2023/12/07
Title/Fill in snow white
Vocals, song & lyrics/Khan
Sound, mix & prod/rakia

⭐️
This song added to Apple Music's latest electronic music list, today-2024/0126
🔽


https://music.apple.com/jp/album/fill-in-snow-feat-khan-single/1724902105



rakia
 https://soundcloud.com/rakia1200

We are making an album  winter feeling.

Fill in snow white

Fill in snow white ,glow white
Fill in snow white ,all past
Fill in snow white, glow white
Fill in snow white ,future
Fill in snow white ,glow white
Fill in snow white ,here now

What are you scared?
What do you want?
What are you scared?

Don’t let it get you down about today
Make revision it into blight in you
It turns into a shine inside you

Don’t let it get you down ‘bout today
Make revision it into blight in you
It turns into a shine inside you

白く塗りつぶす　輝く白
白く塗りつぶす　全ての過去
白く塗りつぶす　輝く白
白く塗りつぶす　未来
白く塗りつぶす　輝く白
白く塗りつぶす　今ここ
何を恐れるのか
何が欲しいのか
今日のことでがっかりなんてしないで
心の中で輝きに変えることで
それは君の中で輝きに変わる

Fill In Snow feat .Khan(short)(prod/rakia)

line it up

dark winter

Peaceful Dispute * Instrumental

Spiraling

File Updated: -Epiphone layers in. Love that guitar so much. So that's a unison of Epiphone and telecastet doing the tremolo scale


Words whirl
Unfurl new world
Good or bad Projections knurl your existences' twirl

So make them pray
Real words today can ask the same
As the old hymns did of that time and day 
Pray to what?
Your spirit has got you banked
Let’s fix that energy clot
Just ask and pen flows new known plot

Absurd turns
It burns in reason
It’s epiphany season
Humanities treason
New legion


When we truly look inside
We truly find alive
When we truly look inside
We are truly seeing the light
When we truly look inside
You’ll find your pearls and quell your pride
When we truly look inside
It sends critical thoughts with new tide
When we truly look inside
Words whirl new fields
No fear
No genocide
New tear for beauties kind
No fear
No fantacide
New tear for beautiful mind
Positive addiction we find

iV} Words Whirl

and so i think

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

Phi's Lament

A serene constellation of memories united by warmth and distance, merging like voices in the same sky. Sound glides between fragile connections and silent bonds, revealing the invisible pulse that holds everything together. Unity becomes light: subtle, radiant, and eternally returning.

Frozen Embers

808 STATE

2018  -    Most of the soundscapes are done in one take and "composed" in real time 
Moog Voyager XL  - Picture
Moog model D
Moog sub 37

Guardian

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

and so i think

Chris Bright