Novo e irado: Folk e Cantor/compositor

“This song is about the lingering taste of words you never said, when goodbye slowly engulfs you like the morning haze. It’s about the tender misgivings of two people drifting apart, about tired aching hearts holding love that is quietly washing away.” - Azuria Sky

Analogue Dear is accompanied by Azuria Sky for the first single of his upcoming EP. Check it out!

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🕊

~Lyrics~

You were right when you said you would turn out to be
The lonely boy that I would already see

When you grew tired of
Looking endlessly for all those ways to fix
What’s left of the bitter taste
If she only knew how you wanted to believe
Every subdued smile she threw at you
After she walked out

It lingered in your mouth 
For such a long time
And it was so clear to me when
You left town for

You never really learned to tell any difference between
All the dots and lines that made up her heart
She was only trying to mend
While her eyes said goodbye
If she only knew
How much it would tear you apart

Dots & Lines (ft. Azuria Sky)

✨Stream/DL✨

Analogue Dear - Dots & Lines (ft. Azuria Sky)

millions of ghosts have walked my streets
where do they go?
where did they go?
pages of myself now bite my skin
a village turned cold
why are they cold?

oh, my words have turned to stone!
it’s like i got a body in the back of my ferrari that i don’t even own!
i should’ve left it alone

maybe if you took my lungs away
i wouldn’t breathe the air that makes me say the things that will haunt me
the very next day

maybe if you took my mouth away
zipped my lips and throw the key away
the millions of eyes that look on me like i killed a man
would finally subside
my words have turned to stone
it’s like i got a body in the back of my ferrari that i don’t even own
i should’ve left it alone

millions of ghosts have walked my streets
where did they go?
where did they go?
three little pigs - in the “big bad wolf”
the talk of the town is that i came and “blew it down”
i never blew it down!

ugh,

maybe if you took my mouth away
zipped my lips and throw the key away
the millions of eyes that look on me like i killed a man
would finally subside
my words have turned to stone
it’s like i got a body in the back of my ferrari that i don’t even own
i should’ve left it alone

take my secrets burned at the stake
i got one last chance before it’s too late
to restore my reputation
my only chance of saving
maybe if you took my lungs away
i wouldn’t breathe the air that makes me say the things that will haunt me
the very next day

maybe if you took my mouth away
zipped my lips and throw the key away
the millions of eyes that look on me like i killed a man
would finally subside
my words have turned to stone
it’s like i got a body in the back of my ferrari that i don’t even own
i should’ve left it alone

ferrari

From Campfires' "Fare Trax" out August 30th on Fire Talk. 

Pre Order / Pre Save: https://ffm.to/faretrax

“Fare Trax” is a new album by Portland Oregon based Campfires. The last one, “Tomorrow, Tomorrow”, came out about 6 years ago, also on Fire Talk. During those 5 years Campfires existed as a live band, watched seasons pass and eventually Jeff and his wife had a baby daughter named Lucy, named after “Lucy in the Sky with Diamonds”. He wrote a song for her while she was still in the womb. Unsurprisingly, that one is called “Lucy’s Song”, and is the last song on this album. Recorded on the Oregon coast a few months ago in a house overlooking the sea and finished in Portland in a practice space that shares a wall with some local favorites, so you can hear Lithics practicing as “Grand Central Song” fades out. The record is an amalgamation of influences, the Kinks are in there and early Byrds with the aesthetics of raw 60s garage and early 80s punk or anorak pop like Television Personalities & stuff from Sarah Records. Some of the poppier Velvets tunes are a touchstone too, then there’s ambient music and experimental tape work. A guazey take on folk music, refined and perfected over 10 years, it’s tenderness is complimented by honest and sincere songwriting presented in all it’s ramshackle glory.

Fare Trax

Campfires - I'll Go Home

A study of Selemao or Fon Ngiew, a Northern traditional folk song deconstructed by Markov Algorithm in Max/MSP programming.

