This track lifts my heart. Its architecture provides my mind with shelter.  🙏👹🚀🚀🚀🚀🛸🛸🛸🛸

Really a very soft and tender song, Chris!

Here is the version of "La valle delle Farfalle Orchestral version".
This new orchestral version released on May 12th. 

Produzione: Nearfield Studio
Composer: Daniela Spadini

The solo piano version (felt piano) is on my Yt.
My channel:

https://www.youtube.com/channel/UCk5RJY9GJPDQsYqCNK-ulRg

La Valle delle Farfalle Orchestral version

Mysterious Piano song with an eerie vibe to it. 

Got inspired by looking at strange monuments like these standing stones and tried to catch the vibe i get from them.

Menhir / Standing Stone

How Many

Ukrainian Children

Solo Piano - Chris Bright

picture this - 7:7:23, 7.31 PM

The last beam of light, the last beam of hope... tomorrow will be a new day...
I invite you to listen to my piano improvisation "Last Beam".
The sheet music of some of my compositions can be downloaded from my website https://pianoimprovictor.com/ Some new works are available on  https://www.sheetmusicplus.com/publishers/victor-birkan-sheet-music/3028943?isPLP=1
Find all my music here: https://linktr.ee/victorbirkan

Last Beam - Improvised Piano Piece

Some people suggested it reminds them of a butterfly at flight. I preferred the imagery of a Luna moth, flying and drawn to the moon.

Some influences are Debussy, Ravel, and Hisaishi in the harmony and melody and Rachmaninoff and Chopin in the piano stylings

Luna

One from over 20 years ago: A mystical serenade for a lonely sorcerer.

The Sorcerer's Nocturne (Op.2 No.4)

First October

A modern piano composition with an enchanting tone and feel

Perspectives - Solo Piano

Misty Moorland

Quietude

I play the piano because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

picture this - 7:7:23, 7.31 PM

Chris Bright

Recent comments

Iryna P.

Srouly Frank

Chris Grant

lukas

Related tracks