Chriς JunoΣ Track's

/// PAPLOVIANTE and FRIENDS --- Turn of Time / Open Collab Offer ///

/// Lillithe --- Timeline Open Collab from IPG1 with Paploviante ///

Ft.JUNZO-Anything Goes-IPG1,FRAWSTAKWA&RiZLiX , CHRIS JUNOS --- ABANDONED

// PAPLOVIANTE and FRIENDS --- Turn of Time / Open Collab Offer //

// Lillithe --- Timeline Open Collab from IPG1 with Paploviante //

Syntaleta --- But I've Got the Wings , CHRIS JUNOS --- ABANDONED

SYSTEM GLITCH IN FEATHERED DINOSAUR ZONE

CHRIS JUNOS

Weekly Wave

https://chrisjuno.bandcamp.com/track/celestial-archipelago

© All rights reserved

Inner Space - Εσώτερο Διάστημα

Original DAWless Recorded Music
© All rights reserved

Via Egnatia - Εγνατία Οδός

Celestial Archipelago - Ουράνιο Αρχιπέλαγος

Electronic adaptation of a Greek traditional song.
https://youtu.be/EI6YRgZHmE4
© All rights reserved

From A Foreign Land - Από Ξένο Τόπο (trad GR song)

Electronic adaptation of a Greek Cypriote traditional song.
© All rights reserved

TILLIRKOTISSA - ΤΗΛΛΥΡΚΩΤΙΣΣΑ (trad CY song cover)

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

My first work recorded in Kharkiv during the war. They will never steal our peace of mind... My dear Dad was always with me when I was a child, but now we've been apart for over 2 years due to the war. My parents' home exists only in my memory. I wish all the children in Ukraine whose fathers have to defend the country peace and reunion of their families.
Remastering by Houman https://soundcloud.com/houmans. Please check his beautiful music.

Daddy's Lullaby

This is a track created by RiZLiX called "Anything Goes" with my guitar playing added to it. Thanks to IPG1, FRAWSTAKWA and RiZLiX for welcoming this recording.

RiZLiX featured the legendary vocalists IPG1 and FRAWSTAKWA in its work.
The original sound source for this track is below.

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes
https://soundcloud.com/rizlix/ipg1-x-frawstakwa-x-rizlix-anything-goes?si=49dd5edb56dc4d3b8365d78903231471&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Anything Goes Vocals 106 BPM
https://soundcloud.com/ipg1/anything-goes-vocals-106-bpm?si=305926b2ac484229a750cdd8d3d7cd52&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Frawstakwa – Stbb-110bpm-frawstakwapella
https://soundcloud.com/frawstakwa/stbb-110bpm-frawstakwapella?si=10cfff4bf183400abfc314c04624d7f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I recommend that anyone learning to play the guitar listen to this piece over and over again, playing the Gm/B♭pentatonic scale in various ways, and trying to find a phrase that you like.

The volume adjustment during mixdown is optimized for the environment when using the earphones that come with the iPhone. If you feel that the volume of the guitar playing in this work is low, please use earphones and check the volume balance of this recording. It seems that earphones other than those that came with the iPhone do not have any problems. When using an Android device and when connecting an audio interface to a PC, I connected inexpensive earphones and confirmed that the guitar volume can be heard at a roughly appropriate balance.

There is another way. I have embedded a SoundCloud player on my blog to introduce my works, but I noticed that this work sounds harder (mid-high tones are clearer) than when played directly in the browser. If the guitar volume seems low or the sound quality sounds cloudy, please open the following and play this recording with the SoundCloud player embedded there.
https://junzo.seesaa.net/article/509999749.html?1738554041

▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼

IPG1
https://soundcloud.com/ipg1/tracks
FRAWSTAKWA 
https://soundcloud.com/frawstakwa/tracks
RiZLiX
https://soundcloud.com/rizlix/tracks

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes - ft.JUNZO on electric guitar

Thank you for listening!

Vocals: Clara Sorace
Photography: Unknown
soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

No man´s land

Introduction in English:

Sometimes I wonder if there is some kind of ‘safe place’ in this world. Everywhere I look: Wars, climate disasters, starvation and poverty. Not to mention the increasing everyday violence at home, in the neighbourhood and on the streets.
As early as 1962, John Lennon described in the song ‘There's a Place’ (perhaps also under the impression of the Cuban Missile Crisis at the time with the acute threat of a third world war) that sometimes the only thing left to do is to retreat to an inner safe place when the outside world (as is now increasingly the case again) is increasingly on the brink of an abyss.
In this respect, this song is highly topical, although I would like to add that the search for the inner safe place should only ever be temporary, in order to regain strength there (for example through one's own musical creativity) in order to make a greater contribution to the preservation of the earth and human coexistence in the outer world.
I am sure that John Lennon meant this kind of fluid balance between gathering oneself inwardly and being lovingly in the world.       

