you really have so many variations of songs/vocals..this is sort of 70,s almost beegee melody/rhythm. ..very good stuff..who is in the picture???..lyrics are really good I think

These synths are so cool. love the transitions

Love this song very much Chris, great lyrics and wonderful vocals 💖 beautiful done!!

Weekly Wave

Music: Kenny Dyer [ https://soundcloud.com/kenny_dyer ]
Lyrics & vocals: Martin K Anderson aka Marty Andersson [ https://andersson-arte.com ]

Apple Music [ https://music.apple.com/us/album/neurochemical-romance-feat-kenny-dyer/1570101789?i=1570101790 ]

Promo. Video

Marty Andersson: Neurochemical Romance (feat. Kenny Dyer) | Inc. Link to Video

Here we present this fabulous new song by the great singer songwriter Richard Gonfrier called "Smile To My Lies".
In this track, his wife Delphine also intervenes for the first time with a sensational voice creating a fantastic duo.
At MTM we have been lucky to have done the mixing and mastering of this incredible new composition by this great artist.
You can also listen to it on his Soundcloud account.
From here we thank both Richard and Delphine once again, for trusting us again to be able to do our bit in this wonderful production.

Guitar : Nicolas Gouzeland
Voice : Delphine & Richard
Music, Lyrics, Arrangements : Richard Gonfrier  Soundcloud: soundcloud.com/richardgonfrier/tracks
Mix&Mastering : Freddie M from MTM Productions
Cover Design : Delphine Portier


Lyrics :
Just tell me why you're so kind
Why you think it's worth to try
Hold on tight
Never change your mind
Let me know what's behind
What you need to mystify
All this time
I was colorblind

How can you be so determined
Holding back your tears and smile
To my lies
If I could rewind
All the words that I can find
Giving hope you can't rely
To keep you fine
Always on my side

I've heard it say before
Like a hundred times or more
That secrets learn to war
Let them blow away
Our love we thought so pure
Is now lying on the floor
I'm feeling insecure
I should walk away

Backing 1
Just tell me why you're so kind
How can you be so determined

Backing 2
Listen to your love
We can all lose our way somehow

All rights reserved. Copyrighted with SNAC May 2023
* Mastering True Music * copyright ©. 2023

Smile To My Lies - Richard Gonfrier Feat. Delphine Portier

Synths by 
https://soundcloud.com/audiobake

Music by Hobocop
@metrocityrecords

Vocals & lyrics by https://soundcloud.com/cosmic_keanu and HOBOCOP 

DYSTOPIA (MY DYSTOPIA)

Dystopia!

You try to run, you try to flee,
But the streets are filled with mutant freaks!

Your Mylar suit has sprung a leak,
Now head crabs crawl up your feet!

Dystopia!
My Dystopia! 
My Dystopia! 
My Dystopia! 
Ma-ma-ma my-dystopia!

Everything sucks and it always rains.
Zombies roam the streets, looking for brains!

Giant rats crawl from sewer drains.
Look at them close they have a human face!

Dystopia (My Dystopia) AudioBake x HoboCop x Cosmic Keanu

-> https://andersson-arte.com

Our bodies are enslaved, but our minds and our spirits do not have to be. Do not fear thinking outside what is considered normal, do not fear to think unlike your peers. If they judge you, let them; their opinions are of ill importance; what matters is your heart, what matters is the truth. This physical existence is but only a short chapter in the epic tale of you and I; a tale that connects us all and stretches throughout eternity.

As your lives are spent working day in and day out to reach the a-typical material goals, ask yourself in a deeper sense: are you happy? Do you know true happiness? Or do you merely find comfort within the confines of societal boundaries because it is safer to follow the majority?
	
Liberate your spirit; even if it means being criticised, even if it means being considered abnormal; everyone has the right and/or power to be themselves, we just need to break free from the shackles of fear which hold us back from revealing what is behind the mask.

Kindle eBook

Marty Andersson: From the Archives - Liberation (Spoken Word)

The 4 stoned horseman Pain

One Look : Electronic music with Guitar and Vocals
https://open.spotify.com/album/0VDf2EUjDfXDf1bQvDA3Q0?si=l-NYW1CwS0SIgdCnXHG_fQ

One Look

© 2024 Pantomime Riot

United network’s breaking out
So turn your ears and hear the shout 
Shadow governments sick regimes
Grind your bones for poxy beans 

Unknown names on pots of wealth
No fucks given for your health 
If you think this is our true path 
You must be having a fucking laugh

So hold tight to what you got 
We’re gonna find freedom with a struggle or not
Times are all a changing and the word spreading fast 
The futures looking better so let’s make this shit the past

Somewhere back in distant days 
Minds tuned into higher ways
Pyramids built with copper tools
And history books printed for fools 

