very cool collaboration 

Bobby Watson

Kerrville Texas USA
Creator

Stefanie Kisamore-vocal/lyrics
Austin TX USA

Chris Matthews

Luton United Kingdom

Drink Your Beer, Sip My Wine

Djaz Espas Dwól Pts 1 & 2

Reality

« Yuki » for Alto Flute in G and Organ ( 2023 new rehearsal at the Saint Swithun's church of Aix Les Bains)
This is my new composition for Alto Flute in G and Piano/Organ I began on Saturday, July 16, 2022 and completed on Wednesday, August 3, 2022 without hearing it and only by handwriting in my home studio in front of the Savoy's mountains.
As usual, it's also a tribute to the number 7
The score is available now
Our third rehearsal at the Saint Swithun's Church of Aix Les Bains on Thursday, January 12, 2023
Franck Douvin © 2022 Live recordings
Thanks for listening to it and for sharing.
We hope you'll enjoy!

« Yuki » for Alto Flute in G and Organ (My new composition &. New 2023 live recording)

A moment of your time please [96]

this track i made to honour Frank Zappa.
It was the absolute freedom of mind to play guitar like him when i was young...
this is one of my absolute favorites of him

Watermelon in Easter Hay  noxpox mix (to honour Frank Zappa)

ELECTRIC FLOW

noxpox - Beata3

Solo Piano - Chris Bright

some thoughts linger 1213 - 12:13:22, 9.54 PM

DOPPLER SAMPLER

Familiar Nothing

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

some thoughts linger 1213 - 12:13:22, 9.54 PM

Chris Bright

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Martin Hoogeboom

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