still need to edit this a lot, but this is the idea

I Dont Know Why

In this track, I enjoyed mixing quartal harmony, dreamy pad layers and MPC drums.

Surreal but nice

This track started from the simple idea of a train journey set to music, and developed from there.

Background image by Kordula Vahle on Pixabay: https://bit.ly/3t0o367

Journey into Now

The Tense Flame

SoloGuru® Blues Edition
Backing Track: Tom
All Guitars, Keys, Winds: Tom
Vocals: Rockin' Del
Guitars: Jackson Limited handcraft, PRS Custom24, a bit Strat for the Wahwah FX
Amp: Hughes & Kettner Grandmeister 40, FX: Cinders, Morley Wah
Recording & Mastering @ Inline Records Switzerland(2022)
Original by Albert King, but this version is taken from Daniel Castro

SGB #4 - I'll Play The Blues For You

Many paths before us are clear and many are hidden. Our only inner confidence is that we can even recognize the hidden path and step on it.

بسیاری از راه های پیش روی ما واضح و بسیاری پنهان هستند تنها اطمینان درونی ماست که میتوانیم حتی راه پنهان رو تشخیص بدیم و قدم در آن راه بگذاریم

Hidden Path

linktr.ee/anjmakesmusic

Producer unknown 

Hope y'all enjoyed it! For more updates stay with me.
https://mailchi.mp/bc8e24d02a61/anj-fall-2022-sign-up 

Lyrics:
i got choices 
i could spend it all on me
i got choices 
time can be misery 
but i’d rather be with you 
i chose you 
time with you 
nothing better to do 
than be with you 
i choose you 

i got choices 
i could spend it all on me
i got choices 
time can be misery 
but i’d rather be with you 
i chose you 
spend it all on you 
nothing better to do 
than be with you 
i choose you 

can you hear my thoughts when you look straight into my eyes? 
can you feel my heartbeat when you touch by my side? 
don’t you know what you do to me? 
the pressures consuming me 
the day i met you was the best day of my life 
every song i write is about you 
and you’re in my head every night too 
the only things i care about are my music and you 

i got choices 
i could spend it all on me
i got choices 
time can be misery 
but i’d rather be with you 
i chose you 
time with you 
nothing better to do 
than be with you 
i choose you 

i got choices 
i could spend it all on me
i got choices 
time can be misery 
but i’d rather be with you 
i chose you 
spend it all on you 
nothing better to do 
than be with you 
i choose you 

It’s not a hard choice
A night with you 
Or go hard with the boys 
9 out of 10 
Ill choose you 
If I’m not with you 
I gotta fill that void 
But don’t worry boo .. 
Itll just be me in
 a recording room 
No one else 
No one in my ears 
Only your or my voice 
If I’m not with you 
Im Grindin to put 
u in a rolls Royce 
Or U still want a custom 
Mustang out of Detroit ? 
Soon babe I’ll give you the choice 
(Beat break)
I don’t need the 
new body style 
I just need yours 
close to mine 
Your my choice 
The rest of the girls are history 
I choose you 
Without you is misery 
Promise 
U won’t leave my side 
I choose you for life 

i got choices 
i could spend it all on me
i got choices 
time can be misery 
but i’d rather be with you 
i chose you 
time with you 
nothing better to do 
than be with you 

i got choices 
i could spend it all on me
i got choices 
time can be misery 
but i’d rather be with you 
i chose you 
time with you 
nothing better to do 
than be with you 
i choose you 

i got choices 
i could spend it all on me
i got choices 
time can be misery 
but i’d rather be with you 
i chose you 
spend it all on you 
nothing better to do 
than be with you 
i choose you

Choices (feat. Matt James)

For a couple of years I have had a line of work open that is the composition of piano pieces whose harmony is based on the "Tonnetz". The one I'm publishing here is the third one that I compose (the other two are "Parsimonious Trichords" and "Walking by four-note chords") and there would still be a fourth to finish this chapter and that I think I will compose soon.
  
In the following links you will find the PDF files with the theoretical presentation of the current piece:

Explanation in English language:
https://drive.google.com/file/d/1-cz65Td04fTxB_LMbT46GTB8E7dLI7dh/view?usp=sharing

Explicació en català:
https://drive.google.com/file/d/16DUwMUx9ScDbrZiATfhkXAMf7P46EjHd/view?usp=sharing

Explicación en castellano:
https://drive.google.com/file/d/1d0bnSIus1h5v7za1y_oqH8sTv5RG2Hhf/view?usp=sharing

Six-note chords

Cinematic Score for Unapologetic Films is a dark, intense, and futuristic exploration of sound, designed to immerse listeners in an electrifying fusion of electronic music and cinematic elements. This album blends powerful drums, deep basslines, and dramatic orchestral hits, evoking the high-stakes tension of a final act in a gripping sci-fi thriller.

With a focus on the warmth and unpredictability of vintage hardware, the project seamlessly combines digital production with analog and digital synths, including the Yamaha CS-15, Moog Sub Phatty, and Novation Peak. Sound design is further enhanced through a custom-built Eurorack system, featuring over 400 HP of modular synthesis. The result is a collection of intricate rhythms, rich textures, and expansive soundscapes.

From the melancholic atmosphere of "Zero" to the driving energy of "Asylum," Cinematic Score for Unapologetic Films offers an imaginative, genre-blurring soundtrack designed to captivate listeners across all musical tastes. Prepare for an unforgettable auditory journey that pushes the boundaries of both electronic and cinematic music.

Lost Cause

"Pioneer 10 (originally designated Pioneer F) is an American space probe, launched in 1972 and weighing 258 kilograms (569 pounds), that completed the first mission to the planet Jupiter. Thereafter, Pioneer 10 became the first spacecraft to achieve escape velocity from the Solar System." Wikipedia: https://en.wikipedia.org/wiki/Pioneer_10

Exploration spatiale

Pioneer 10's Journey

The Distress Of Hijacked Dreams

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.