Breathed clean air and loved the Earth
Knew what natures really worth 
Sacred knowledge few still know
Helped the spirit truly grow 

So hold tight  to what you got 
We’re gonna find freedom with a struggle or not
Times are all a changing and the word spreading fast 
The futures looking better so let’s make this shit the past

Where you going please decide 
Materialistic greedy ride 
Fill your bags with plastic shit 
And swim around the ego pit 

Spin that same old disc again 
Am dropping out so just say when 
Fear anger greed and pride 
Cast those fuckers all aside 

So hold tight  to what you got 
We’re gonna find freedom with a struggle or not
Times are all a changing and the word spreading fast 
The futures looking better so let’s make this shit the past

KINGS & QUEENS

Cast of characters:

J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth, seed idea

Mistermark-- @user-432503709 -- Mark –  vocals, lyrics, mix, and production

Llanpsych-- @llanpsych -- Tez – guitar

TexMex Shaman– @texmex-shaman –Stephen–banjo, guitar, sitar, and final mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, seed idea

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four-string fretless bass

Composition – The Eclectic Collective

This song started in probably the most effective way our group writes them. Ken had a spectacular drum beat that was unused in a previous project, so JJ composed and recorded with his magical keys a chord structure and arrangement. Once we had a beat and a chord structure, Josh came along and added his foundational bass. 

  Now that the rhythm section was complete and the chord structure was in place, Stephen added his unique melody line that you hear at the beginning and every other verse on his magic banjo. He also plays all the initial guitar until about the 1:40 mark, when Tez takes over. In addition, Stephen also laid down some really trippy sitar in the break section. Then it was time for Tez to add some spice to the mix with his fiery guitar solos, which you hear from about 1:40 on, eventually building up to a crescendo towards the end. 

  Once we had all the music down, we realized that we had a big gap in the bridge without much going on in it. So, Mark came through and recorded a cool poem he had written on his refigerator with word magnets more than a decade ago, captured with a picture, and added to for the this song. The poem is loosely based on the idea that our dreams exist in a digital environment/universe. The girl's voice you hear echoing him is his daughter, for whom he originally composed it, in her first appearance with the EC. 

  The song was now finished, except for Mark using his masterful production skills to trim and move a few things. After he made those adjustments on, he threw a mix on it. While we usually defer to Tez or Stephen for the mix, Mark did such a great job, we decided to keep his mix. Stephen did, however master and EQ it to make it a finished product. 

  This is a song written truly as a whole band effort, showcasing what the Eclectic Collective can do. I hope you enjoy listening to is as much as we enjoyed creating it.  


Original lyrics by Mistermark:  


The moon flickers on

and rises and dances

across a celestial stage

as dreamers paint the pixels of their mind 

like an infinite canvas 


Sleep away tiny egg

and leave a delicate thread 

of memory behind 

but never log out 

you are in the elaborate web

always

 

Dancing Moon (Eclectic Collective)

please forgive my vocals, which start about 2:20
(if you want to skip the first song start it at 2:00)

There were fireworks in the sky
I’d never seen a night so bright
On that fourth day of July

I was far away from home
And It felt so all alone
But There was magic in that night

Do I believe,  do i believe
Can I open up my eyes
To what’s real and what’s a lie?

Those restless summer days, we walked and talked the time away
The cool summer nights and the ocean breeze and you and I

I was hoping you might see
Some spark of life in me
Something there i;ve never seen

But it was just a summer thing
A meaningless little fling
That's what you said to me

But it was more it was so much more
When will I open up my eyes
To see through this disguise?


Those restless summer days, the times i kissed your tears away
The cool of the summer nights and the wind so free and the fireworks bright
And your breath on my skin, and your heart in time with mine
with no one else alive
Lost in space and time…
Why did we say goodbye?

We never even tried
and we left it there to die
Why’d we ever say goodbye

Medley July 4th/Why Did We Ever Say Goodbye? (w/ VOCAL)

Primarily a fun song that takes a bit of humor from the experience of a guy who tried so hard to be a good husband, a good guy, but ultimately loses out. Bemoans all the sacrifices he made, yet he could never please his wife.   

My special thanks to Nat Daniels for stepping in to add some critical new pieces to my old recording, including some great production work!

Craig Durgy: vocals, mandolin & bass
Nat Daniels: organ, background vocals (mixing & production)
©Gentle Rain Records 2024

Thanks to haim_charbit for the banner art!

Lyrics:
You made my mind up, you turned my head around
You said my time was up, it’s time to settle down
You bought your wedding gown

I tried to follow, I thought I loved you so
So much to swallow, you said I had to grow
I tried it even though...

