Q-Home of Limit

Un texte que j'ai écrit, mis en musique par une amie que j'embrasse tendrement

Rythme désir

Almost Metal

Atmosphere Remastered (Unloved)

Timing 4/4
Tempo 104 BPM
Tuning 432Hz A Standard


Instruments
-Vox x (too many)
-5 String Bass
-Acoustic Guitar picked
-Piano played on keys
-Universe returns Pad in logic played on keys
-Electric Lead Guitar
-Indie Pop beat

To Add
-Wind, either Duduk, Kaval or mellow 🎷 or consider making a trio of them
-Allow piano become more expressive and the high end for the Uh Oh bits. A fast arpeggio or rake or something like that
✨

Uh Oh

I accept I fell in love
A forced concept
Remote by shove
I accept I lost my filter
Your rose perplexed my heart
Oh bitter winter

I accept it's not the same
I got lost in mirrored frame
Such a short time
Burning flame
From here
I never had a claim

Uh Oh

I accept I lost control
I'm still lost in the light of you
To hold your hand...
Still never know
Despite distance and time
We go

I accept I'm host at home
Still rhyme reflect my thanks for your tone
A mirrored me
Whether I'm right or wrong
You enter my mind for every song

Uh Oh

I accept you give me will for a God
For an after life to hug your body
To plant a kiss on your spirit and soul
The one I miss and never met... Uh Oh

I accept I'm with the crazy crew
Crazy this love that I have felt for you
Who knows context
You give me heart of art
You inspire my daily new start

Uh Oh

Uh Oh

You know that strange, quiet moment right before your life changes forever?

This track starts there. It's this beautiful, deeply nostalgic classical melody. It’s the sound of the world you knew, just minutes ago. The clear skies, the feeling that everything is exactly as it should be.

But there’s an unease in the air. You can feel the music holding its breath.

Then you see it.

A beat starts... a pulse. It’s the sound of your own heart as you try to process what’s right in front of you. It's real. It's not a dream.

And then the drop hits. It's the maximum explosion... the sound of the world changing. It's not just a drop; it’s the colossal, overwhelming feeling of the words "it happened" crashing down on you. It's the awe, the fear, the wonder, all in one massive hardstyle wave.

But the most beautiful part? That original nostalgic melody is still in there, soaring right through the middle of the storm. It’s the sound of you, the pilot, realizing your old world is gone... and you have to fly your way through this new one.

It happened

Draggin’ Ass

Who Knew

'Shouting Quietly' Is similar to when one is disgruntled about something or someone and mutters under one's breath, this is 'Shouting Quietly'.  

My Drouthy Cronie

Shouting Quietly

New track inspired by the Devachen beach on the Montenegrin coast, where I spent hours during sunset this summer. Several photos here: (coming tomorrow morning…)

https://zuunzug.com/2025/11/11/montagne-noire

Nouveau morceau inspiré par la plage Devachen sur la côte monténégrine où j’ai passé des heures au coucher du soleil cet été. Suivre le lien pour des photos (à partir de demain matin).   

Music: Manu - Artwork: Malka

Devachen

right from the start 11.7.25

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

right from the start 11.7.25

Chris Bright