just before the last memory fades completely. There is no longer a grasp on the emotions that once defined the journey—only an empty stare into the infinite, as Whispers watches the light in the glade, its glow slowly swallowed by the vast void. The song is a brief prelude to the end, where even reflection seems to lose meaning, leaving only the quiet expanse of uncertainty.

Bandcamp

Spark

“I composed this piece purely instinctively — without a teacher, without musical education.
It wasn’t born from rules, but from emotion — that’s why every note in it is honest.
It’s not scientific. It’s human.”

Embers of Time

Composed 2009; this atmospheric classical solo piano piece arranged by Suno.com (AI), proceeds at a slow tempo, weaving soft harmonies and countermelodies in the left hand, Added depth via gentle chords and subtle arpeggios, The through-composed structure lets melodic and harmonic themes evolve, maintaining a clean, immersive, natural Grand Piano soundstage with expressive dynamic ebb and flow.

Piano Prelude no. 10

Preludes

Prelude in E Flat Major, No. 19, Adagio Cantabile, The Hope

Prelude (MIKAZE Edit)

Enjoy this particular, inspired Organ Piece of the modern english composer Michael Tippett, played by me! ❤️🎵

Tippett M. - Preludio al Vespro di Monteverdi [1946] (organ)

Prolude

Played by Peter Kravanja. Recorded at home on a Steinway piano, November 2025.

Iberia - Preludio (Evocación)

Isaac Albéniz, Iberia - Preludio (Evocación)

again???
harry 
do you really think this is gonna work

okay yeah thats
thats fair i GUESS

look yeah you can go on but the thing is like
i dont want to be an asshole but this isnt really
gonna
help anymore

yeah no i. i get that but this is really unhealthy
this feels unhealthy to me at least
whens the last time you even talked to me

that didnt count come on
i just
dont think you should be using stuff like that
it isnt gonna help

i

look its

just

ugh. fine
just fucking go 
i dont care anymore

im sorry
you know i dont mean that

WAKE

Scalladosis x Lil Kori - TANMAT Prelude Freestyle [Remastered] (prod. Nick Wiz)

I'm an independent rapper, singer and producer who makes a lot of different kinds of music. The meaning of my abstract and unique name is that it doesn't have a specific meaning or make sense, but it sounds cool, just like my music. Welcome to my world!

Been writing lyrics since 2016

main (formerly) >> @mikazemusic

label @poweredbyinfinite

this acc only use to post remixes, ids and flips and also random shits

Don't remember followin' me?
Bloody miracles, huh??


Loose change? I don't deal with scum like you.

https://redmaker.neocities.org/

www.bigfootbeats.com
www.bigfootcollective.com

🎧 Federico Pagianni – Hungarian producer & DJ, creator of Astral Minimal
Hypnotic techno grooves with cinematic tension and dark textures.
Bookings & promos: federicopagianni@gmail.com

Follow for unreleased tracks, DJ mixes & upcoming projects.

Send DEMOS here: suevirecords@gmail.com
Please follow us on Bandcamp: https://bit.ly/SVRALL

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

Composing 50 years.  You will find every genre here.

A note about AI assist:

Regarding all my instrumentals, I composed the original works and possess the original manuscripts.  

My compositions are the source material, and for AI assist where used, I create the prompts and style instructions (which is time consuming and require hours of trial and error) at suno.com to produce the final version of the works which I feel are best. What you hear finally is at times the best of perhaps dozens of variations after much work is put in to produce the final outcome.  I try to find the right balance between what I composed originally, and what I envision is perhaps a better result with the assistance of AI.  I also aim for a realistic reproduction should live performance ever be a consideration.

For songs with Lyrics, I am the lyricist in every case, and the music is built from AI where I provide specific instructions as to style, genre, tone, key, and so forth. 

Some tracks are exceptions to the above descriptive process, and when this occurs that track itself will include how the track was developed in its description.

I am an amateur pianist drawn to music where structure and emotion meet, from Bach to Krenek, through Schumann, Chopin, Brahms, Franck, Debussy, Poulenc, Ravel, Scriabin, and other composers. I seek clarity, balance and intimacy rather than display. My repertoire reflects a taste for architecture and reflection, for poetry within precision. I am interested in the quiet intensity behind sound, that fragile space where thought becomes feeling and feeling becomes form. This channel is my way of sharing that search: the architecture of emotion.

New tracks tagged #prelude