I didn’t think that I was, all that bad a guy but,
I listened to your kissin’ girl
I just killed myself to go on living

Now you want to, pick up with someone new
Now that I blew, my soul away for you
The things you put me through

You got your lawyer, to take my house from me
Last time I saw ya, you had my LTD
You wouldn’t stop for me

I didn’t think that I was, all that bad a guy but,
I listened to your kissin’ girl
I just killed myself to go on living

You got my toaster, you got my bowlin’ night
You weren’t supposed to, just disappear from sight
It just isn’t right

You got my hair changed, you made me chew my food
You made me sleep strange, just cause it felt so good
I gave you all I could

I didn’t think that I was, all that bad a guy but,
I listened to your kissin’ girl
I just killed myself to go on living
Just to go on living, just to go on living, just to go on living
I gave you all I could

(Rap section)
Didn’t think, didn’t think now
Never thought, I never ever thought how
Didn’t think that I could live without you
Everything about me was about you
I can tell I’m living by myself to go on living

I Gave You All I Could

This is the original instrumental version of the Hip-Hop track I did before I decided to add lyrics and collaborated with the talented Ian Greaves (aka @IPG1). After composing this instrumental track, Ian was kind enough to let me use his lyrics/vocals from his song ‘Modern Times’.

Here is the version with lyrics:
https://soundcloud.com/user-432503709/modern-times-the-digital-age-collab-with-ipg1

And here's the link back to IPG1's original vocal track; please give him a listen!:
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm

Most of the music is performed by me, with the exception of the sampled vocalization in the middle bridge and ending, and a few sound effects here & there. The beginning starts off normal enough, but the middle section takes a bit of a left turn before I 'go off' on the synth in the second half. I kind of enjoyed working the sliders on the live synth performance.   ;)

AI image designed & created using ChatPGT 4o
This is the same image I used in the vocals version, just inverted. 

Thanks for listening!

Modern Times - the digital age (instrumental)

Mtlsir https://soundcloud.com/user-434699157?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing and me are Glitchy dopt Phong !!

Glitchy Dot Phong - Glitchy Dot Phong

Words and music By Roger Whittlesey. Saxophone arrangement by Georg Boehme. Boehme plays soprano, alto, tenor, and baritone saxes. He also plays the bass clarinet. Noel Barrett plays the bass guitar. All other sounds by Whittlesey. © 2024.

Dear Reader, 

In Shakespeare's play "Hamlet," Ophelia drowns herself in what is a terrible and tragic scene late in the play. 

The idea for this song came when I recognized that the grief of loss, missed opportunities, and mistakes compound as we age, and they don't leave us. Instead, these emotions seem to haunt us—often surprising us when we least expect it. And so, these feelings are akin to the tragic drowning of Ophelia, except that they seem to happen again and again—hence the title of the song. 

Georg Boehme, a brilliant arranger, composer, and horns player from Cologne, Germany, joined me on this piece. I sent Georg the basic tracks and gave him no instructions. He knows what to do, and he always exceeds my expectations. His playing on this piece is amazing. As you get to know Georg's music, you will begin to see that he has a unique style, and it shines through in all that he plays. Thank you, Georg, for lending me your immense creative talents. 

Last week, I sent what I believed was the finished version of this song to Noel Barrett, an outstanding bass player from Cork City, Ireland. I knew he would dig the work that Georg did on the track. And he did. Without any prompting, he replaced the bass part that I laid down—and improved the tune tenfold in the process. Noel has rock-solid time and brings a melodic sensibility to everything he plays on the bass. It is a great pleasure and honor to have him guesting on this song. 

Finally, I thank you, my devoted listeners, for your comments and for your repeated returns to my channel. 

I have much more music to write. This is only the beginning of the journey. 

Highest Regards, 

Roger Whittlesey
July 9, 2024

Ophelia Drowns Again

The monkeys always chose the path of pain, chaos and destruction...don't  give them guns.

Don't  give Monkeys guns

have a great day

Glitch in the Game is a song that pulls you straight into the narcissist’s mirror maze, where charm and chaos blur into one reflection. It twists through truth and ego like light through a hologram, bending reality until you can’t tell what’s real or replayed. Every beat flickers with illusion, every line drips with revelation, and by the end, the only thing left glitching in the static… is the glitch itself.

Glitch in the Game

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Thank you for taking the time to listen,  please 'like' my work if you are so inclined, and please comment, I do this by myself, so I appreciate all feedback..
It goes without saying, but no AI or Music Maker here, I'm responsible for every chord, melody and word, mix and master, for better or worse! (I do use VST's and samples)

Thank you all for listening and your incredible comments, I appreciate them all

Medley July 4th/Why Did We Ever Say Goodbye? (w/ VOCAL)

Chris Huff

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