Selemao is composed by anonymous, considered as the best known tune in Northern traditional music and in Thai musical culture. Literally, "Selemao" is originally Shan language (are a Tai ethnic group of Southeast Asia)

FYI: the folk tune can be found by these links
played via Northern traditional ensemble : https://www.youtube.com/watch?v=MKAoj5J48sc
Jarun Manophet's arrangement : https://www.youtube.com/watch?v=5zpGC0mgysc
Solo Seung, a traditional instrument : https://www.youtube.com/watch?v=MJlSSe7be9U

เสเลเมา/ฟ้อนเงี้ยว (Selemao/Fon Ngiew) programmed for piano (2019)

maybe if you took my lungs away
i wouldn’t breathe the air that makes me say 
the things that will haunt me
the very next day

nourish. spotify playlists
selected: http://spoti.fi/2eKbsLL
lofi & chill: http://spoti.fi/2fIfmba
uploads: http://spoti.fi/2Dm8T2A

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on youtube
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isaac dunbar
https://soundcloud.com/isaacdunbar
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https://twitter.com/isaacdunbar

nourish.
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~ lyrics ~

millions of ghosts have walked my streets
where do they go?
where did they go?
pages of myself now bite my skin
a village turned cold
why are they cold?

oh, my words have turned to stone!
it’s like i got a body in the back of my ferrari that i don’t even own!
i should’ve left it alone

maybe if you took my lungs away
i wouldn’t breathe the air that makes me say the things that will haunt me
the very next day

maybe if you took my mouth away
zipped my lips and throw the key away
the millions of eyes that look on me like i killed a man
would finally subside
my words have turned to stone
it’s like i got a body in the back of my ferrari that i don’t even own
i should’ve left it alone

millions of ghosts have walked my streets
where did they go?
where did they go?
three little pigs - in the “big bad wolf”
the talk of the town is that i came and “blew it down”
i never blew it down!

ugh,

maybe if you took my mouth away
zipped my lips and throw the key away
the millions of eyes that look on me like i killed a man
would finally subside
my words have turned to stone
it’s like i got a body in the back of my ferrari that i don’t even own
i should’ve left it alone

take my secrets burned at the stake
i got one last chance before it’s too late
to restore my reputation
my only chance of saving
maybe if you took my lungs away
i wouldn’t breathe the air that makes me say the things that will haunt me
the very next day

maybe if you took my mouth away
zipped my lips and throw the key away
the millions of eyes that look on me like i killed a man
would finally subside
my words have turned to stone
it’s like i got a body in the back of my ferrari that i don’t even own
i should’ve left it alone

balloons don't float here

watch on youtube

isaac dunbar - ferrari

Mondays should be my day off, but for the past few weeks, work has taken that away from me. Now, I finally get to rest. Here are some tracks I wrote and recorded during my rest day. They're raw and sound awful, but I like them. Hope you do, too.

The first track is something I would usually right. Nothing out of the ordinary.

The second is something I've always wanted to do: a punk rock song with cheesy lyrics and vocals. Glad I got to try making one at least once in my life.

I got tired of recording the third song, which is perfect because it's a song about being tired. I started writing this album hoping I would find answers to questions I've been having lately. Turns out I'm leaving this project with more questions.

----------------------------------------------------------------------------------------------------

I. Looking For

When I was a boy
Just 5 years of age
I picked up a fiddle
And started to play
Those were
The best years of my life

Learned the guitar
Back in summer ‘09
I made my first tune
And wrote my first rhyme
It wasn’t perfect
But i   was all right
I wasn’t perfect
But I was all right

It began to feel different
When I hit 18
I made some new plans
Set aside all my dreams
And I can’t
Get away from the push and the pull
Of the waves crashing over my heart and my soul

23 and there’s no going back
All i have are these mem’ries intact
It’s hard to move on when I’m stuck in the past
how long will this last

I still haven’t found what I’m looking for
Haven't regained what I lost

II. Every City

Every city that I’ve been to
Feels a little like you
There’s always something new
Always something new

Every pretty little detail
In your photographs
Tells me you’re not far
Stay right where you are

I can’t tell you I’ll go with you
I know I’d be lying
But I’ll see you when it ends
And I can’t tell you that I’ll miss you
You know that I'm trying
I’ll see you when
I’ll see you when it ends

Every city that I’ve been to
Feels a little like you
I’m still not used to
Still not used to you

Every time you take a detour
It’s unclear
If you’ll find your way back here
Or finally disappear

I can’t tell you I’ll go with you
I know I’d be lying
But I’ll see you when it ends
And I can’t tell you that I’ll miss you
You know that I'm trying
I’ll see you when
I’ll see you when it ends

III. Start/End

I started with some questions I need answers to
And now I end with some and 20 more
Do you think you could give me back the time
I wasted
Searching for what I could never find

I looked in every place
Every time
Every face
I got so far thinking that I’ve come so close
But you were always there
To tell me that I’m wrong again

You said, “Turn the other way,
Is it so hard to see
All the things you’re holding on to
Are making you bleed

Neither the past
Nor the future
Are in your hands
So let go

I told you hope is harmful when there’s no guarantee
All the things you’re holding on to
Are making you bleed

Neither the past
Nor the future are in your hands
So let go"

Just let me have my way
Is it so hard to see
That the more you hold on to me
The more you will bleed

I know my past and my future are in your hands
So please let go

I. LOOKING FOR

Tanapon Chiwinpiti 
(b. 1992) is largely self-taught Thai-born sound artist, sound engineer, computer programmer, visionary, pianist, improviser and composer.

