THE BOY - YOUR FLOWER IS IN THE MAGICAL WORLD👸
Out Now on Everywhere
Link in Bio

Do you like human music?
This is full of humanity, something you don't find in modern pop music. I made this song remembering my feelings from my childhood. And I want to prove that the old-fashioned band sound can still be used as pop music. To move your heart is my biggest goal. Please press the play button.

YOUR FLOWER IS IN THE MAGICAL WORLD

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, Roland Phantom 6 synth, vocals, lyrics, arrangement, composition
J.J. Terrell-- @j-j-terrell—JJ--  Yamaha Genos 2 and Yamaha MoXF8 
synth, organ, electric piano, and vocal harmonies
Mistermark-- @user-432503709 -- Mark – clavinet     
Llanpsych-- @llanpsych -- Tez – Fender Stratocaser through a VST synth FX device
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Les Paul electric guitar, Fender Acoustasonic acoustic guitar, Gibson Earl Scruggs Mastertone banjo, mix, production, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

This song started when as a vague idea Josh came up with while listening to Lionel Richie's All Night Long followed by Michael McDonald's song Sweet Freedom. He wanted to create a song that uses that same basic structure because those are both perfect pop songs in his opinion. He came up with a rough structure on his bass and piano before enlisting the help of his team of musical superheroes. 
  Ken was first up to bat, adding his magical drums and helping Josh find a groove on his bass. Ken later added the hand percussion that adds a spicy drive to the song, too. Next up was Mark, who added the funky clavinet throughout. Stephen threw down after Ken, adding some foundational guitar to the stew. He also added the awesome banjo you hear trickling throughout. Very shortly after, Tez came through with the trippy guitar solo at the end. JJ followed with the breathy organ that lifts the whole thing aloft.
  Now that we had a solid foundation to work with, Josh added the synth "horn" part in the middle, as well as the vocals, including the third harmony part in the choruses. JJ added the fifth harmony part in the choruses soon after. He also added the synth hooks throughout and synth solo at the end. Not stopping there, he also added the electric piano intro, with Ken's drums, and Stephen, who added the electric guitar in that part, as well.
  Now that the whole thing was in the can, it was time for a mix. One of our resident production experts, Stephen, did the honors, as well as the mastering. 
  This is an example of everyone in the Eclectic Collective adding just the right puzzle piece to form the bigger picture. We hope you enjoy listening to this as much as we enjoyed making it. 

Original lyrics by Josh Clary:

Got a little baggie
Got a tank of gas
Now what I need from you 
Is to light a fire under my ass

Let’s put down our phones
And turn up the tunes
By now you know there’s nothing 
That we can’t get up to

Wherever we go 
That’s where I want to be
Just as long as 
I know I have
You there with me
Because
I’m down for anything x2
And you know that’s true
You know that’s true

Whatever you wanna do
Whatever we get up to 
I’m down for anything
Anything

With you I love to eat
But I never want to sleep
Because I don’t want to miss out 
On spending any time with you

When I hear you laugh
Or get excited with a gasp
You make my heart feel like
I just ran a lap

Let's go on a run 
Or figure out some fun
Or jump in the car and drive to where 
The ocean meets the sun

Chorus repeats/Chorus reprise

When you hit me with those eyes
You know you hypnotize me
And just when I think you won’t 
You can still surprise me 

We’ve done it all before
Now let’s go do it all some more
Every day is a reward 
When I feel like I just scored

Down for Anything (Eclectic Collective)

The hurt and then the anger of having the truth kept from you.

Nobody Told Me

“An interlude piece inspired by ‘Discovery’ era Daft Punk and a Pete Johns Studio Live Today podcast about keyboards. Created solely on Garageband iOS for iPhone, this song features Our Daughter and my Wife and was good fun; there is a lot of love and joy in this track. I hope you enjoy it.” 

hello space punk, is it me you are looking for? 

© heart house and the new kindness. 2025

Written**, performed*, recorded, produced** and mixed by heart house and the new kindness. 
*with OUR DAUGHTER + QUEEN VAN WIFE AND MAMMA 
**additional writing and production by QUEEN VAN WIFE AND MAMMA 
Mastered by DOLBY

hello space punk, is it me you are looking for? w/ OUR DAUGHTER + QUEEN VAN WIFE AND MAMMA

Toe Jam

The last track from my Echoes From The Wastelands EP!

Apart from the piano this track was created using only the Arturia Microfreak Synth.

Plugins used:
Spitfire Audio Labs - Soft Piano
Line 6 Helix Native for the modulation effects

Cover photo generated by A.I

Sunlight Through An Ashen Sky

Bad things don't break close to home, close the blinds
Turn the T.V. on, sleep on the couch
Freaks still rumble, stuff going down 'neath my nose

There was a shooting at the park
After dark anything can happen
Police can't be everywhere at once

Still pretty sure nothing gonna break, avoid the news
At every cost, anything I don't know aint gonna hurt me
Anything I don't know I don't need to know

Lawless society is a no-mans-land
Destroy everything
Sit and watch as all this play on the screen

08-07-2024

A Shooting At The Park

I wrote this a couple of days ago and worked on the lyrics a bit then recorded just now on my phone. The starting point was thinking of a Syd Barrett lyric which mirrored Elvis "I don't care if the sun don't shine".

Photo - Usher Gallery, Lincoln, April 2025


Yes I mind when the sun won't shine
And I must live in shadow
When the dry spell comes must carry on 
Until there's no tomorrow
Getting up I know I'll fall again
And when I'm not wanted at all 
By the grace of God I don't despair
But for goodness sake of course I care

You bet it's true and I get the blues
Whilst you suffer for nothing 
As I play kick back watch melting wax 
Then I'm late again rushing 
Falling down I know I'll rise again 
And while I'm hated I stand tall 
Had to accept life isn't fair 
But for goodness sake of course I care
For goodness sake of course I care 








 





Of Course I Care

Survivor ~ Track 8 ~ Overloading

A catastrophic system failure forces immediate action. Red lights flash across the cabin. Alarms scream. The protagonist moves with deliberate precision under extreme pressure, his hands flying across emergency protocols.

This sequence called for something different than hectic chaos. I wanted controlled intensity - almost like a thriller. I thought of the TV show Silo as a reference point: that sense of mounting pressure contained within precise, deliberate action.

The first half of the cue is restrained: long sustained notes hover over a subdued but driving beat. The tension is coiled, controlled. The camera work matches this - measured cuts between his face and his hands as he methodically works through the crisis.

But as the situation escalates and becomes more hectic, the music transforms. Fast string ostinatos begin to build, layering on top of each other. Taikos gradually increase in intensity, their thunderous hits punctuating each critical decision point. Status displays show failures escalating toward catastrophe.

Finally - success. The systems stabilize. But rather than release into relief, the cue explodes into a defiant, intense rendition of the Protagonist Theme. Purpose begins to crystallize in that moment - this is just the beginning.

08 ~ Overloading

SAMPLE FROM (THIS WILL DESTRPY ME - MY HEAD  IS EMPTY)

ADRENALINE (p. MXTT)

The_Replicant

Welcome to my audio library!
This is a place for all of my musical creations, whatever they may be.

*All instruments performed by myself*
*Drums are programmed by myself*
*No A.I will be used to create my music*

Sunlight Through An Ashen Sky

Chris Grant