Hi, Chris--Season's Greetings! :) 🔥🔥🔥🔥🌟🎸🕊💯Stunning clarity & lovely & inviting charm that makes the guitar seem like a dream!

May I inquire if it was an Apple or Android that you used...Curious...Because I was considering making a future particular brand purchase. Your answer might persuade me. ;)

@electrotrek Hi, it was an Android phone, Google pixel 8.

Nice sounding experiment. Maybe I'll give a chance to recording sounds with my phone. 👍🏻

like the melody and tone..I only use my phone to record for what it's worth

A lovely miniature and beautiful guitar tone.

Sound lovely, Chris! Warm and full  - the complete opposite of what a piezo pickup would sound like :-) Perfectly positioned and in a nice sounding environment (either dry or with a nice natural reverb) a phone can do a nice job - as you have proven.

such warmth.... a great experiment, lovely playing too !

Not sure what this is…. 
It’s kinda rock, soul ? 
Anyway … it’s here ..

Waves

© Joe Liberty 2023. All rights reserved.

KnowingTheknownUnknowns

Led by the nose to your ordained goal
Trained to heal and fit the mould 
Deterred to look beyond the fold
Where the known unknowns truths be told

Oh to burn the flame of life forever bright
To bring the nameless dark into the light

Well blow me down
 
Yeah
Uh-huh 
Knowing the known unknowns

Break

Ah to gaze on what we yet dare to know
To ponder the secrets of the dark unknown unknowns

What we see is what we know
What we know is all we see
Behind the veil of society
Lie the unknown knowns, naturally

Oh to burn the flame of life forever bright
To bring the nameless dark into the light

Well blow me down

Yeah
Uh-huh 
Knowing the known unknowns
Knowing the known unknowns

KnowingTheKnownUnknowns

Caves

Acting Gods Replacement (ShortEcoMix)

BBBass

Even feat. Alley / Paploviante
Paploviante: Bass, Music, Composing, Arrangement, Mix, Picture and Mastering
Vocals and Lyrics: 
Alley from Ghosthack www.Ghosthack.de
- Verse One -
I’ve tried everything
My minds been racing round a track
But I’m getting numb to the feeling 
Of forcing myself to love you back
- Pre Chorus -
I should want you more 
On paper you’re the perfect man
But there’s a lingering 
Deep inside that tells me 
You’ve been wrong since we began
- Chorus -
I’d never ask you to change 
But what I need 
You can’t give me 
I won’t say an apology
You’ve been sweet
But it’s time to leave
It’s time to leave
I’ve lost feeling
I need to breathe, feed this aching
What part of this aren’t you getting
- Verse Two -
I’ve tried everything
Nothing gets through to you
I’m numb to your loving
And I can’t change
That I’m through with you

Even - feat. Alley / Paploviante Music

Into the Darkness She Disappeared

This is just a short experimental piece recording my acoustic guitar.
I've never been happy with the sound of acoustic guitars plugged in direct. 
I sometimes record my ideas using the internal recorder on my phone, and this is what you're hearing.
I recorded the acoustic guitar on my phone then transferred the file into my DAW and EQ'd etc in my DAW. I'm quite happy with the sound.
The cover picture is my Faith Mercury acoustic guitar that I used. 

Fond Memories

1000 Ballade

This collection of classical guitar pieces is an invitation to contemplation—a journey inward, into the heart of pure resonance, where each note seems suspended in time. From the very first measures, the listener is drawn into an atmosphere of sonic intimacy, where the guitar doesn’t merely play: it speaks, it whispers, it breathes.

The interpretation is refined, favoring expressive depth over flashy virtuosity. The dynamic range is handled with great musical intelligence, unfolding in subtle shades that move from the faintest breath to controlled outbursts, never abrupt. The touch is silky, almost organic, revealing the full palette of timbres the instrument has to offer—from warm, woody basses to crystalline, glass-like highs.

Each piece seems chosen not to showcase technique, but to construct a sonic architecture—a sensitive narrative in which silence matters just as much as sound. There is a listening to emptiness here, a respect for the passage of time, as though the music were aligned with the secret rhythm of breath or heartbeat.

The slower pieces, in particular, carry a gentle gravity, almost meditative. Shadows drift through them—memories, fragments of emotion touched lightly by the strings, never fully named. The more rhythmic passages pulse with contained energy—not seeking to dazzle, but to resonate, to set the guitar’s inner harmonics dancing.

The recording itself contributes to this atmosphere: likely captured in a natural acoustic space of wood and stone, it faithfully conveys the breath of the performer, the friction of fingertips, the floating harmonics. Nothing is sterile; everything feels alive, fragile, human.

This album is less a demonstration than a space—a space of calm, of slowness, of beauty. It reminds us that the classical guitar, in its most honest simplicity, can be one of the most direct ways to reach the essence of music: a shared emotion, without words, beyond eras and borders.

Notre envol 2

Recording 10 (The Song With No Name).wav

Welcome to my audio library!
This is a place for all of my musical creations, whatever they may be.

*All instruments performed by myself*
*Drums are programmed by myself*
*No A.I will be used to create my music*

Fond Memories

Chris Grant

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