Spaceman

soul house 2

nod vigorously

heart squeezing tracks

Taken from their debut album "Weird Sister."
Out now on Slumberland Records (US) & Fortuna Pop! (UK)

LP/CD: http://smarturl.it/jgws-album
Digital: http://smarturl.it/jgws-itunes

Thrilling Cardiff-based noisepop five-piece Joanna Gruesome will be releasing their terrific debut album via Fortuna POP! (Europe) and Slumberland (USA) in September. Brimming with irresistible pop melodies and spiked with dissonant fuzzy jangle, their songs are shot through with loud discordant feedback and super-fast, hardcore punk drumbeats. This album sees their first foray away from recording in a living room to a proper studio under the guidance of producer MJ of the much lauded Hookworms.

Kicking it against sexism and homophobia, nothing is off-limits, drawing inspiration from DIY scenes such as Riot Grrrl/noisepop/C86 /K Records as well as post hardcore like Drive Like Jehu/Converge and the art rock of The Velvet Underground and My Bloody Valentine, Joanna Gruesome offer a staggeringly diverse album, unexpectedly quiet and surprisingly loud.

Joanna Gruesome comprise Alanna on vocals, Owen on guitar, Max on bass, George on guitar and Dave on drums. They all met in an anger management counseling group. During the course they were told that writing, making music, dancing or painting could relieve tension and help reduce feelings of anger. One initiative involved a project where they were assigned a group to compose and perform a song in front of other members. Initially they found each other infuriating but gradually acknowledged their musical chemistry and decided to continue with the band outside the therapy group.

Most of the album was written during a month long stay in a seedy west Brighton hotel (now closed down) called The Hell House. The residents were pretty strange, kept attempting occult rituals/using Ouija boards etc and many of the songs were written to distract from the weirdness. Heart-wrenching and exhilarating in equal measure, these are not cheerful songs.

Awash with nods to mental illness and the dark recesses of the mind, the record is littered with references to the devil or zombies and allusions to comic books. “Secret Surprise”, in which mental illness takes a physical form and is fought using razor blades. Or "Anti-Parent Cowboy Killers," which is about stealing a scooter and driving it into the ocean when you should be in school LEARNING. Or "Sugarcrush," about spending a summer burning knitwear.

They have built-up a phenomenal live reputation, blending obnoxiously loud guitars and the occasional band uniform, with a high energy performance dispersed with quieter reflection, boy/girl vocals and teenage angst.

“Abrasion, anger, attitude. One guitarist is in the audience, but this isn’t too much of a stretch. There are slower parts where the musicians take a second to breath. There are noisier bits where the musicians take a second to reflect. There are thumpy bits where the musicians take a second to dance and enjoy themselves. Everyone’s smiling. Everyone’s hugging themselves. What a glorious mess of a noise to be a part of. What a glorious sense of community.” Everett True, Collapse Board
 
"A brilliant band from Cardiff who love their fuzzy melodies and songs dripped in scuzzy reverb." Huw Stephens, Radio One.

Joanna Gruesome - Sugarcrush

perspective

All Is Lost (Original Motion Picture Soundtrack)

All Is Lost

All Is Lost - All Is Lost

Excelsior and the All Day Man

All Is Lost - Excelsior And The All Day Man

Suffer

https://edolee.bandcamp.com/album/sleepwalker

Collab. with Iota & Cam Smoot
https://soundcloud.com/iota-j
https://soundcloud.com/cam-smoot

Inspired by "5am" on Iota's first album, Rhythms and Sounds
http://iota-j.bandcamp.com/track/5-am

Artwork by Ogun Afariogun

<a href="https://theartistunion.com/tracks/24a338" rel="nofollow">Download for free on The Artist Union</a>

Free Download

6am (Edo Lee x Iota x Cam Smoot)

Lucid Dream(Edo Lee)

FREE Download

2L84U

recorded live at Maida Vale studios for Zane Lowe BBC Radio 1

original version on forthcoming album WONDER WHERE WE LAND

TEMPORARY VIEW with SAMPHA LIVE AT BBC MAIDA VALE

Whispers

Philip Selway: "Running Blind"

Nonesuch Records releases Sam Amidon’s label debut Bright Sunny South on May 14. Produced by Amidon with his childhood friend and longtime collaborator Thomas Bartlett (a.k.a. Doveman) and legendary English engineer Jerry Boys (Buena Vista Social Club, Vashti Bunyan, R.E.M.) and recorded in London, the record features a band made up of Bartlett and multi-instrumentalists Shahzad Ismaily and Chris Vatalaro. Jazz trumpeter Kenny Wheeler also makes a cameo. Amidon himself not only sings but also plays banjo, fiddle, acoustic guitar, and piano on the album.

