NO A.I. INVOLVED
It all started in late 2022 while driving. I heard a song on the radio that inspired me to create this piece. I only heard it once, I don't know the author(s) or the title of this song.

After creating the core/mockup of the song, I presented it to Brian Butts (@brian-butts-565934842), which is amazing multi instrumentalist, and asked if he would record a guitar solo similar in idea to the solo from "The Break in Tranquility" https://soundcloud.com/r-u-r-pl/the-break-in-tranquility, which I had previously asked him to review. He agreed to this willingly and that's how my first ever collab was created.

I actually regret a little that this song is a bit too slow, but trying to speed it up caused Brian's solo to fall apart, and my skills don't yet allow me to properly edit it.

This song was lying in my "drawer" for over 2 years. I wasn't fully satisfied with what I did and its sound. I wasn't able to come up with a good Bridge and make it a full-fledged song. In the end I decided to release it as is. I only modified some parts to maintain the feeling of the progression of the arrangement.

Sorry Brian, my friend, that it took so long, but my perfectionism https://w.wiki/9XhH makes me constantly dissatisfied with what I do and often prevents me from finishing the songs.

Thanks to my friend ••kavvka •• (@grzegorzkawka), for his constant support, patiently listening to subsequent versions and lots of good advice.

To craft this piece I used
Ableton Live Standard
Ableton Live's Simpler
NI Massive
Spitfire Originals Epic Strings
Spitfire Originals Epic Brass & Woodwinds
iZotope Ozone 9 Elements
Impact Soundworks Shreddage 3 Stratus Free (only when the guitar enters)
Arturia Filter MS-20
Valhalla Supermassive (Free)
iZotope Ozone Imager (Free)

I also used 3 MIDI drum loops from free libraries in Ableton LIVE.

Thanks for listening. I hope You'll enjoy.

Picture in thumbnail made by me in Photoshop using a source Designed by Freepik: https://www.freepik.com/free-photo/still-life-with-scales-justice_33123996.htm

...And Justice for D-Punks

En hommage à mes deux amis de SC: Damga et HyLGZ22 @user-618736932😉qui m’ont permis de ”poser ma voix” sur leurs excellentes pistes!
Instrumental: Damga 
Lyrics: DelhyA, Damga, HyLGZ22 et leurs collaborateurs
Vocals: DelhyA

Je vais oser être vraie
Je vais oser comme Joséphine et me la jouer façon bad gurl
(Je vais oser) et te proposer une romance erratique au son de mes mélodies nocturnes
Même s’il n est que 16h ce dimanche et que le soleil revient
Laisse moi t inviter dans la cathédrale de mes sons ecstatiques
Où je te jouerai la sweet polyphony de mes désirs
Te prenant ainsi dans les phares de mon clair de lune artificiel.

Welcome to my subspace
Où je ne te propose rien d autre que du love dans un magnetic cloud.
J’y ferai l éloge de ta rousseur en attendant que le rouge te monte aux joues
Bien sûr je ne te dirai pas lesquelles, ici je te l avoue…
Au gré de cette méditation guidée, nous allons jouer et nous élever
jusqu’à ce que la dernière goutte soit tombée,
Jusqu’à ce que la dernière goutte soit tombée….

Laisse moi te séduire au son de mes black keys et mes harmonies
Laisse-moi t’envoûter avec my dark smooth melody
Sous la douceur lunaire, je serai ta hiérophante adorée
Sous les étoiles endormies, tu seras bien vite piégé(e)
Au sein des vagues sublimes du storm de nos phéromones
Où tu n auras plus qu’à succomber aux sons de notre attraction musicale….

Ce soir my love soyons fantasques et frivoles
Ce soir my love ce sera juste: « relax and let me take control »

——————————————————
TRANSLATION:

I'm going to dare to be true
I'm going to dare like Josephine and play the bad girl
And offer you an erratic romance to the sound of my nocturnal melodies
Even if it's only 4 p.m. this Sunday and the sun is back
Let me invite you into the cathedral of my ecstatic sounds
Where I'll play you the sweet polyphony of my desires
Taking you in the headlights of my artificial moonlight.

Welcome to my subspace
Where I offer you nothing but love in a magnetic cloud.
I'll praise your red hair while waiting for the red to rise to your cheeks
Of course, I won't tell you which ones, but I confess here...
Through this guided meditation, we will play and rise until the last drop has fallen, Until the last drop has fallen...

