Cover design by Victor Candela, oil on masonite

Bruma

Solo Piano - Chris Bright

soft landing - 7:26:23, 8.27 PM

slow burn - 7:30:23, 7.42 PM

step out - 8:11:23, 5.18 PM

A song about a river, although my memory is possibly untrustworthy. I wrote and recorded it in January 2023, and mastered it in April. This track features on Ambient Online Compilation Volume 26, although the mastering will differ slightly from this version.

Stay awake

Orders of Magnitude

Bathe at Your Own Risk

Buy at Bandcamp

Bathe At Your Own Risk

Daybreak on Dry Creek

A track from my new album "Into Chaos We Must Run"
I hope you like it :-)

IvanB

A Certain Stillness

Oändlig

**Chapter 1: The Journey Begins - A Blue Night: A Harmonious Duet**  
On a serene and magical blue night, a beautiful melody known as "Saga" floated through the air. Its enchanting tune had the power to whisk listeners away into a space of calm and introspection, all under a canopy of twinkling stars. And to top it off, Saga has a sister whose beauty is equally enchanting.

Fun fact: That distinctive "racketball snare sound" that emerges midway through Saga's music was crafted by Nigel Stanford. His unique touch has made a lasting mark on the music world.
https://soundcloud.com/nigelstanford/2-06-the-edge?si=2f1557e3caa24dbeb9578ef44db7eaaf&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Bluenight - Part I - Saga: Final Remaster



These tracks were recorded between 2011 and 2020 with some musical overdubs in 2019 and 2024.

Composed and performed by Paul Landry
Mixed and mastered in The Progulator by Paul Landry
Paul Landry, Guitars, bass, Keyboards, synths, VSTi drums and vocals

© 2025 Paul Landry
℗ 2025 Ditto Music LTD



Reflections

Sincere Heart

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

soft landing - 7:26:23, 8.27 PM

Chris Bright

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