I will be releasing an album of trombone multitracks this year stay tuned here for details.

An original composition of mine based on a Pilón rhythm. It is dedicated to El Misterioso, José Luis Quintana, better know as Changuito, master of Afro Cuban percussion.

It's me on all trombones and bass trombones, 18 or so tracks, performed, composed, arranged, recorded, mixed and mastered by me.

If you dig it share it with your friends and you can download it for free (pay what you want) at http://chrisbutcher.bandcamp.com/track/misterioso

Sampling encouraged just shoot me the finished product so I can promote it. Email me at chris@chrisbutchermusic.com and I'll send the multitracks. 

Misterioso

Actress, voice over, native bilingual, youth and adult voices - English- Brazilliian Portuguese.  
Atriz, locutora, bilíngue fluente e nativa, vozes jovem e adulto - Inglês- Português Brasileiro
Contact: 
website below or 

+1 614 593 1310
+55 11 941140401

Lady in the $treets, $ilk are my $heet$...   :)

Christopher Butcher is a musician firmly established as a representative of Toronto’s global music village, transcending genre and cultural predisposition, and pleasing audiences across the world. As a first rate trombone player, an up-and-coming record producer, a busy session musician, and co-leader of one of 2011’s most heavily buzzed new bands, The Heavyweights Brass Band, Christopher Butcher illustrates a promising portrait of an influential career in music.
Hailing from the heart of Canada’s vast prairies, Winnipeg, Manitoba, Christopher’s love of music was born of a musically diverse household, in which he got an early education from his father’s jazz record collection and his mother’s taste for classical radio. Moving to Toronto in his late teens to complete Humber College’s jazz studies program, Christopher hit the ground running, building a reputation as a first-call trombone player in the city’s vibrant jazz and world music scenes. Associations with acclaimed artists, which include Jane Bunnett, Hilario Duran, Archie Alleyne, and Jay Douglas, among others, sharpened Christopher’s leadership skills, preparing him for the next step in his career with the formation of The Heavyweights Brass Band.
The Heavyweights Brass Band begun sparring in 2009 when Christopher and four like-minded musicians committed to enacting an original musical vision. Engaging a repertoire which calls on both original music, as well as the social music of the day, the Heavyweights have created a musical gumbo which mixes traditional New Orleans jazz with ingredients such as brass band music, funk, world music, pop and blues. With songs from their debut album Don’t Bring Me Down included in heavy rotation on CBC and JAZZFM radio, word of the Heavyweights’ vibrancy has caught the ears of many, including one of the world’s most respected tastemakers, Gilles Peterson, whose compilation Havana Cultura: The Search Continues features the Heavyweights’ recording of Christopher’s original composition, Nueva Orleans featuring Ogguere.
“I am blown away by this thoroughly fresh piece of cultural collaboration. I have never heard anything like this before!” - Gilles Peterson
2012 will see Christopher Butcher make further strides in the trajectory of his rising star, with a performances across Canada and the world, two arrangements/ co-production of his featured on Mundo: The World of Jane Bunnett on EMI, sideman appearances on numerous records by Canada’s best, the celebration of a Juno nomination for a record on which he was a featured soloist (Aline Morales’ Flores, Tambores e Amores), production for several artists, and the debut full length record by Christopher Butcher as a solo artist.

new to all this soundcloud, speak soon... basically proper little radio listnener / pirate head / acidhouse ravin nutter / been on it since 88/89 summer of love when i was 10 years young  lol   :)    :)   for those who know  ... .. centreforce fantasy friends rave smartboyz cyndikut moonlight stomp kiss (b4 legal) sunrise power 88-91 then chillin pulse defektion kool rush then don format impact destiny 1991-1993  kept it kool from test transmissions in autumn '91 thru 93-97 then essex started kickin again with sub zero eliteforce Klass charge hypnotik, i did bits on most of the essex things so really tryin to keep the essex pirate scene goin while whackin out maaad ideas musically, losing that grime feelin and all the filthy hoovers ( i like the original belguim hoover techno ... but .. sorry, also no mc's any more unless hiphop or deep like d'n'b 2shy conrad jazzkool or creed) , anything from reggae downtempo thru jazz soul to house tech house'n'acid to hard techno then back to pure ambient stuff.. Love it. even grunge sounds good these days lol (you wouldnt have heard me say that as a leary essex teenager listening to kool fm in 93 94 LOL but spose that was the nature of the scene back then...

Misterioso

ChrisButcher