Let me seduce you with the sound of my black keys and my harmonies
Let me enchant you with my dark, smooth melody
Under the lunar sweetness I will be your beloved hierophant
Under the sleeping stars you will quickly be trapped
Within the sublime waves of the storm of our pheromones
Where you will only have to succumb to the sounds of our musical attraction…

Tonight, my love, let's be whimsical and frivolous
Tonight, my love, it will be just: "Relax and let me take control"

Electro Goddess (with Damga)

This track might test the patience of listeners, as it is yet another iteration of the same idea. However, each version brings a new arrangement and consistently reaches a higher level of quality. The journey of refining this piece has taken me through many phases—some versions were more dynamic and hypnotic, others felt raw and unpolished. Yet, with each iteration, I moved closer to the quality I truly wish to share with you.

It is my deep respect for you, my listeners, that drives me to create a version that feels fresh, distinct, and genuinely good—one that reaches a more professional level. Ultimately, however, the true judgment belongs to the audience.

In an era where music can be generated with a single click, the effort I pour into this uneven battle feels even more valuable. Each step in this process teaches me something new, and my curiosity never fades. With each new recording, I embrace increasingly advanced and demanding sound mixing techniques, allowing me to refine my artistry and push the boundaries of quality. Because of that, I can release new recordings with confidence—whether they are fresh creations or improved versions of earlier ideas.

Best Regards 😘

______________________________________________________________________
Vocal by LOLLIEVOX >  https://soundcloud.com/laurie-webb
Photo by STEVE SOARINGOAK
Music by ɅƉﺍꝚﺍɅNƠ

LOLLIEVOX AND ɅƉﺍꝚﺍɅNƠ - TRANCE HEAVEN | NEXT GEN 2025

2:30 AM


Texte Français et Google traduction

JOINDRE LES DEUX BOUTS

Fins de mois difficiles,
Les factures à régler.
Et les enfants fragiles
Qu’il faudra bien soigner.
Et ce loyer qui tombe
Trop lourd à chaque fois
Que faire dans un monde
Si on n'a pas un toit.

Puis il faut bien manger
Pas en faire des extras
Un plat ou une entrée
Sans sauter de repas.
C'est si facile à dire
Quand on y regarde bien
C'est sûr, il y a un pire
Beaucoup de nous ont faim.

A joindre les deux bouts
Quand on n'arrive pas,
Un sou est bien un sou,
Surtout quand on l’a pas.

On cherche et on ratisse
Dans ses tiroirs du fond
Ce jour qui rase gratis
Quand on n'a pas un rond.
On gratte toutes ses poches
Jusqu'à les déchirer
Tendre sa main c'est moche
Pour au mieux vivre.

En se privé de tout
Ce qu'on dit superflu
Il ne reste plus beaucoup
De moments détendus.
On se traîne, on vivote
Sans regarder au loin
L'intérieur se révolte
Espérant mieux demain.

A joindre les deux bouts...

Mais pourquoi travailler
On ne comprend pas bien
Que faire pour exister
Si ce n'est pour les siens.

A joindre les deux bouts
Quand on n'arrive pas,
Un sou est bien un sou,
Surtout quand on l’a pas.


MAKING ENDS MEET

Tough ends of the month,
Bills to pay.
And fragile children
Who will need to be cared for.
And that rent that comes in
Too heavy every time
What can you do in a world
If you don't have a roof over your head.

And you have to eat well
Not overdo it
A main course or a starter
Without skipping a meal.
It's so easy to say
When you look closely
It's sure, there's a worse situation
Many of us are hungry.

Making ends meet
When you can't make ends meet,
A penny is a penny,
Especially when you don't have it.

We search and we rake
In our back drawers
That day that shaves for free
When we don't have a penny.
We pick all our pockets
Until they tear
Reaching out is a shame
To live better.

By depriving ourselves of everything
What we say is superfluous
There aren't many
Relaxed moments left.
We drag ourselves along, we eke out a living
Without looking far ahead
Our inner self rebels
Hoping for better tomorrow.

To make ends meet...

But why work?
We don't really understand
What to do to exist
If not for our loved ones.

To make ends meet
When we can't make ends meet,
A penny is a penny,
Especially when we don't have it.

JOINDRE LES DEUX BOUTS

Athens Hijacker

SUMMER DREAM :  Copyright SCRT Records

Swamp Interactions

Acid Tribe Resistance

CumCloud

A Short Epic

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

Playing keyboards from 80s / Recording music from 90s. CHRIS JUNOS, based in Alexandroupoli, Greece, is known for his DAWless, live-recorded electronic music with a Balkan/Mediterranean influence, as seen in his earlier work ΕΛΕΚΤΡΟ-ΝΙΚΑ (2022), which blends ambient, synth-pop, and ethnic Greek elements, suggesting GREEK DRAMA may continue this unique fusion.

https://chrisjunos.bandcamp.com