perfect way to end the evening...thanks Chrise. really well done

GodKing MajorLucre - Wit A Bad Bitch ( Freestyle )

For piano, viola, cello, prepared piano (clothespin), and Japanese bell.

Kokadera

Crucifixion

L'eau Dans Le Flacon

rytbeat

Attack The Darkness

next evening, another double guitar-moment

Acoustic Evening Session Pt. 2

Lyrics written by Wobbie Wobbit

I aimlessly wander
Hither and yonder
There's nowhere that I gotta be
I got time to squander
Mindlessly ponder
What it means to be me

I am happy
Floating along on the breeze
Such abandon
Just being random
I go wherever I please

I'm gonna sing
Gonna sing without a care
I got the feeling
I'm walking on air
Hahahahaha

No destination
Just exploration
A landscape inside and out
Pure fascination
With recreation
It's what it's all about

I am happy
Floating along on the breeze
Such abandon
Just being random
I go wherever I please

I'm gonna sing
Gonna sing without a care
I got the feeling
I'm walking on air
Hahahahaha
Hahahahahaha
Hahaha

I'm gonna sing
Gonna sing without a care
I got the feeling
I'm walking on air
Hahahahahaha

Ha Ha Ha Ha (Feat. Serene Sunderland - user-846248422)

4Aug23

Happy 500th Haiku!

This is my naviarhaiku500 submission;
https://www.naviarrecords.com/2023/08/02/naviarhaiku500-morning-solace/
:D

morning solace [naviarhaiku500]

Sky Missions

Solo Piano - Chris Bright

we are not who you think we are - 8:8:23, 6.27 PM

Marco Lucchi : piano and synthesizer

for the current Naviar Haiku challenge
https://www.naviarrecords.com/2023/08/09/naviarhaiku501-lull-in-the-rain/

***

lull in the rain ..
drifting into the bedroom
a butterfly !!

Enomoto Seifu

***

agosto 2023

Marco Lucchi - A butterfly into my bedroom [Naviar Haiku # 501]

Maiden Flight

winter air

Rachmaninov - Prelude in G - Opus 32 No. 5

10/09/2025

I Can't Believe We're Still Together

What Child Is This

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

we are not who you think we are - 8:8:23, 6.27 PM

Chris Bright

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