Alabao

Garden Path (Piano Day 2022)

Deluxe Edition for the album "Riverscape", which include 3 previously unreleased tracks: "The Wait", "Chamber #24" and "Jumping on the stars".

Jumping On The Stars

It is a brief improvisation on a real grand piano. The serene track, with its well-placed pauses, allows the resonance of the piano's harp to fade before the next soft chord. A simple piece performed with sensitivity that faithfully reflects the Modern Classical genre of the ad21 label.

Imagiro

Realms

what doesn't pass

Evening Meal

louisville 9.6.25

Experience the rhythmic pulse of **Spring Movement Suit**, a vibrant collection of over 30 tracks curated by Century One Records. This is more than just an album; it’s an auditory journey designed to awaken the senses and stir the soul. Each piece has been hand-picked to inspire and energize, creating a seamless flow of sound that captures the essence of renewal and creativity.

Perfect for any **music lover**, Spring Movement Suit offers a diverse range of genres and moods, all unified by a powerful and uplifting spirit. Whether you’re seeking a new soundtrack for your daily routine or a wellspring of inspiration, this record is a testament to the universal language of music.

Sping movement 28

Mastering Help by: https://soundcloud.com/thecourt


Free Download

Concerto... (Piano et orchestre)

Taken from "Layers" by Barry Kernachan. Release on March 29, 2018: https://soundcloud.com/bkm-508038203

Layers

Reminisce

Reminisce – Barry Kernachan

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

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Peaceful Piano (Solo Piano)

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Ashot Danielyan - Peaceful Piano (Solo Piano)

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

what doesn't pass

Chris Bright