Introduction in German:

Manchmal frage ich mich, ob es auf dieser Welt eine Art "Sicherer Ort" gibt. Wo ich hinschaue: Kriege, Klimakatastrophen, Hungern und Armut. Ganz zu schweigen von der zunehmenden alltäglichen Gewalt zu Hause, in der Nachbarschaft und auf den Strassen.
John Lennon hat (vielleicht auch unter dem Eindruck der damaligen Kuba-Krise mit akuter Dritte Weltkriegsgefahr) in dem Song "There's a Place" schon 1962 beschrieben, dass einem manchmal nur der Rückzug an einen inneren sicheren Ort verbleibt, wenn die äußere Welt (wie jetzt zusehends wieder) zusehends an einem Abgrund steht.
Insofern ist dieser Song brandaktuell, wobei ich hinzufügen möchte, dass das Aufsuchen des inneren sicheren Ortes immer wieder nur vorübergehend erfolgen sollte, um dort (etwa über eigenes musikalisches Schaffen) wieder Kraft zu sammeln, um in der äußeren Welt verstärkt einen eigenen Beitrag zum Erhalt der Erde und des menschlichen Miteinanders zu leisten.
Ich bin mir sicher, dass John Lennon diese Art von Fließgleichgewicht zwischen sich innerlich sammeln und liebevoll in der Welt sein gemeint hat.              


There`s a place (Lennon/Mccartney)

"Things happening at the same moment as an expression of the same time content” learn to Pull from the unconscious, guide it with conscious for endless creative possibilities always unique, totally new. 💯👊🏾🫵🏾

Synchronicity

Eastern

Spawn Different

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

This is a song about the impermanence of relationships. In my younger years I assumed the people I knew would always be there and I would mourn the loss of those who drifted out of my life for whatever reason. Now I see it’s the temporary nature of relationships and everything else in life that gives it meaning.

I felt less lonely when I didn’t know you
Desert sunset
Lay underneath the stars
It’s cold outside
Thoughts running around my head
Running, running, running out of time
Running, running, running out of time
Songs are beautiful
Nothing changes if nothing changes 
No, nothing changes if nothing changes 
But it’s too late now, I remember everything 
I can feel the rain upon my skin
Raining down on me
Don’t make a sound
Thoughts running around my head
Running, running, running out of time
Running, running, running out of time
Songs are beautiful
Songs are beautiful, beautiful because they end

Songs Are Beautiful Because They End

Lyrics:
She was wrong for me
I knew it from the start
I'm not very smart
I left a spare key under the mat
To my broken heart

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
I'm sleeping it off in those Sunday pews

My boss had an epiphany
When I was working at the mortuary
He said: Dig them holes faster!
"This business has no room for uncertainty!"

That may be
Oh, can't you see?
When I'm working for you
I just don't feel like I'm being me
When I'm working for you I ain't following my muse
And there she goes...
(There she goes!!!!)

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
Hey friends, won't you help me spread the news?

I get all my blues for free
Don't you know I'm so low I can't see?
A lousy day...
A lousy pay...
I'm a lousy lay...
I think I'm everything
That everybody say

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
I'm sleeping it off in those Sunday pews

One Step Ahead Of The Blues

PHOBOS / Paploviante Open Collaboration Offer
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 88
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

PHOBOS

1st MAY FLIGHT - Πρωτομαγιάτικη Πτήση

LIVE JAM 25 5 5 / free download

Just an old man getting crazy with his looper pedal

Do Like You Wanna Do

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

But I've Got the Wings

YOUTUBE VIDEO ART
https://youtu.be/aAex9NHwqXg
https://chrisjunos.bandcamp.com/album/greek-drama

