Ladat’s Support Oct’25 vol.2

Spellcaster

Cold Mornings is a gentle, piano-driven ballad that captures the quiet intimacy of staying in bed while the world outside turns colder. Built around a soft 6/8 rhythm, the song blends delicate piano melodies with subtle texture, warm bass, and light percussion - creating a cozy soundscape that feels both personal and timeless.

The vocals are performed by @Ladat and Hana Pavšič, whose voices, presented in contrast rather than harmony, reflect two perspectives of the same tender moment - adding emotional depth and a sense of quiet dialogue to the track.

This is a song for early hours, soft blankets, and the lingering moments when time seems to slow down - reminding us that sometimes, the simplest moments are the ones that matter most.

Co-producer: Blaž Pavšič
Mixed and mastered @A7-Recording-Studio (www.a7recordingstudio.com/)

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: www.facebook.com/77Ladat
IG: www.instagram.com/77ladat
Bandcamp: https://ladat77.bandcamp.com

▶ARTWORK◀
MaKo: instagram.com/marketka1975

Cold Mornings

Guitarist Nicholas Tyson (long-standing member of Gentleman’s Dub Club, founder of XOA) releases his debut solo album, Ascent, on October 31, 2025 via Outervisions. Written in Provence and inspired by the vast and wild landscapes, the record blends jazz, classical, and folk into a sound both intimate and cinematic.

White Light is the second single from the album, capturant the early morning luminescence of the distant mountains, especially vivid viewed from the river bed.

Ascent

White Light

WHY
Music by Overdrive & Moladoen

No AI music generation platforms (Suno, Udio, or others) were used in the creation of this track.

The vocals were created note by note in Dreamtonics' Synthesizer V Studio Pro, and the timbre was altered in SoundID's VoiceAI.

Various musical instruments are Kontakt libraries.

'EVeRY HoRiZON' is a powerful yet minimalistic, vocal-driven electronic pop tune. 

A trip-hop style and euphoric, synth-laden atmosphere, support the gorgeous harmonic vocals, and give the track an emotional depth, which feels richly epic, yet intimate in delivery.


Vocal stems provided by the incredibly talented Kate McGill -

https://www.instagram.com/katemcgillvocals?igsh=MTVrZWEybW1yc2g0dw==

@katemcgillvocals

EVeRY HoRiZON (ft. Kate McGill)

Website

Only Son (Instrumental)

The screen flickers
The table yawns
We sit
We wait
We vanish

This hour is gone
You will never get it back

You could have walked the forest path
Heard the crow
Touched the moss
Lit a fire
Watched the sky

Instead
you counted bullets on a slide

This hour is gone
You will never get it back

You could have baked bread
Fed a friend
Watered the thirsty plant
Read the forgotten page
Slept without dreaming

Instead
you raised your hand
and lowered it again

This hour is gone
You will never get it back

You could have carved a song
Bled on the strings
Run until the lungs caught fire
Kissed a mouth that mattered
Buried the silence in wine

Instead
you stared at the clock
and the clock stared back

This hour is gone
You will never get it back
This hour is gone
You will never get it back

Never
Never
Never
Never
Never

You will never get it back

Never
Never
Never
Never
Never

This Hour Is Gone

All parts by Robert Grigg except 
Drums by Jim dooley
https://jimdooley.net/

No Need To Wait

We don't ever talk.

Original composition……Alejandro Gonzalez M.

Luz De Vela

Hank delivers the goods on this tear jerking countrified soulful rocker about a man on the outs of a relationship.  Hank's soulful ever gritty vocals, his country style guitar, and gospel style piano paints a hard hearted story each verse getting more and more intense building to a final roundup of emotion complete with string section and haunting steel guitar, when you hear this song, you know why they call him Hank, 

Cryin In The Night
By Hank Rusch

Oh, I try to keep our lovelight burnin'
But now I see it growin' dim
I finally realized why you're always cryin'
You're gonna leave me for him

Every night it's the same
You wake up weepin' and callin' his name
Then you cry yourself back to sleep
You can't hide the secret that you keep

Is there somethin' you want to tell me?
Or are you gonna say everything's allright?
Is there somethin' you want to tell me?
Or are you gonna cry in the night?

I know it won't be long
With the plans you're makin'
soon I'll be gone
but I ain't gonna make easy for you
I think it's time for you to tell the truth

Is there somethin' you want to tell me?
Or are you gonna say everything's allright?
Is there somethin' you want to tell me?
Or are you gonna cry in the night?
are you gonna cry, cry in the night?
Tell me baby, Tell me baby, don't tell me lies
Tell me now in the night, and in the mornin'
In the mornin' I'll be gone
No, No, No, don't cry anymore, baby
Tell the truth and dry your eyes
I know why, I know why, you cry in the night
Cry, Cry, Oooooooh! Cryin' in the night
Cryin' Cryin' Cryin' Cryin' in the night

Cryin In The Night

It's a work that combines the warmth of easy listening with a poetry rich in color and hope. In this work, I retain my trademark '70s sound and writing worthy of a song that's elegant and intense in its simplicity. The guitar, as always the protagonist of the musical spaces, perhaps speaks more than the singing and offers the possibility of dreamlike flights to faraway paradises. In conclusion, a ballad that's a pleasure to listen to, especially while traveling.

BORN UNDER A LUCKY MOON

pop punk/rock
co-produced, mixed, mastered and cover art by

@a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

Crawling Up The Walls

Dreamy progressive guitar track questioning what we believe and who informs us of the truth.
Lyrics:
What do you want from me, make shadows in my mind
Truth is just the lie, you choose to belive
What do you need from me, you can't control my mind
Truth is still the lie, we believe.

Truth is Just the Lie we Choose to Believe

Count Me in

Inversion

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Truth is Just the Lie we Choose to Believe

Chris Drabble

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