B-side to the newly released 'Venus Gospel'.

Check it out here:- https://crestofthesyndicate.bandcamp.com/album/venus-gospel

or here:- https://open.spotify.com/album/6GTrvq2yFC3bBdaVbkfcE1?si=ATXGlcoEQkOnCRlE4og8Qg

Venus Gospel

Angels Unaware

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Greetings all you fun and funky SC musicians. I don’t typically upload remastered versions of a song as a new track. I usually just replace the old with the new, and change the title to reflect the remaster. But this one is special, for a few reasons (and if you’re not much into personalized mixing details, you may want to skip this liner note).

First (and most importantly)… I thought I’d lost the ability to edit the original tracks for this song. The last time I opened it up in Logic (updating it for the 2018 album remaster), the siren voices were all messed up (automation in Alchemy can have odd results sometimes). I just assumed the original native file was broken forever, because I no longer had access to that version of Logic. I had to do the album remaster from my only existing mix… and it was definitely lacking.

4 years later, I’m so glad I took a chance on reopening the native file when I concluded this ‘Siren’ trilogy. All the sounds/automations were exactly as I had left them. Prior to this attempt, I just assumed the worst, and never tried again. Thankfully, I was wrong. :D

Second… the remaster turned out much better than I hoped; and the differences were so satisfying, I thought it might be fun to have both versions up (for a side by side comparison, for any interested musicians out there. Here's the older version: https://soundcloud.com/grevusanjl/siren-rising).

So why does this one sound so much better than the original version? (And please take all of this with a grain of salt. I’m no pro. But I have discovered what works for me.)

Honestly, a tremendous amount of credit goes to having a much better understanding of Compression. For many folks, Compression is almost a dirty word. Just the title of the plug-in alone confused me at first. Why would I possibly want to compress my sounds, when I liked them as is? 

But it turns out (for me at least) that the different Compression options really shine when chosen specifically, and used minimally. As an example (and I’m not sure if your DAW offers similar options, but), Studio VCA works brilliantly with strings, female vocals and many of my favorite synths. But Studio FET works great on drums. Etc. And while some might cringe at the idea, I absolutely love what Soft Distortion does to most tracks as well. Used in mild amounts, Soft Distortion adds a phenomenal amount of spacial quality to the sound. I don’t use this one all of the time, but I bet I use it at least 75% of the time now (and Compression in general on about 95% of the tracks).  So there you go… I’m definitely a big fan of Compression… when used responsibly. :)

In addition, I’ve also learned a lot about EQing since I first did this song in 2017; so much so, that I was actually baffled by some of my earlier choices. So a large amount of the repair/update time for the 2022 remaster was spent on getting the EQing for each track set up more effectively.

And finally, I had the opportunity to give the full mix a healthy rebuild. After 5 years, you’re undoubtedly going to have a very fresh perspective on a piece. And I realized a lot of the sounds simply weren’t in their optimal positions in the stereo field. I also reconsidered where sounds faded in and out, and how intensely they did so… and I updated all of that as well. 

And there you have it, the story/history behind one of my all time personal favorites. I’m so glad I had an opportunity to revisit this one (while leaving all the original instruments true to form), and I hope you enjoy all the latest sound enhancements as well. I’m excited to hear what you think of my ’Siren Rising (2022 Remaster)’. :D

WTF! The Musical

Siren Rising - 2022 REMASTER

Cleopatra's Tomb - Ο Τάφος Της Κλεοπάτρας

Synths and guitar with effects: Belial Pelegrim @belial-pelegrim
Guitar: Carlos Vivanco https://soundcloud.com/carlosvivanco-1
Keyboards and synths: Fornicata @fornicata
Vocals: Myrh @myrhyum
Bass, drums, production: TMDS @themagneticdogsisters
Lyrics by Myrh & Can

Fake Can Soundtrack

Whiskey Dust Spoon - Belial Pelegrim, Carlos Vivanco, Fornicata, Myrh, TMDS

In video form here https://www.instagram.com/p/Coj6SsXgmIx/ and here https://youtu.be/nNEdX8Cq7ac

Splinternet

I totally enjoyed working on this great muterial piece. @muterial
https://soundcloud.com/muterial/off-the-rails?si=a6b1a2e3991749eb9b11b7d1a39bf1f9&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Check out the amazing playlist:
https://soundcloud.com/muterial/sets/off-the-rails-collaborations?si=ccc58273972244ba9b2384aedcfa416a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Off The Rails | muterial [Miraculous Imprint Mix]

Drones, Roads And Bed Springs

Hello there Friends and Listeners 😊

Here's my January 2025 Re-Master and Radio Edit of the second of our February 2023 musical recordings in 'The Living Room'.   🤗
(The first can be heard @  https://soundcloud.com/gary-courtland-miles/shekinah-fire       )                      

Anyway ... 

There's Slow 'n Flow... and yeah, as you know, we do a lot of that. 😉
And then there's Smooth 'n Funky... and everything in between. And in this one, we change it all up!

But when Tim and i somehow fall into a groove, it's time to Let 'er Rip and Let our Freak Flag Fly! 🤣 

If you enJoy it even half as much as we did, we'll be more than happy. 🤩


Tim Elliot is on Telecaster with his Fender Reverb tube amp,
and I am playing his ancient Upright Grand Piano.

© Gary Courtland-Miles & Tim Elliot 2023, 2025
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023, 2025

Just Flowin' *


🌌 [CYBERLIFE.EXE] — a journey through neon lights, glitches, and digital melancholy.
Here, Synthwave nostalgia from the 80s collides with the cold pulse of Cyberwave, wrapped in the warm textures of Lo-Fi that soothe the noise of endless cities.

This is music for midnight streets, empty highways, and the glow of windows flickering in sync with your thoughts.
It’s where the past blends with the future, and emotions transform into digital code.

✨ Atmosphere:

neon synths glowing like city lights in the night;

deep bass, echoing like the heartbeat of a machine;

glitch effects dissolving reality into streams of data;

melancholic melodies leaving the aftertaste of nostalgia.

⚡ [CYBERLIFE.EXE] — more than music. It’s the soundtrack to a world where you choose: to be a wanderer in the neon haze or the hero of your own cyber story.

You can buy it

Become a demon

PERCEPTION SECTION

https://cosmicleaf.gr/releases/571/straight-theory
https://cosmicleaf.bandcamp.com/follow_me
https://www.patreon.com/cosmicleaf
https://cosmicleaf.gr/playlists
https://cosmicleaf.gr/tag/63/free-download/releases


Check our playlist:
Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient

Maluns - Raw Data

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.

Cleopatra's Tomb - Ο Τάφος Της Κλεοπάτρας

CHRIS JUNOS