Daily Drops

PROFESSORS OF TRULY GOLDEN SOUNDS

A    082

In 1986, eccentric British pop group The Art Of Noise released "Paranoimia", where they teamed up with computerized TV host Max Headroom, who was a cult phenomenon in the mid-80's.

An incredibly funky song as it is. For this edit, I've just added some extra disco muscle to make it work better in DJ sets.


The Art Of Noise - Paranoimia (Jesper Rummenigge Nite Version)

Music and lyrics: Jose Miguel Millán
Lyrics, Vocals, backing vocals and vocal production: Delhya
For more DelhyA please check: on.soundcloud.com/cZwUB

Proud and  honored to once again have the invaluable collaboration of DelhyA, on this very personal and key song in the future concept album.

Lyrics:

My old notebook (with) my youth poems 
Thinking no one was the same forgotten moldy in a chest
Never found lips (that) wanted to declime 

My old canvases full of greys 
No one else was able to paint 
Moldy forgotten unfortunate 
Never found eyes that contemplate 

Suddenly
No more grey (just Pink)
I claim 
It was 
A sunny day (summer day)
You came 
That day (What a day)
I saw 
in your eyes
my legacy 
was you. (Was you). 

My life has never been the same since the day you came
Only the see the sun shining through the rain since the day you came

my footsteps in the sand, 
a land that no one could step on.
erased by the ocean tide, 
no one can follow them

Suddenly
No more grey (just Pink)
I claim 
It was 
A sunny day (summer day)
You came 
That day (What a day)
I saw 
in your eyes
my legacy 
was you. (Was you). 

My life has never been the same since the day you came
Only the see the sun shining through the rain since the day you came

Legacy - with DelhyA - Lyrics on description

Epic, Cinematic and Orchestral Music
Picture Deviant Art - Asymoney
Franck C Production
Music by Franck Charles ©
ASCAP
https://www.youtube.com/watch?v=h4QL-bbI0P4

The Last Warrior

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Glühwürmchen 
wo immer du bist
Glühwürmchen 
wo immer du bist🪲

Firefly
wherever you are
Firefly
wherever you are🔥🪰

37°

Firefly (Ambient Remix)

A.I. Hates Socrates - Τ.Ν. Μισεί Σωκράτη

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

Another one from previous century cassette !
Hope you enjoy the song despite the lo-fi sound 

I wrote the song, sang and played it 
Nataly NGM made the ideal artwork 🧡🩵

Gotta Get Out Of It - Bruno C

Pierre Bordetti productions (c) Fev/2024.
Composed, arranged, performed, and produced by:

In tribute to all those who suffer from cold, hunger, disease, war and all human stupidity.

En hommage à tous ceux qui souffrent du froid, de la faim, de la maladie, de la guerre et de toute la connerie humaine.


Lyrics
 
despite the cold, 
despite the hunger,
when winter is the only season,
when the sun as the only light,
when the night as the only shelter,

love always survives,
Freedom has no price,
save your mind,
save your mind,
keep your pride,
keep your pride,

Love always survives

Sunny Day / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 77
A7 Em7 Gbm Dm7
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Sunny Day - Paploviante Open Collab Offer

True Love

maybe that´s the way it´s meant to be!
"Red Sound" Electronic music with vocals and guitar

Red Sound

Shadow Dreams

like/follow on Spotify

MERCH >> bit.ly/3a1Jnwv << T-shirts, hats, hoodies & more!

Artist: Ilona Maras
Title: Time is everything
Label: MJA the Vision
Release Date: 2024-05-17

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Time is everything

>> PURCHASE <<

Ilona Maras - Time is everything [MJA the Vision] [MI4L.com]

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

The Stranglers - Skin Deep [D.J.MARKY.D.Remix]

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

Playing keyboards from 80s / Recording music from 90s. CHRIS JUNOS, based in Alexandroupoli, Greece, is known for his DAWless, live-recorded electronic music with a Balkan/Mediterranean influence, as seen in his earlier work ΕΛΕΚΤΡΟ-ΝΙΚΑ (2022), which blends ambient, synth-pop, and ethnic Greek elements, suggesting GREEK DRAMA may continue this unique fusion.

https://chrisjunos.bandcamp.com