Additional details at http://www.nonesuch.com/artists/sam-amidon

My Old Friend

Lucky

Devendra Banhart performs "Für Hildegard Von Bingen," from "Mala," his eighth studio album and his Nonesuch debut, due out March 12, 2013. The album took shape in Los Angeles, where he and longtime cohort Noah Georgeson produced the album together, playing most of the instruments themselves, using borrowed equipment and a recorder they’d found in a pawn shop. 

Download this track now when you pre-order "Mala" at http://www.nonesuch.com/albums/mala

Mala

Devendra Banhart: "Für Hildegard Von Bingen"

Taken from their debut album "Weird Sister."
Out now on Slumberland Records (US) & Fortuna Pop! (UK)

LP/CD: http://smarturl.it/jgws-album
Digital: http://smarturl.it/jgws-itunes

Thrilling Cardiff-based noisepop five-piece Joanna Gruesome will be releasing their terrific debut album via Fortuna POP! (Europe) and Slumberland (USA) in September. Brimming with irresistible pop melodies and spiked with dissonant fuzzy jangle, their songs are shot through with loud discordant feedback and super-fast, hardcore punk drumbeats. This album sees their first foray away from recording in a living room to a proper studio under the guidance of producer MJ of the much lauded Hookworms.

Kicking it against sexism and homophobia, nothing is off-limits, drawing inspiration from DIY scenes such as Riot Grrrl/noisepop/C86 /K Records as well as post hardcore like Drive Like Jehu/Converge and the art rock of The Velvet Underground and My Bloody Valentine, Joanna Gruesome offer a staggeringly diverse album, unexpectedly quiet and surprisingly loud.

Joanna Gruesome comprise Alanna on vocals, Owen on guitar, Max on bass, George on guitar and Dave on drums. They all met in an anger management counseling group. During the course they were told that writing, making music, dancing or painting could relieve tension and help reduce feelings of anger. One initiative involved a project where they were assigned a group to compose and perform a song in front of other members. Initially they found each other infuriating but gradually acknowledged their musical chemistry and decided to continue with the band outside the therapy group.

Most of the album was written during a month long stay in a seedy west Brighton hotel (now closed down) called The Hell House. The residents were pretty strange, kept attempting occult rituals/using Ouija boards etc and many of the songs were written to distract from the weirdness. Heart-wrenching and exhilarating in equal measure, these are not cheerful songs.

Awash with nods to mental illness and the dark recesses of the mind, the record is littered with references to the devil or zombies and allusions to comic books. “Secret Surprise”, in which mental illness takes a physical form and is fought using razor blades. Or "Anti-Parent Cowboy Killers," which is about stealing a scooter and driving it into the ocean when you should be in school LEARNING. Or "Sugarcrush," about spending a summer burning knitwear.

They have built-up a phenomenal live reputation, blending obnoxiously loud guitars and the occasional band uniform, with a high energy performance dispersed with quieter reflection, boy/girl vocals and teenage angst.

“Abrasion, anger, attitude. One guitarist is in the audience, but this isn’t too much of a stretch. There are slower parts where the musicians take a second to breath. There are noisier bits where the musicians take a second to reflect. There are thumpy bits where the musicians take a second to dance and enjoy themselves. Everyone’s smiling. Everyone’s hugging themselves. What a glorious mess of a noise to be a part of. What a glorious sense of community.” Everett True, Collapse Board
 
"A brilliant band from Cardiff who love their fuzzy melodies and songs dripped in scuzzy reverb." Huw Stephens, Radio One.

Joanna Gruesome - Secret Surprise

Whispers

spaceman