Well hello… A new song, with a new instrument. A pawnshop Ukulele. Ha. What a fun instrument to play. Just had to. A few simple Uke chords, some acoustic guitar soloing, and a tale of sailing the ocean as a metaphor for life. And yes, lyrically I was talking with a seagull. And just so you know I have gotten really good at ‘talking’ with birds. I can click talk like a grackle, whisper whistle like a robin, whistle talk a curious melody like a chickadee, among others. Still working on my duck call. Ha… Years ago, I remember annoying some people at a party with this wooden duck call my buddy had. So maybe a future song about birds? And right outside my door there are some interesting avian dynamics between the grackles and robins nesting in the spruce trees. They argue every day, about territory and invasion of their personal space, but when danger appears, like a hawk or cat, they come together in unison to fend off the threat. In the natural biology of things, humans haven’t fallen too far from that spruce tree. Anyway, robins do not like the dark. They anxiously chatter with loud worry chirping amongst themselves at dusk, and create a chorus melody of happy song at dawn. With me being a late sleeper, their morning serenades can be quite bothersome at 4:30AM. A lesson for me though, as at times I am not so welcoming as I wakeup to another frenetic global morning. Anyway, birds and their enthusiastic singing far outpaces my own. Ha. There are many other birds here, but I will save that for another time. Hope you are well. Thanks for dropping by, Mark

Uke Chantey

Breath dissolves into the groove — distorted pulses ripple through synthetic dreams. 
Thank you for listening. Image generated by AI

Echoes of the Mind

CORRUPTION - ΔΙΑΦΘΟΡΑ

A friend of mine has a severely autistic son who is now in his early 20's. He can't speak and has the mind of someone around three years old- but that is determined by the way we think.  Who knows how complex his thinking really is.  His name is Lorenzo. He loves to do puzzles and listen to music. 

One afternoon as I was laying the piano track for this music,  my son was talking to the mother on speaker phone and Lorenzo could hear me playing the piano.  He stopped doing his puzzle to listen.  That is how he connects. He loves music. When I heard that I knew I needed to finish this music for him. I haven't seen this friend for a very long time but she is coming to visit in a few weeks and I will be meeting Lorenzo for the first time. I wonder,  will he recognize the music?

Lorenzo's Song

The third track from my EP CHEMICAL is SCARY TRUTH. 135 BPM. 9m39s. The longest track in this EP. But this is the most psychedelic and rave-like, so this is perfect for listening to while swaying back and forth. In short, this can be used as a good BGM. CHEMICAL Link in Bio!

SCARY TRUTH

Salut, voici Malina, mon nouveau titre en solo joué lors d'une session live au hangar de la Barraque à Mirepoix (09)
https://youtu.be/WVCQL9tapCw

Le morceau (version studio) est disponible sur toutes les plateformes 
(Les deux versions sont sur le bandcamp uniquement)
https://music.imusician.pro/a/20XDbO__

Mathieu Torres est un projet intimiste jazz - rock - blues - funk hip hop - qui jongle entre old school et modernité, porté par un son de guitare rond, vivant, chaud, organique dont l'objectif est d'arpenter des terrains cosys, calmes et poétiques.

Merci Enormément à Stéphanie Artaud #dirtinthewind pour la prise de vue

Malina Live - Video in description

Recording sessions from 18/11/2023 - 19/12/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

I had Spitfire Solo Strings gifted to me a while ago, I’m not even gonna say how long, it’s embarrassing. This track took forever. I knew exactly what I wanted (like I always do), but getting it to sound the way it did in my head? Nope. I lost count of how many times I rage quit.. but I always came back. I’m so glad I’m a stubborn bitch with a caffeine addiction and no sense of when to give up, because now I finally love how it turned out. Worth every dramatic sigh, every thrown cushion, and every “I swear I’m deleting this forever.” 💥🎻☕

I hope it brings you even a sliver of the ridiculous joy I felt when it finally sounded right, because this one nearly broke me and my keyboard. I'm not sure I will ever do another.

☕ The coffee machine let out a steamy wheeze and muttered, “My beans.... my soul.... I can finally rest”.
💿 The microwave blinked slowly and whispered, “That sound you hear? It’s the universe exhaling”.
💨 The kettle let out one last hiss and shrieked, “SHE FINISHED IT, SOMEBODY WRITE THIS DATE DOWN”.

Made in FL Studio using u-he Diva, Arturia Analog Lab, Omnisphere, Vital, and Spitfire BBC Symphony Orchestra. Additional textures from LABS and custom sample layers. Reverb by Valhalla. Also features Spitfire Solo Strings and the Arturia KeyLab Essential Mk3 (61-key)

🎬 Not a movie 🎞️

Blanket Cape

Blue Crumble

somnus

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

Playing keyboards from 80s / Recording music from 90s. CHRIS JUNOS, based in Alexandroupoli, Greece, is known for his DAWless, live-recorded electronic music with a Balkan/Mediterranean influence, as seen in his earlier work ΕΛΕΚΤΡΟ-ΝΙΚΑ (2022), which blends ambient, synth-pop, and ethnic Greek elements, suggesting GREEK DRAMA may continue this unique fusion.

https://chrisjunos.bandcamp.com