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A Time To Dream

May the lame-stream media and it's subjects enjoy they're eternity in hell.

Hunter's Grifter Madness

An acoustic version of our electo-pop song 'Unspent High' from the album 'A Fire in a Field of Snow'

LYRICS:

In a northern town
You wear a golden crown
Big fish in a little pond
You’re the king of the things you were never fond of and it drags you down

In a fading dream
You’re picking at the seam
You’re gonna float even if you take a running jump in the lake
You can never wake and you’ll return to the stream

Dance monkey, dance monkey, can’t be love if it’s not fun
We daren’t jump
We’re scared, dump the last bad memory and let’s run
If the song ends, we’re not done
We’ll make this mad dance linger on
No regrets, no unspent high
Just you and me and no goodbye

Unspent High - acoustic version

O Holy Night

Special thanks to my friend Pierluigi Luisi for playing bassline.

Glass roads

Wait

mdsway.bandcamp.com

seeing in the dark
i see you but you don't see me
in the shadows i perceive clearly
things that used to be obscure to me

let's go back to that place where we did those things
of the sunset and the stars we'll sing
a little sympathy and peace to bring

once there was a house
then there was a child
then there was a car
and the times got less wild
but when i look at you i'm still beguiled

there's a chemistry
working silently
invisibly
improbably
around you and me

lying in the dark
i know you have your eyes on me
you perceive but you will never see
in the end that what will be will be

these seasons come and go with the ebb and flow
but if you'd only close your eyes you'd know
you can only reap the seeds you sew

once there was a dawn
then there was a day
then there was a dusk
and the moon would come along and say
that there can never be another way

there's a chemistry
working silently
invisibly  
improbably
around you and me

flowers will grow
amid the stones and the snow

there's a chemistry
working silently
invisibly  
improbably
around you and me
x2

Chemistry

4. Rubato Over Ruins

🎹 Gentle Echoes – Soothing Piano & Dreamy Instrumentals (Jaded Sounds Records)

Gentle Echoes is a tranquil journey through the art of piano music, blending the intimacy of solo piano, the warmth of lo-fi piano textures, and the ethereal beauty of dreamy, whimsical string arrangements. 🌙🎶 Released under Jaded Sounds Records, this collection captures emotion in its purest form — soft, reflective, and timeless.

Each composition drifts effortlessly between tenderness and imagination — the sound of quiet mornings, starry evenings, and moments of calm between thoughts. With gentle melodies and cinematic grace, Gentle Echoes invites listeners into a world where every note feels like a breath of peace. ☁️🕯️

Secret Garden

lots of hesitations

Whitman's America - VIII. A Prairie Sunset (Soprano Solo)
Duration: ca. 24'
for soprano and baritone soloists, chorus and orchestra

Performed by American Modern Orchestra and Albany Pro Musica, Kent Tritle, conductor, Larry Pine, narrator, Caitlin Lynch, Soprano Soloist, Chad Sloan, Baritone Soloist, José Daniel Flores-Caraballo, Albany Pro Music Artistic Director, Mostly Modern Festival, Arthur Zankel Music Center, Filene Concert Hall, Skidmore College, Saratoga Springs, NY, June 15, 2018.
Publisher: Bill Holab Music: www.billholabmusic.com/store/index.p…n%27s+america
For More Information: robertpaterson.com/whitmans-america
View Score Online: issuu.com/robertpaterson/docs/…n_s_america__score-p
Formerly titled Walt's America for world premiere.

NOTE: Instrumentation is designed to be identical to the Brahms Requiem, but with additional percussion.

PROGRAM NOTE
I have always been very fond of Walt Whitman and his poetry, not only for the inherent beauty and sense of optimism he illustrates in many of his works, but also for his intimacy, directness, colorful descriptions, and the way in which he sings the praises of nature and our role in it as individuals.

Whitman’s America is a setting of six poems from Whitman’s final version of Leaves of Grass, often called the Death Bed Edition, since he compiled this version the year he died. My work is constructed in an arch form as a sort of quasi-fantasia. I view each connected movement or section as a scene or vision, perhaps from an imagined Whitman as he lay on his deathbed. My goal was to capture and highlight a variety of themes that permeate Whitman’s poems, and in particular, themes that have to do with his love of America and the American people.

The work begins with Gliding o’er all, a poem in which Whitman portrays a positive attitude toward death; he is prepared for it and ready to embrace it. He presents a tone of acceptance through the irony of singing of many deaths, for the positive act of singing, in the way he imagines, does not typically correlate with death. Next is I Dream’d in a Dream, sung by a solo baritone, a poem that describes a utopic vision of peace and harmony. Following that is I Hear America Singing, about American pride and having pride in one’s work. Next is America, describing the destiny of America as a nation, his love of the masses, his devotion to Democracy and America fulfilling the spiritual needs of its people. Second to last is A Prairie Sunset, sung by a solo soprano, a poem that captures the beauty of the American prairie, an aspect of the American landscape that Whitman was very passionate about. Finally, I end with After the Dazzle of Day, a beautiful poem describing the starry night sky, an evening filled with music and his own internal symphony during the silence that follows.

Whitman’s America was commissioned by the Gulf Coast Symphony (Fort Myers, FL) as part of their 2020 Commissioning Project, Andrew M. Kurtz, Music Director and Conductor.

Movement Titles:
I. Gliding o'er all
II. I Dream’d in a Dream
III. I Hear America Singing
IV. America
V. A Prairie Sunset
VI. After the Dazzle of Day

Whitman's America - VIII. A Prairie Sunset (Soprano Solo)

YouTube

My Heart Belongs to You

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.