ABANDONED

Additional vcls B.Browning

SOMEONE SAID
DON’T GO MISTAKING PARADISE WITH A HOME ACROSS THE ROAD AND I SAY
DON’T GO MISTAKING WICKED.COM WITH WICKEDMOVIE.COM OH NO
IT MIGHT LEAD YOU INTO A MATTEL GLITCH SOMETHING YOU DON’T REALLY WISH EVEN IF YOU’RE OVER 21
BREAK A LEG DON’T BREAK AN ARM SKIING IN THE TELLURIDE
ET CAETERA MAN AUX ARMES SOUVIENS-TOI, BONNIE AND CLYDE
BEING OVER SEVENTY ONE
I THOUGHT I MIGHT CLICK ON THE LINK COULD I BELIEVE I SAW ? OH NO
OVER 6000 WICKED SCENES
HOW CAN THEY ALL FIT IN ONE SCREEN? OBSCENE MAN OBSCENE
I’D RATHER HAVE THE LAND OF OZ A TALKING GOAT WITH A POINTED HAT A FEMALE CHILD GLINDA THE GOOD ELPHABA GALINDA TIT FOR TAT
SANS COMPTER MADAME MORRIBLE WHAT IS LIFE BUT A SILLY RIDDLE ENFIN BREF
AU FESTIVAL DE TELLURIDE
OU QUE TU SOIS OU MÊME AILLEURS MES MEILLEURS VŒUX DES INVALIDES DE MÉNILMUCHE, DU SACRÉ CŒUR
OUI CAR TOUT ÇA C’EST D’LA BROUTILLE L’IMPORTANT MAN, C’EST LA FAMILLE PAS VRAI ?
REMY MAGALI REBECCA REBECCA REMY MAGALI AND PHYLLIS OF COURSE
HERE’S TO THE SOCCER PLAYERS BON ANNIV BON ANNIV EMMANUEL

MATTEL GLITCH (Lyrics) Song for Emmanuel

Lyrics
Sons and daughters braved the rain
Sorry story told again. 
Of the winners and losers that crossed the lines
And the connoisseurs with their fine wines
Tempted by - the shoals of ice
Tempered by the exotic spice
That flavors the wind and lifts the sails
That rides through waves as the North Wind wails
Ain’t no body know
Where the money goes
Ain’t no body know
oppressive power grows

Ain’t no funny games
Drunk on sunny days
Ain’t no funny games
Drunk on sunny days

Looking up for mercy from the stone…
All alone
Walking the plank and keelhauled …
on your own
 
Ain’t misbehaving- better walk in line
Snitches get stitches before their time
Picking those pockets only get so far
Matches light the fire that sets it off. 

He was a cow in calf better have a laugh
They were hoping that he’d become their money bags
Sharing empty shelves cob web caught the fly
Maybe he’ll think twice before taking my advice. 

Shattered lives
Shadowed lies
Better tell the truth
Before you look the fool
No one knows
Where it grows
In an Online kissing booth
A Smile without a tooth. 

Hitting up the walls ….
in the bathroom
Markings on the wall claimed….
They had you

With the  ground underneath
We take that generational trip

Of materialistic wealth and shallow thoughts about 
Their drip. 

And the flow never grows
 as we wonder why we’ve lost
 our grip.

Our love for the red wood forest 
it brings us to the chorus

Ain’t no body know
Where the money goes

If this is what we lose,
 it puts us to the screws

Ain’t no body know
oppressive power grows

Ain’t misbehaving- better walk in line
Snitches get stitches before their time
Picking those pockets only get so far
Matches light the fire that sets it off.

Dreams of the Byzantines

No Funny Games

The Feathered Crown is a card of pride, loss, and the aftermath of hubris. It draws upon two rich veins of folklore — the Appalachian belief in a feathered crown found beneath a dying person’s pillow, and the ancient myth of the Sirens and the Muses. Together, these stories form a layered symbol of reckoning, the echoes of lost glory, and the burdens of victory.

In Appalachian tradition, discovering a tightly woven feathered crown in a pillow was often seen as a sign that the soul of the deceased had passed to heaven, a mysterious mark of spiritual judgment. In mythology, after the Muses defeated the Sirens in a singing contest, the Sirens were stripped of their wings as punishment for their arrogance. The Muses, triumphant, wove the plucked feathers into radiant crowns — symbols of their victory but also of the destruction they wrought.

This card stands at the intersection of triumph and regret. It speaks of victories that come at a cost, the spoils of conquest weighed down by lingering guilt or sorrow. The Feathered Crown reminds us that success without humility invites ruin. It asks whether our pursuits of recognition or superiority are worth the burdens we carry in their wake.

---------------------------------------
Drums, Percussion, Keyboards: Ron Thomas
Guitars, Bass, Banjo, Lyre, Vocals, Midi: PS Perkins

Mixed and mastered by Mystic Tape Deck
Dedicated to Josephine of the Mouse Folk

LYRICS
---------------------------------------
I saw your feathered crown, the one you keep under your pillow
Did you think that you could hide it from me?
As you don your supple plumage, tell me did you win it truly
From the fairest maidens of Persephone?
Are your songs of grief and woe, are they songs of deep regret?
With feathers plucked from silvery Sirens wings?
Or from the tails of rainbow ravens perching just outside your window
Waiting for the passing ships to hear them sing
Waiting for the passing ships to hear you sing

