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"Never Too Late"

Hey Hello
It's nice to see you and your friends
Please come a little close to me
We can see the sunset of our lives
Waiting for our moments

And, you're alone..
Just like a rainbow in the sky
Dreams never wait, will fade away
Time is running out and as you know
Every moment of your life will disappear from here

All our memories float on and on (on your way)
Cosmic rays of a fallen star (shine my way)
I hear you say, nothing gonna last forever
Hold my hands, we go down across the universe

No, I don't wanna lose you in my sight
Please come a little closer to me
I can feel your pain and all you beautiful
Tears, flow to the night and disappear from here

All our memories float on and on (on your way)
Cosmic rays of a fallen star (shine my way)
I hear you say, nothing gonna last forever
Hold my hands, we go down across the universe

Never late for you.. (And, I will always wait for you)
Never late for you.. (And, I will always wait for you)

Hold on, some one told you it's too late
You're down all again
What the hell you gonna do
Hey you, turn around and look now
We gotta do what we set to do till the end of the time
And you, and I will come out and say hey
Let's go down across the universe, yeah.. 

It's nice to see you all again
Please come a little close to me
Time is running out and now you know
It's never gonna be too late for you 

(And I, will always wait for you)
It's never gonna be too late for you 
(And I, will always wait for you)
It's never gonna be too late for you.. 

Where do we go, where do we go now? 
Where do we go, where do we go now? 
Come on!

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written & produced by Lazy Avenue

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[ Twitter ]: twitter.com/lazyavenue
[ Youtube ]: www.youtube.com/user/lazyavenue

Website:

www.LazyAvenue.com

Thanks.

- Lazy Avenue

Never Too Late

HD Download

Nietzsche Is Dead And I Have Killed Him (Ft. Camille Nanavati, Patrick Power)

This song centers around the binaural rustling of a restless paintbrush on a microphone/implied canvas, to simulate painting big blue day on canvas. Synth bell/gongs and squiggly synh horns herald arrival of something leviathan, with the drums then scoring this behemoth event: maybe the big blu day ahead, or maybe something else that comes with. Then suspended twinkling broken glass alarm motifs swirling above the gurgling snaking bass followed by sudden high contrast burns in the sky, dark rainclouds ending big blue day.



with Adhiraj kabir mustafi on drums. The artwork is done by instagram @carnivalfish.desigh.

Big Blue Day

From 8000 Miles’ 2nd album Crystal Confetti comes another tune that gets a bit philosophical. How often does your first response to a situation cause you to feel that your opinion is being challenged? Yeah, it can be often. Everyone has their own take on things and that can cause uncomfortable feelings between people. So, consider in those times, when it might be appropriate to not claim that you are “right”. Let it go. Compromise. Choose peace. After all, being right is usually just an opinion. Yes? Think: I don’t have to be right.

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363453
© 2022 8000 Miles All rights reserved.

Crystal Confetti

I Don't Have To Be Right

Buy our Music 🔥

Brain Waves - Combstead / Robert Grigg

Falling

Play on Spotify

Time For De-Stress (Earthshine Part I)

Went away for a few days and stayed at a house in middle of nowhere, there was nothing around but cows, on the side in the house was a little information sheet about the place, the lyrics are loosely based on that.

LYRICS

John Wild was staring at his pile of stones. He piled them together till he had a home.
In the fields full of gagel, where bog myrtle grows.
He'd raise up a family where no one could know. 

And, the cows do not care how you feel.
The cows stand and stare in the fields.
Oooooooo. 

There are herbs on the hillside and fish in the stream, 
There's game to be poaching to make good the lean. 
All the animals crowd as the north-easter blows.
The short days of winter approach from below. 

And the cows stand and stare through your face. 
The cows that belong to this place.
The cows do not care how you feel.
The cows will not move from these fields.
Ooooooo-ah. 

And the hills do not know,
of the valley(s) below. (x2) 

ahhhhhh (x4) 

The cows do not give much away.
The cows in the wind do not sway.
The cows are not ever forlorn.
The cows stay right where they are born.
Oooooooo. 

Oh, to be free,
in the wild valley.
Now, look at me.
With my land, far from sea. 

Oh, look at me.
No stopping me now.
Oh, look at me.
With my field; full of cows. 

And, the hills do not know,
of the valley below. 

John Wild was staring at his pile of stones. He piled them together till he had a home.
In the fields full of gagel, where bog myrtle grows.
He'd raise up his family where no one could know. 

And the cows do not care how you feel.
The cows stand and stare in the fields.
The cows do not show on their face.
What they think of this place.
Ooooooooo.

Cows (Wild Ones)

Human for Human - Anna Maria Dogonadze

LYRICS

Like a bullet in the shoulder, laid there bleeding out.
Like a waif when you look in the mirror, staring out.
Like your ankle in a bear trap, oh you're screaming out.
Like another deal to wrangle, hopes are fading out. 

Oh this is no surprise to me.
You wake me from my reverie. 

Oh you wake up in the back seat, oh you're fading out.
There's a rope around your wrists, and you lay there fading out. 
Can't remember how you got there, oh your fading out.
Oh it takes a while to figure out, you're fading out. 

Oh this is no surprise to me.
You wake me from my reverie.


Rêverie [with The Fall of Saigon]

Xperia landing

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.