He attractively works on technology, algorithm-based approach in composition to explore a new prototype of digital age music from 21st century. He graduated in Music Composition at College of Music, Mahidol University from 2011-2016. The year of 2014-15, He attended to study computer music and design (Sonology Department) at Kunitachi College of Music Tokyo, Japan as an exchange student.

He studied piano under a guidance of Nithi Kornkaewsakuldej, Jamkad Saen-ngamwong, Pohnchanan Suravichai and Satoko Inoue. Music Composition with Roger W. Petersen, James J. Ogburn, Julia Lake Bozone, Tyler Capp, Shintaro Imai and Cort Lippe. Computer & visual programming with Shintaro Imai, Cort Lippe, Takayuki Rai and Shu Matsuda. Sound technology, live sound reinforcement and recording with Ruangkarn Tatiyasuk, Pongpat Chuapibul and Satoru Kobayashi.

He attended several lectures and workshops conducted by Dirk P. Haubrich, Mie Yanashita, Zygmunt Krauze, Zhou Long, Yann Robin, John Corigliano, Paul Patterson, Kee Yong Chong, Jean-Luc Darbelley, Mara Gibson, Martin Jaggi, Jōji Yuasa, Ums'n Jip Duo, Hans Tutschku, Enno Poppe, Peter Eötvös, Joe Hisaishi and David Rosenboom. He also has collaborations with Haruna Tsuchiya, Tomomi Kubo, Takashi Miyamoto, Noriko Tsuboi, Akiyuki Okayasu, Ensemble TACETi, Michael Hall, Ums'n Jip Duo, Inflexio Duo, Mahidol University String Quartet, Salaya String Ensemble, Ensemble Mosaik, Salaya Saxophone Ensemble, Pan Pacific Ensemble, Kammerorchester Basel, Collegium Novum Zurich(as a personal assistance) etc. He was a finalist in Basel Composition Competition, Best Award of Ryuichi Sakamoto's Sound Installation Competition《IS YOUR TIME》collaboration with Shiro Takatani at NTT ICC Tokyo Japan. Grand Prize ACSM116 in Acousmonium Music at CCMC 2017 Japan, a finalist Young Composers in Southeast Asia 2013 by Goethe Institute, and Distinguished Prize for Music Composition of Young Thai Artist Award 2013, 2015-17 etc.

Presently, He is focusing on “Parametricism and Digitalism” practical based-concept embodies an Artificial Intelligence relevant, augmented reality/hardware/VR, data science, algorithmic approach, mathematical models, spatial music, creative coding and design through particular inspiration of Zaha Hadid's foreseen architectures. Regarding to Asian concept of beauty in Japanese and Thai aesthetics and applied Trans-humanism ideology.

Events:
- Received a commission from the American violist Michael Hall to premiere a composition at Thailand International Composition Festivals 2012(TICF). Call for music「Game Music 2 for synthesizer」performed by himself in TICF July 2015.
- A Finalists of Young Composers in Southeast Asia Competition & Festival (2013) collaborated with Ensemble Mosaik under a conductor and composer, Enno Poppe.
- Grand prize from the 1st Annual Mahidol University, College of Music Composition Prize for String Quartet "Streichquartett Nr.1" (2014)
- his psycho-electronique"project number 1" for cello and computer with live-video by Takashi Miyamoto was performed in Sonic Interaction 2014 vol.2 at Kitazawa Town Hall, Tokyo JP 
- "...au/one.sound..." for ondes martenot was performed by Tomomi Kubo in her "Ondes Martenot Recital" at Ryogoku Monten Hall, Tokyo JP (2015)
- "microtalk.bandpass" for snare drum and electronics will be perform  by TACETi ensemble directed by Piyawat Louilarpprasert, a classmate composer (TH).
- New work for his piano advisor "Satoko Inoue"
- He has a long-collaboration with Japanese artist, Akiyuki Okayasu.
- "glaciereskimo" for orchestra was given a world premiere by Kammerorchester Basel under the baton of Franck Ollu at Basel Composition Competition (CH).
- "data.protons" was "honor mentioned" in Forum Wallis Festival (CH).

เสเลเมา/ฟ้อนเงี้ยว (Selemao/Fon Ngiew) programmed for piano (2019)

tanaponchiwinpiti