Dashed upon the rotten rocks of harpy limbed nightingales
Where tides resound with death inducing cries
As the sailors climb and clamor for a seat upon the razor
And a melody to cling to as they die
Rejoicing in the arts of their inglorious ease,
Freely frolic where the churning waters flow
Diving from the clifftops, splashing down into the seas below
Charming in both poetry and prose
Alluring in both poetry and prose

Whosoever dare to wear the feathers in their hair
Like the parrot and the magpie in a cage
That we may divert our stare from the circling of the bear
While standing proud upon the heavens final stage
When the starry sisters nine, with their bellies full of wine
Have bested you at your own foolish games
And the ships all passing by which now leave you there to die
Having never even known your given names
Having never even known your real names

I saw your feathered crown, the one you keep under your pillow
Did you think that you could hide it from me?
Oh, Josephine, you should have known better.

The Feathered Crown

https://chrisjunos.bandcamp.com/album/greek-drama

The post promotes "Greek Drama - Ελληνικό Δράμα," a track by CHRIS JUNOS on SoundCloud, reflecting a modern nod to ancient Greek theater where music was integral, as noted in Aristotle’s Poetics, which ties the origins of tragedy to dithyrambic performances blending song and dance.
Recent archaeological findings, including a 2024 study from the University of Liverpool, uncovered musical fragments from 400 BCE, suggesting Greek dramas used complex scales, potentially influencing CHRIS JUNOS’s experimental electronic style seen in related posts like "APHRODITE'S CHILL."

Greek Drama - Ελληνικό Δράμα

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

ZONE

This a companion track to "Stay the F--k Out of Ukraine" uploaded in 2022) Let's not become desensitized to all the destruction and human loss at the hands of the Russian Invasion of Ukraine. Over 3 years of sustained violence with some of the heaviest drone and missile attacks being being  this week with attacks on civilian centres - Apartment Buildings, Neighbourhood playgrounds, Schools, Hospitals, Transportation centres/routes, Power generation . Wanton destruction. Mass graves. ICC, where are you?  Slava Ukraini. Putin could end it all as easily as he started this, faster than Trump claimed he could end it. LEAVE! and pay for all the damage in property and human lives wasted needlessly. Time for the Dinosaur of the old USSR  to go.

Lyrics:

Dinosaur 

Сволочь (You B******d)
Stop your shooting…Mr Putin…stop your shooting…( now!)
I bet you were a lonely child
Pulling legs and wings off flies
You cannot hide the dead behind your eyes
I bet you got no love from Mummy
Never even loved a woman
What you gunna get you will deserve
With malice towards none and charity for all  (Lincoln)
But you got malice towards all and charity for none
Stand your citizens in a line
They believe your every lie
“Tactical manoeuvres?” …my ass!
You wanna shell every woman and child
Then you threaten to vaporise
Leave them just shadows on the wall
You’re a dinosaur (x6)         …you should be extinct
You’re just a school-yard bully
Out of state and out of Country
And if we say the word “war”…ya gunna slap us all in chains
Stop your shooting…Mr Putin…stop you’re shooting now! (x4)
прекрати стрелять  (stop your shooting) 

Wigmore: Music and Production, additional vocals
Allen : Lyrics, Guitars, Bass. Vocals:

Wigmore Allen Gibbons - Dinosaur (Stop Your Shootin Mr Putin)

2025/6/2

Website

前夜 (zenya)

“180 Bars of Solitude”  by Luke

Still working on my Waltz composition..
So here’s another dark piano piece
the short version 😂

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“180 Bars of Solitude” by Luke

Special thanks to Ashesndreams for her acappella

Lyrics :
Baby no me pidas que me aparte
Yo ya te he buscado en todas partes
Solamente vengo a recordarte que estoy
Imaginandote
Una y otra vez
Que tu estas aqui conmigo
Acariciandome
No seas timido
Dejate querer
Que si dudas te prometo
Que vas a volver

No tengo miedo
Soy un kamikaze
Mi imaginacion se prende con lo que me haces
Diario yo te pienso
Te tengo en mis suenos
Eres el motor para escribir todos mis versos
No te voy a mentir te quiero todo pa mi

IMAGINANDOTE. 🎧.  feat  Ashesndreams

Athens Hijacker

A little bit of tropicana to warm up a cold damp UK afternoon!
Thank you always for your kind reposts plays and playlists!!!

Primavera

Pierre and JC Bordetti productions (c) 06/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Lyrics
Lost in the night, under silver beams, Drifting through cosmic, endless dreams. 
A thousand lights whisper my name, Guiding me home through time and flame.

Stars above, shining so bright, Lighting up the lonely night. Tell me tales of space and time, Sing me songs, make the world divine.

Fullness

248 - Chant

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

Turn of Time / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 100
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!


Turn of Time / Open Collab Offer

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.