Already liked and reblogged because Depeche Mode. GOOD.

had another happy day hahah yeah god i love this shit cant get enough of these super happy days man just keeps me goign yeah im just feeling so fucking happy ha ha a

oh. happy. days.

This is the full length background track for the Corporate Lifestyle Simulator Launch Trailer: https://www.youtube.com/watch?v=C6cGWiKuJTA

Also available in the Corporate Lifestyle Simulator EP here: http://bignic.bandcamp.com/album/corporate-lifestyle-simulator-ep

Corporate Lifestyle Simulator - Launch Trailer Soundtrack

MMC May 2023. A remake-remix of my old tracker song from 1994, which was also featured in Bejeweled and Penguin Command.

MMC May

Data Jack 2023

Ubiktune: http://goo.gl/dllHRw
Digital download: http://goo.gl/RwzD5K
Physical CD (via @Telefuture) : http://goo.gl/6gQUKg

Monomer is the musical alias of Gavin Allen. Born in Massachusetts, he still lives in the Boston area, working in game development by day and cranking out wicked bizarre jams by night. His musical journey began in the 3rd grade orchestra, taking pit stops in a handful of rock and jazz bands as well as the Berklee College of Music before winding up in the wonderful world of chipmusic.

Monomer about Labyrinth:

"Labyrinth is everything I love about synthwave and chipmusic: chunky staccato bass lines, soaring melodies, oceans of spacious reverb and heavy, pumping drums. It was written between daydreams of androids, brain-hacking, and digital kingdoms fraught with the monsters in the machine. It was the most fun I've ever had working on music, and I hope that shows in each and every track.

Written gradually over the course of a year and a half, Labyrinth turned out to be the biggest musical challenge I've faced so far. It incorporates a wide array of instruments, from synths like Plogue’s Chipsounds VST and u-he’s Diva, to live guitar on a Fender Telecaster. My main goal after Quite Operational was to create an album where each song had a unique character, not only in the composition but also in the arrangement, production and mixing. This led to a lot of new territory for me, which was both exciting and terrifying, but I’m extremely happy with the end result and can’t wait to share it.

This album wouldn't have been possible without help from some fantastic friends. A special thank you goes out to Bill Mueller, Trevor McEwen, Mark Barry, Tim Gardiner, and Katie Trotta. In addition, a huge thanks goes to Steve Jenkins at Telefuture and C-jeff at Ubiktune for their encouragement and advice with this release, and to Rufus Blacklock for his awesome artwork and incredible enthusiasm. Cheers!"

Written, arranged and produced by Gavin Allen
Mastering by Bill Mueller
Artwork/Design by Rufus Blacklock

DOWNLOAD ALBUM

Monomer - Echolocation

Free download at buy link.
Thanks to Tido Nygren for mastering.
Thanks to Eeva-Stiina Niemi for the cover art.

Borealis

Depeche mode meets synthwave, that's all.



Tracks Featured:
Neon Nox - Streetwalker
Depeche Mode - The Policy of Truth
Scattle - Electric

The Policy of the Streetwalker

new prophet

Tools used: 
- 2x LSDJ 4.9.5 
- Ableton Live 8 
- Minimoog Voyager 
- Behringer Deepmind12 

- - Follow Awesome Force - - 
awesomeforce.bandcamp.com 
soundcloud.com/awesomeforce

Chiptunes = WIN: Volume 8

B  E  G

All sound goes from Atari Falcon 030 (stock version). 
It's a 10-channels song made on DHS-Tracker (Digital Home Studio).

Computers used: 
Atari Falcon 030 (main work and everything - almost ;) ),
Atari 520ST (for samples),
ZX Spectrum 48K with AY-interface (for samples).

Synthesizers used for samples: 
Yamaha E423

Software: 
Main editor - on Falcon - DHS-Tracker (Digital Home Studio)
MusicMon V2.5e on Atari 520ST (samples-making)
SoundTracker 1.1 on ZX Spectrum 48K (samples-making).

This is my third Falcon song. It took the first place on digital music contest of SillyVenture 2012 party. 

DOWNLOAD ENTIRE ALBUM: http://yerzmyey.i-demo.pl/attraction/yerzmyey-attraction2016.zip

Yerzmyey - Inside a game

mixing is shit like always but especially now because I don't know how to mix drums and guitars and bass and shit so sorry about that :/.

remade my favorite song by me for the third time, except now I played the guitars and it's not so electronic, I tried my best to make a "we lost the sea" kind of thing but I'm still very inexperienced when it comes to anything guitar related so yeah.

Spotify

Save Room (Post Rock Remake)

https://dubmood.bandcamp.com/album/bloodbags-and-downtube-shifters-data090

Bloodbags & Downtube shifters

This is an eulogy to the grit of 80s & 90s cycling.
The Hairnets, the toeclips.
The Blood bags and the downtube shifters.

Watching races on VHS.
Drilling holes in your chain rings.
Going 100km/h down a wet alpe on 19mm tyres while under the influence and with a juiced Fleming breathing down your neck.

It was the closest experience to a videogame that you could ever have in real life.
Dedicated to a whole generation who is yet to experience a rainy Paris Roubaix.

This album is molded to fit the cadence of the training sessions on your rollers. The songs are built to gimmick the races, the cols, the descents, the cobblestones, the crashes...

Bloodbags & Downtube Shifters

And Off They Rode The Whole Colorful Troupe

Memes/Mashups/Occasionally Rips

I do the first one mostly, apologies in advance

Software: FL Studio 20/Ableton Live

Discord ID: x_2 #3573

The Policy of the Streetwalker

✘

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