altufyevo.ultrahardcore

From a recording of an empty water tank: https://freesound.org/people/gokalp_gonen/sounds/640563/

Metal Study #21

Picture: Ipomea tricolor
warning contains LSA!
a substance belonging to the group of ergot alkaloids and parent compound of lysergic acid amides. LSA can serve as a raw material for the synthesis of LSD. Ergine shows a psychedelic effect similar to LSD in humans.

noxpox - floral dawn

K G G - Satellite Of Love

In the first week of #documentafifteen x #lumbungradio, we shared mixes of dark ambient drone and experimental music starring by Belial Pelegrim, Mood Exhibit, Myrh, Vericose, Miguel Chinchorro, Patrick Picault, Minimal DRN*GRL, Wivresse, exner, Special Cecilia, Kaerian, Tony+Morris, Muterial and many more: https://lumbungradio.stationofcommons.org/

Tracklist:
demochx - deconstructed
Northfield Lenox - Sunday School
Belial Pelegrim - Taffeta 90
Patrick Picault - Les Fleurs de Plaisir
Blink Twice - Ark Dambient
Mood Exhibit - Simbiolek
arse-myth - The Time I Nearly Disappeared
Othenesberg on Venus - Sindacato
Wivresse - Nightingales

Via de Acceso 24

Via de Acceso

Showcase: Via de Acceso 24 @ Lumbung Radio

Suffering From Aberration, Nowadays (2021)

The Very Idea Of Home

2023-05-13

Gándhí

Solo Piano - Chris Bright

sunset coral - 5:19:23, 8.12 PM

HELLION - scraps of cloud

Benbrook

Started as a 'doodle' with my electric piano options. I don't much like the various instruments that it includes, but the organ seems convincing. The cover image is a Super 8 still, not of the night sky but of something floating on a river surface.

Satellite

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

sunset coral - 5:19:23, 8.12 PM

Chris Bright

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