Cold Fusion is from the Legacy of Thought album "Electronic Fusion", which was broadcast in full on the weekly radio show ELECTRONIC FUSION, solely dedicated to electronic music of various styles and is hosted by Brainvoyager.  https://www.brainvoyagermusic.com/radio-show-electronic-fusion/

Cold Fusion - from the album "Electronic Fusion"

Solo Piano - Chris Bright

soft landing - 7:26:23, 8.27 PM

Here’s a new experimental ambient-jazz piece about impermanence. Musically, I’m once again experimenting with subtly unstable rhythms and vague meters to create a type of “rhythmic dissonance”.

I hope you find some beauty here. As always, your feedback is carefully considered and greatly appreciated. 

--Alan

Mujō

▼ Follow Nicksher Music:
» Spotify Playlist: https://open.spotify.com/playlist/4dI7kNNcEGQ8MSGLYVh39T?si=Zg1yjJAHTASjK7xa5S-Lew
» SoundCloud: https://soundcloud.com/nickshermusic
» YouTube: https://www.youtube.com/channel/UCcTF27v-cpxlBfLdQODpFTw
» Facebook: https://www.facebook.com/groups/1706975586219784/
» Beatport: https://beatport.com/label/nicksher-music/57468
» VK: https://vk.com/club123650463
» Instagram: https://www.instagram.com/nickshermusic/
---
▼ Follow Rautu:
SoundCloud: https://soundcloud.com/rautu​​
VK: https://vk.com/rautu.bass​​

Believe

Album

🎧 Stream/📥 Download

Envision (RU) - Believe (Rautu Remix)

A track produced for Naviar Records Haiku Challenge; one week to write and record a track in response to the haiku posted.
'Lazing in shadows
conceding the drawing room
to moonrays'

Lazing In Shadows (naviarhaiku504) - Adrian Lane

This week's haiku, by Natsume Seibi (1749-1816), inspired this improvisation, played on Dune 3 VST synthesizer. Recorded in Reaper, no added effects, mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Moonrays (naviarhaiku504)

With this album, Glåsbird's 'A Sonic Expedition' draws to its close. It began at the North Pole, in the frozen waters of the Arctic Ocean and it ends at the South Pole, on the world's least populated continent; the ice-capped desolate grandeur that is Antarctica. It had been suspected that this land existed long before it had been discovered and many had died in their pursuit to find it. Some may even have died as a consequence of accidentally discovering it, through detoured voyages striking into glaciers.

The music here in Antarctica returns to Modern Classical, as the artist comes full circle. Echoes of 2019's debut album set in Greenland can be felt in places, as soaring violin and cello collide. However, these 8 tracks gather up the compositional and technical learning throughout the series, as Glåsbird looks forward to the challenges of the future.

The photography in this album is from Oceanographer Neha Ramsarup, who traveled on the South African polar vessel SA Agulhas II, deploying instruments and collecting seawater samples along the voyage from Cape Town (South Africa) to South African National Antarctic Expedition (SANAE IV). These trips are joined by a range of marine scientists, whose keen interests lie in ocean properties such as sea ice and weather as well as mammals, birds, whales and penguins who call these polar regions home.

This series of 8 albums has been a world of discovery for this anonymous composer, as their work etches into sound the hours of inspiration drawn from vintage maps, documentaries, Google Earth explorations and countless articles. Along the way, a familiar theme threads through the work as at every turn, Glåsbird's studies led to the events of climate change. The devastating effects are real, with melting glaciers, rising seas, disintegrating ice caps, wild fires, war and warming seas unintentionally finding their way into the concepts of this series.

As a clear juxtaposition to this, the sheer beauty of our world is also uncovered, with the work of visual artists helping bring this to life through the album covers and packaging imagery. There's an enormity and poignant feel to the music too, as melancholy classical notes extend through an eerie chill, or sun-bleached tapes explore hidden islands and tropical climes. The natural beauty of our world can be felt throughout this collection alongside a sense of despair too, at its apparent demise. Humans are doing what they can to build a momentum of awareness on our tired old planet, through education and urgency. It is hoped through this series that it can add to this movement somehow even if in a small way, to build a sense of care for our planet.

releases October 14, 2023

Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by nehar63 - www.instagram.com/nehar63/
Art and design by Andrew Heath

Antarctica

wlr144 glåsbird - antarctica

Illuminating The Arctic Night

The Mountain's Secret

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/3R5iGX0P-ls

Glimpse 1401 (Aug 2 2025)

Paul Landry is a Uk based musician creating progressive rock, ambien and new age music https://www.paullandrymusic.com/

Koln 3

Live For The Stars

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

soft landing - 7:26:23, 8.27 PM

Chris Bright

Related tracks