Amazing depth to the piano melody -- great vocals and lyrics!

Gorgeous keys! It's like Night Ranger's Sister Christian soft side keys meets The Beatles' fluid & gentle vocalized harmony in Hey Jude, mixed with Bread's Baby I'm A Want You magnetism! Wonderful job, Chris!

Such a wonderful song… gorgeous piano, meaningful lyrics 😊

The singing voice that touches the heart and the piano are good

I recently re-discovered this daft song and decided to share it with you.   I first 'performed' it live aeons ago, at a very serious spiritual workshop, quite spontaneously (and a bit loudly),  after a day of intense meditation and self-discovery.  Although many appeared to enjoy the song, there was an abiding sense of disgrace at my flippancy and foolishness.  That sense of rebuke and naughtiness delights me still...

An absurd song indeed.. for absurd times :-)

**************************************


She’s fallen in love with a teapot
don’t ask me how can it be done
for I’ve watched her in action caressing
the smooth round and shine of his bum

The grip of her flesh on his handle
the knuckles sharp gleaming and white
just the way that her tongue darts and moistens
when she reaches for him in the night

I’ve studied with great fascination
for it’s novel I’m sure you’ll agree
Is she limited by saturation
or can she constantly consummate tea?

think I’m falling in love with my teapot
I  guess I can see how it’s done
for I’ve studied with great fascination
the smooth round and shine of his bum

She's fallen in love with a Teapot!

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

How are you, my dear old friend? An intriguing question that haunted me for weeks and led to this wonderful soul ballad. Lucas was directly connected to my composition and said everything, I couldn't express in words. Reach out to your friends in these difficult times. I am so happy, that we teamed up with Rich who played very groovy bass and guitars - and Robert, who added a real drumset. You took my draft to another level.

Nadine de Macedo: composition, arrangement, e-piano, synths, production
Lucas Maehara Rotman: vocals, lyrics
Rich Joseph: guitars, bass
Robert Cooperider: drums

Where to find us:
https://nadinedemacedo.bandcamp.com
https://lucasmaehararotman.com
https://soundcloud.com/user-831068061

===== LYRICS ====

Looking through the window pane
Just another day of rain
Bringing me down all over again

Then I remember stumbling home
Laughing at your jokes
Suddenly those clouds seem miles away

How are you, my dear old friend?
Called to bother you again
With stories you’ve heard 
Ten thousand times

How are you, my dear old friend?
There may be lonely days ahead
But if you need me, 
I’ll be right by your side

Ooh ooh ooh ooh

There are days we wake up tired
From visions of a world on fire
Hope seems lost in skies of grey

We don’t have to take a walk
Don’t even have to talk
Just savor the stillness of the day

How are you, my dear old friend?
Called to bother you again
With stories you’ve heard 
Ten thousand times

How are you, my dear old friend?
There may be lonely days ahead
But if you need me, 
I’ll be right by your side
Right by your side

The world can be a dreary place
Think of all the time that we waste
Trying to get by on our own

But I know in the end
We can count on our true friends
To help us carry our heaviest loads

How are you, my dear old friend?
Called to bother you again
With stories you’ve heard 
Ten thousand times

How are you, my dear old friend?
If there'll be lonesome days ahead
You know that I'll be there
Right by your side

Ooh ooh ooh ooh

Quarterlife Blues

How Are You?

How Are You (with Lucas Maehara Rotman)

swing with me

Swing With Me

Lorcán ~ an Irish given name meaning " little fierce one "
Arranged and produced by Mike Hllton © 05/02/2023
Thanks for listening.

Instruments

PRS Custom 24
Takamine Acoustic Guitar
Double Bass
Bodhrán
Vocal Pads
Chimes

The Lorcan

Lorcán

Here's A collab with https://soundcloud.com/frawstakwa

Here's A link to the original vocal;

https://soundcloud.com/frawstakwa/now-that-were-here-lets-go-1

Here's A link to the art work;

https://pixabay.com/illustrations/painting-black-and-white-digital-art-219514/

Frawstakwa & RiZLiX - Now That We're Here

Call My Name

Chaplin

So this was going to be a nineties throwback petshop boys style piece. I could never get it right, it's such a nihilistic piece. This is a very rough version, two takes on the piano, and a few takes on the vocal.

Let’s go, just you and I, 
while the world still dreams below the starry sky
Down the lonely street into an empty town 
From our mindless sleep on to Hallowed ground

I always thought there would be time
but i watched it slip away before my eyes
Yet we had time for our goodbyes
Looking out, at the edge of the demise

Without you here, what would I be?
Within your arms, you comfort me
You keep me close, 
you set me free!

It doesn’t end with a whimper or a bang, 
We just slowly fade to black from where we came
It doesn’t end in flood or fire,
It all just simply falls to our desire

will there ever be another?

A Love Song From The End Of The World

'Light The Candle Please' is fusion of Jazz/Fusion/Rock and Ambient. Not inspired by anything in particular and just what appears from the imagination sometimes. This is definitely one of those moments.
I have replaced the original file as Georg Boehme has replaced the original Tenor Sax solo. So thank you Georg for this wonderful addition . Also doubling the brass parts near the begining and also the end section. I am priviledged indeed to have your superb playing involved once again, so a big thank you.
You can hear Georg's own work here: https://soundcloud.com/georg-boehme

Light The Candle Please

Light The Candle Please (Feat. Georg Boehme)

Hello… so have you ever noticed certain things about yourself that never change? This song, ‘Just Like I Always Do’ is about that very thing. I found myself  outside the other day, playing with rivulets of snow melt. Making channels with a rake, for the water to run down and I laughed… my feet were soaking wet and I was having a grand old time. Reminded me of a time in kindergarten, when I arrived late to school, soaked to the bone, as I was playing in the rain along the way. So that playful side of me has not changed at all. I also noticed, like flowing water, how vital it is for me to keep moving. A fluidity when it comes to living and learning about life. Recently, singing has been like that for me. Bear with me on this. A little backstory: As a kid, I had a brief stint in my middle school choir. I did not want to join the choir, that’s for sure. The music teacher had picked us out, after brief singing auditions. After our first performance, my mother, God rest her soul, told me I did not have to go back to choir anymore, if I did not want to. Out of the 50 kids on stage, I was the only one not singing. I just looked down so no one could see my mouth… except my eagle-eyed mom. Simple as that, I was done with it. There were other things I wanted to do as a precociously rebellious kid, running around the neighborhood, as it were. Now, half a century later, I have been learning to sing on my own. It has not been easy uncovering that latent voice of mine. Looking back, sometimes I wish I had stuck with it as a kid. So about a decade or so ago, this dude I worked with asked me if I’d show him some stuff on guitar. His mom was a musician and music teacher and he grew up with music in his life. He was always singing and playing guitar. As we hung out, he noticed I never sang and asked me why. After basically dodging his question, he told me the only thing stopping me from singing was me. Talk about a hard lesson to swallow. So now, bringing us up to speed, I had some fun exploring my nascent singing voice on this song. The image is of me and Garnet running the hills in early Spring. Hope you like it and thanks for listening. Take care, Mark

Lammbone's Album

Just Like I Always Do

I am having a difficult time leaving comments right now. Please know I am listening and 'liking' everyone's work, and as soon as this gets worked out I will be commenting again.

Thank you for taking the time to listen,  please 'like' my work if you are so inclined, and please comment, I do this by myself, so I appreciate all feedback..

Thank you all for listening and your incredible comments, I appreciate you all

A Love Song From The End Of The World

Chris Huff

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