Bookings - nick.cave@teamwass.com
Americas - zberkowitz@teamwass.com
Contact - hayley@patricktopping.co.uk
Demos - tstack.app/trick

Patrick Topping, the UK’s esteemed DJ, producer, and engineer, has risen to become a globally renowned tastemaker in electronic music. With a career spanning over a decade, his record label and event series, Trick, has now surpassed 100 releases and hosted multiple festivals in Tenerife, Newcastle, and Budapest. Trick has also held residencies, events, or hosted stages at some of the world’s most prestigious clubs and venues, including DC10, Creamfields, The Warehouse Project, EDC Orlando, PICA Melbourne, Concourse Project Austin and many more. 2025 marks his third year as a resident at the legendary Ibiza club Hï, and also a refocus on the house, tech-house, and techno genres where he first made his name.

From humble beginnings, his first-ever DJ set was in a working men’s club in Newcastle in 2009, followed by years of promoting events, DJing locally, and studying music production. This led to his breakthrough moment in 2013 with a release on Jamie Jones’ Hottrax label and becoming a Paradise resident until 2019. He has been more or less constantly touring the world for 12 years now, playing huge festivals such as Tomorrowland, Glastonbury, Coachella, EDC Vegas, Awakenings, and Ultra—as well as many influential clubs along the way. In 2022, he won Best British DJ in DJ Mag’s Best of British Awards, adding to an impressive list of accolades including: Tech House DJ of the Year (2018), Track of the Season for “Forget” (2014), Newcomer DJ (2014) at the DJ Awards Ibiza, and DJ Mag’s Tune of the Year in 2014 for “Forget.”

As a recording artist, Patrick has now released over 100 original tracks and remixes, with “Be Sharp Say Nowt” (2017) going on to become certified silver in the UK in 2021. Known for pioneering new sounds within house, techno, and British dance music, he is one of the most versatile tastemaker DJs and producers in electronic music. His music is grounded in Chicago house and Detroit techno, yet always looking to innovate. Patrick has worked with pioneers of these genres, including multiple collaborations with Chicago’s Green Velvet—such as their 2014 smash “Voicemail,” “Mad Motion” (2024), “Shining,” and “When Is Now” (2015). He’s also done remix swaps with Chicago legend the late Paul Johnson and collaborated with Detroit icon Kevin Saunderson on “Frisk,” which featured on the official soundtrack to the 2022 film The Batman. Crossing over into pop, he has also remixed high-profile artists including The Streets, Sam Fender, Robyn, and Calvin Harris.

His ascension through the international DJ ranks has been matched by his shrewdness and passion for spotting and championing emerging talent. In 2019, he launched his influential label and event series, Trick, which has become one of the most popular underground dance music brands. Curated by Patrick himself, Trick has provided a platform for breakthrough acts such as Ewan McVicar, Ben Hemsley, Hannah Laing, and many more. Its loyal fanbase has become one of the most passionate communities in dance music, with fans proudly sporting the brand’s lightning bolt on merchandise—and even tattoos—at events across the UK and beyond.

With an exciting release schedule ahead and still driven by the same raw energy that first inspired him as a raver, Patrick Topping continues to live his dream while staying grounded. A hardworking, humble, and visionary artist, he remains a key contributor to club culture—whether behind the decks, in the studio, or uplifting the next generation of talent.

Sam Divine 

Bookings (excl. North & South America: andy.raeside@entityma.com
North & South America Bookings: chad.cohen@unitedtalent.com 
Management: tom.shea@act.management

facebook.com/djsamdivine
twitter.com/djsamdivine
Instagram - samdivinedj

*All mixes are for promotional use only*

With her years in the game, a multitude of awards, accolades and achievements, global tours and widespread influence, Sam Divine is a powerhouse artist. Renowned selector, producer, label owner and all round inspiration to countless women worldwide, she has established herself as a formidable presence. With 25 years under her belt, Sam’s vision and determination remain as staunch as ever. Driven by the finite nature of life, she is instigating a pivotal shift in her lifestyle. What we might call ‘Sam 2.0’ is the next phase of her evolutionary path, utilising her knowledge and experience to reveal more of her truest self.
 
