well done Ian, short but intense..a very good job mate ;)))

HNDI

LUZoSCURA

Corner Shop

Video here - https://www.youtube.com/watch?v=HUV-B0VsdDI

Completing a triptych of fantastic LPs for 2016, Will Saul’s Aus Music is delighted to announce the debut full length fromYouandewan. The Berlin based Brit’s ten track ‘There Is No Right Time’ lands in October 2016 and shows a distinct development of his musical style.

Youandewan is Ewan Smith, a DJ and producer who has quietly but consistently gone about forging his own tender brand of deep house. He has been doing so since 2009 and most recently settled on this label with tracks that are shy but seductive, and full of both motive and emotive forces. This album stays true to that narrative, but sees Ewan finding his feet with his mostaccomplished and elegant work to date.

Much of the music was sketched out during a wintery Berlin three years ago. Having left London, hungover from a breakup,Smith found himself broke and secluded in an apartment for four months. All this lent the music he wrote a melancholic vibe;one that nods to the lonely nature of the job and to the darker side of constant partying and all that comes with it.

A swelling, expansive piece of melodic atmospherics starts things off, then the soft hues of analog chords bring a neon glow to

the weightless whirl of ‘Be Good To Me, Poly.’ Soaring synths marry with a raw drum and bass combo on “Waiting for L,’ then ’Time To Leave (Can’t Mix)’ resets to a piano laced beatdown vibe that is wilfully wallowing. ‘10405 (Alice)’ is a shimmering, crescendoing piece, and from there the second half of the album begins to take an upward and optimistic swing through the floating, graceful harmonies of ’Our Odyssey.’

‘Something Keeps Me Real Quiet’ is a concession to the ‘floor with its rusted electro slither, ‘Left On Lucy’ calls upon friend Huerta for a hi-tech soulful house cut Derrick May would be proud of, and 'Earnest Kelly' nods to the ‘80s with its stomping retrosynthesis. Finally, ‘4D Anxiety’ allows all the pent up emotion and energy to dissipate with a playful hip-hop jam effortlessly tapped out on an MPC.

‘There Is No Right Time’ is a listening album which proves that deep house done well needn’t be reserved for the club. It’s a vulnerable and musical work that stays with the listener long after the final chords have dissipated.


There Is No Right Time

Youandewan 'Waiting For L'

Free Download: https://lnk.to/dl_sasha
Listen to the original by @Klangstof: https://Klangstof.lnk.to/sc_hostage

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Klangstof - Hostage (Sasha Remix)

BAILE - Amae (feat. Felicia Douglass) [Sasha Fabric1999 Mix]

Alium 04

Buy/Stream: WeAreTheBrave.lnk.to/SpiralofSilence

Since its inception in 2016, Alan Fitzpatrick has clearly started something with his imprint We Are The Brave – the selection of artists who have released on the label in the last 2 years shows his dedication to giving a home to the best underground music around for his loyal and dedicated fans. Club anthems come to mind, with tracks like Alan’s ‘We Do What We Want’, Gary Becks ‘Just One More’ and the recent smash hit ‘Poison’ from Croydon’s finest - Skream. 

Portsmouth local and label mainstay Reset Robot has released 2 EP’s on the label back in 2018, and this June he brings us his second highly anticipated LP of his career - ‘Spiral Of Silence’. The release is a landmark one for the label, being the first album for We Are The Brave. 

“With we are the brave approaching its third year of existence. It was inevitable that we would soon be approaching album territory. Personally, I can’t think of anyone better to kick off this milestone event than Reset Robot” – says Alan 

As with his first album, 2014s ‘Let Your Soul Outside’ on Truesoul, Reset Robot has allowed himself the creative freedom to paint outside of the rigid lines of club music, meaning alongside the dance floor bombs such as ‘Ramp’, ‘Meadow’, ‘Humankind’, and ‘Spiral of Silence’ there are delicate downtempo gems such as ‘Denial’, the sinister movie soundtrack of ‘Ana Strings’ and the epicness of the Nils Frahm vs M83 analogue love match ‘Freq’. 

 “The LP links up with my new Live Set very nicely. The tracks can be broken down easily and incorporated into my set because a lot of the drums and synths are from the Machinedrum and Sub 37. Patterns and patches have been saved along the way, so I can jump straight into my songs in a live environment” adds Dave when speaking about his tour after the LP.



Indeed, there is more than one reference to Reset Robots’ roots with the inclusion of a few old skool breaks tracks; ‘Orly’ which could have easily been lifted from Moving Shadows back catalogue. “His talents in the studio are far superior than most electronic music producers out there” says Alan.

‘Are You Ready’ features a nod to the vocal treatment of mysterious post dubstepper, Burial, and closing track, ‘Believer’ drenched in Detroit Electro folk lore with a UK twist.

“This album really showcases his talent and I think it provides a great blend between club bangers and headphone listening alike. We Are The Brave are extremely proud to present this body of work to the world” – adds Alan.



https://www.facebook.com/officialresetrobot/?ref=br_rs
https://soundcloud.com/reset-robot
https://www.facebook.com/wearethebraveofficial/
https://twitter.com/weare_thebrave
https://www.instagram.com/wearethebraveofficial/
https://soundcloud.com/wearethebraveofficial

Buy/Stream

Reset Robot - Denial

Unfold

Between Us

We’ve got a very special release for you this month on Danny Howard’s Nothing Else Matters imprint in the form of a new EP series titled, ‘Generation Z’. This new EP concept will bring together new and up and coming artists who we are looking to showcase on the label. Our first offering comprises three killer tracks from UK artists BluePrint, Because of Art and James Organ. Kicking the series off is BluePrint with his track, ‘The Mind Is As Deep As You Make It’ which offers snaking synth leads combined with atmospheric chords and tension building snares that combine with warping sub tones to reveal a powerful, peak time production. Next up is DJ and production duo, Because of Art with their track ‘Elevate’ which offers all manner of stepping chords and arpeggiated synths. It’s a big metallic track that is built on twisting, turning, crashing drums and is designed perfectly for maximum effect in strobe lit clubs. Last but not least, we have James Organ with his track, ‘Faded’ which offers crisply mixed percussion and a pulsating low-end which underpins a series of hypnotic synth hooks that grow throughout with subtle melodic hints and muffled vocals adding to the atmospherics of the track.

Alium 04

Ian Moye

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