▶ https://chrisjuno.bandcamp.com/album/never-on-saturn
▶ https://distrokid.com/hyperfollow/chrisjunos/never-on-saturn

Support

Never On Saturn - Ποτέ Στον Κρόνο

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Music | Remixer | 


https://youtube.com/@dramanticmsc?si=CHKw4MoGhfK2LVQd

Artist/Skateboarder/Dj/Producer

An interest of sounds evolving since early childhood, followed by 25 years of crate digging and expression in the Dj/Producer art form.

Hi & welcome.
thx for visiting & listening to my music.

i jump between genres depending on my current mood, so don't wonder if you find some different and weird tunes 😂

I don’t create my songs with AI.
For me, every track has to grow through its own process, and that simply takes time. That’s where my soul flows into the music.

That doesn’t mean my songs are better or more sophisticated – I’d rather you form your own opinion.
As for vocals, I have to rely on loops, since illness keeps me from singing myself. Often, I discover a vocal line first and build the song around it. This means I sometimes have to compromise on the lyrics, so they don’t always mirror my personal outlook, mode of expression or poetry. Still, it’s important to me to share this truth.

Some various loops and most vocs from loopcloud.

All tracks composed, edited,
arranged, mixed @ mastered by J O R D I .
____________________________________________

I come from a musical family and was introduced to different instruments at an early age. The one that stuck with me were the drums. Various bands, gigs in small clubs. Even though, for lack of time, I didn’t actively make music for many years, music has always been one of the few constants in a turbulent life.

For the past few years, I’ve been seriously ill and slowly but surely on the home stretch. Since I can no longer play drums (I’m connected to a ventilator 24/7)
i started working with a DAW in 2024. It has become an important part of my life, my way of still creating something when my hands no longer can.

Here on SC there are so incredibly many amazing artists and people from all parts of the world … for me, it’s my universe. And the certainty that something is always possible, no matter how bad things get.

"In the midst of the deepest winter, I finally realized that within me lay an invincible summer…"
A. Camus


Stay strong - Fight fascism!
STOP TRUMP ❗️

Michael - 2024

Mooshzoom part of the Mooshmusic project. Ambient music for headphones. Based in Northumbria and next to the sea, which is very influential to me

Hello my dear friends. I seek and love music that gives me goosebumps.  I 'm looking for it through experiments with rhythms, sounds and harmony.  So far I haven't succeeded yet.  Music is my life. I’m Fred, 70 years, born in Diest, Belgium on August 8, 1954.  I am grateful for all the given likes and comments, for all the listeners and followers here on SC or on all the other streaming services where my music is publiced. I’m also grateful to all these artists and musicians who put their beautiful music on SC.  Thanks everyone.  Keep it healthy.  Take care of each other and sow peace!

From Wikipedia: In Greek mythology, a satyr, sater (UK /ˈsætə/, US /ˈseɪtər/;[1] Greek: σάτυρος satyros,[2] pronounced [sátyros]) is one of a troop of ithyphallic male companions of Dionysus with goat-like features and often permanent erection.[3] Early artistic representations sometimes include horse-like legs, but in 6th-century BC black-figure pottery human legs are the most common.[4] In Roman Mythology there is a concept similar to satyrs, with goat-like features: the faun, being half-man, half-goat, who roamed the woods and mountains.[5] In myths they are often associated with pipe-playing. Greek-speaking Romans often used the Greek term saturos when referring to the Latin faunus, and eventually syncretized the two. (The female "Satyresses" were a later invention of poets.)
With the characters A and T, my initials, stops every similarity between this description and myself.

👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album

Le vinyle est prêt, pressé à la demande.
Une descente en groove dans les coulisses de la French Touch.
Boîtes à rythmes poussiéreuses, synthés analogiques et fantômes du Rex Club.
💿 Pour ceux qui ont dansé tard, et écoutent encore.
🎧 Commande ici :
👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album

🇬🇧
The vinyl is ready — pressed on demand.
A groove-soaked dive into the backrooms of French Touch.
Dusty drum machines, analog synths, and the ghosts of Parisian nights.
💿 For those who danced late, and still listen.
🎧 Order here:
👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album


Keep creating, this world needs music! 

infos:
grooger.yan@gmail.com

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.

Never On Saturn - Ποτέ Στον Κρόνο

CHRIS JUNOS