Working on her personal growth, focusing on her wellbeing and exploring sobriety, while also pushing the boundaries of her creativity are key pillars of this internal, and external, development. As she reflects on the past couple of decades, Sam Divine is poised to push forward with the same energy and vibrancy that launched her onto the global circuit. This time with a fresh outlook and healthy.

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

deadmau5 'Ameonna' out now :D https://deadmau5.ffm.to/ameonna

Management:
marci@mdmartists.com
mark@mdmartists.com



‘WORK’ out now:
https://www.cybr.at/work

ALL ENQUIRIES: GS@285.Group


Lee Walker’s swift, yet assured ascension up the ranks of the DJ leagues is the result of his staunch dedication to music. Lee’s work ethic has always been high, ever since he started playing around with music production he knew he’d found his calling which spurned him on to keep working, learning and refining. Fuelled by a deep-set love for electronic music, and the grafter mentality instilled in him through growing up in the north-east of the UK, Lee is riding the crest of a wave and working hard to make sure he stays there, perfectly balanced yet moving ever forward. 

Over 10 years since he started playing around with electronic sounds in his bedroom at home, Lee Walker is living out his dreams, performing at some of the world’s best-known clubs and rubbing shoulders with his idols in the process. Early support of his music came from some of the scene’s most influential players, house and techno royalty you could say – the long list of supporters includes Marco Carola, Dixon, Loco Dice, Seth Troxler and Disclosure. Thanks to his upbringing though, Lee is taking it all in his stride, and rather than let the early successes go to his head, he’s been channelling his energy into maintaining the high standards set with his first few releases. 

2015 was the year Lee Walker was thrust into the limelight. His cheeky edit of DJ Deeon’s ‘Freak Like Me’ hit Soundcloud, and before he knew it Marco Carola had spun it in Ibiza and over a million YouTube views came flooding in. The track was signed by Defected and sat at the top of Beatport’s revered chart for six weeks, picking up a slew of accolades including “Hottest Record in the World”, “Essential New Tune”, and “Future Anthem” in the space of a week – and also took home ‘Best Remix’ at the DJ Mag Best Of British Awards. 

Far from being a one-hit wonder though, Lee has been hard at work in the studio ever since - utilising that first burst of fame as the catalyst for a slew of releases with respected labels. EPs with the mighty Defected, Nurvous, No Idea’s Original and Wiggle, together with solo tracks and remixes on Hotflush, Circus Recordings and Hot Creations, have demonstrated Lee’s production prowess, delivering one slinky club-ready cut after another – keeping it groovy, with hypnotic rhythms and funky basslines designed to fill the dance floor with energy. 

Gig-wise, Lee’s DJ skills have captured the attention of world-renowned promoters and is now a regular face at Elrow’s flamboyant shows, as well as being booked to play at Hideout Festival and Creamfields, and club gigs including Studio338 (London), Motion (Bristol), Yousef’s infamous Circus (Liverpool) plus the legendary Space Terrace and Zoo Project in Ibiza and a whole host of club and festival bookings across the UK and Europe. 

Lee’s achievements have given him a life he has always dreamed of, and rather than take it for granted, he has opted to channel his success back into the industry, setting up his own label which will support the music of up and coming artists. Called We, The People, the idea is to give up and coming artists a head start, in the same way that Lee was supported back when he first caught the attention of the scene’s tastemakers.

Lee Walker is hardworking, humble and dedicated to the progression of club culture through his musical endeavours. Whether he’s spinning in a club and sending the dance floor into uproar, in the studio cooking up another hot new jam or scouting for new talent to support via his label, he does it all with a positive outlook, a wicked sense of humour and a genuine love for music. With such a wealth of positivity around him, Lee is an unstoppable force and one of the UK’s most exciting young artists…



Other Enquires/remix requests (not including DJ booking requests): graeme@threesixzero.com

MANAGEMENT
phil@threesixzero.com
mm@threesixzero.com

BOOKING
WW (excl. North & South America): 
dave.blackgrove@teamwass.com
North & South America: 
bshprits@teamwass.com

Choook.. is following