FLUTE DAY IN THE CITY ARCHIVES

Mixed for Lilli - Dominique Repost

Mixed for Lillithe  10.09.23

September 11  2023

Tunes 15

/// Paploviante Music --- Better - feat. Patricia Edwards ////

// Lillithe The Alert - IPG1 & Lillithe //

/// Lillithe The Alert - IPG1 & Lillithe ////

Syntaleta 🇺🇦 - Close To The Rainbow , Chriς JunoΣ --- Etna - Αίτνα

Maggie & Eddy 3

Baby song. 9 ( 1996 ) Margareta Theorin - Eddy Mango ( Margareta )

Still in Loony De Bussy prehistory ;)
One of my first songs and 4tracks solo recordings , especially first one here with young Bruno C vocals!
With a big help from my remastering :)

In Nataly NGM gallery I found the perfect illustration, with that kind of Joe Perry "au féminin" !! ^^

WHO IS WHO - Bruno C

One of my works recorded in my "previous" life before the war. Sometimes we feel tiny and lonely in the Universal. Lately I feel tiny and helpless facing the horrors of the war in my country... 
This track is remastered by Houman (https://soundcloud.com/houmans)

Tiny

Original description disappeared !!

NADA  / NOTHING

He pensado en la muerte  /  I've thought about death
y en lo que habrá detrás.  /  and what will be behind.
Puede que no haya nada,  /  It may be nothing,
¿te has parado a pensar?  /  have you stopped to think?

Nada, nada... nada.  /  Nothing, nothing... nothing.

Nada, nada, nada ni siquiera aire,  /  Nothing, nothing, nothing not even air,
nada, nada, nada que pueda tocarse,  /  nothing, nothing, nothing you can touch.
Nada, nada, nada que tocar ni respirar.  /  Nothing, nothing, nothing to touch nor breathe.

Nada, nada, ni una idea ni un deseo,  /  Nothing, nothing, neither an idea nor a desire,
nada, nada, ningún miedo ni silencio,  /  nothing, nothing, no fear or silence,
nada, nada, nada nada se puede escuchar.  /  nothing, nothing, nothing nothing can be heard.
...
Nada, nada, no esperes encontrarte  /  Nothing, nothing, don't expect finding
nada, nada, no puedes imaginarte  /  nothing, nothing, you cannot imagine
nada, nada, nada, no te entra en la razón.  /  nothing, nothing, it doesn't fit your mind.

ER18PB06 - ©1995 E-RUIZZO – ®2014 FRANCÉS RECORDS ;)

Nada (He pensado en la muerte)

This song is an outtake from an expansive holy shitshow project(still in production) that I was honored to work on. I like this little snippet of an on going story of the band, and particularly about Larry, the bass player. So here it is with HS's gracious permission. And a Huge thanks for his beautiful music in this song.

LARRY (featuring holy shitshow)

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Magical

Electrical Storm

In the quiet silence, cicadas suddenly chirp. Its cries penetrate the rocks, and silence returns to the area.
Click here for the YouTube video
https://www.youtube.com/watch?v=JXBRYNC76P8
What stillness! / The voices of the cicadas / Penetrate the rocks.
 Reginald Horace Blyth
Ah, tranquility! / Penetrating the very rock, / a cicada's voice.
Helen Craig Mccullough

HAIKU The Quietness Of Jee And Cicadas Matuo Basyou(268)

This is a song that has been one of my favorites for the last 25 years or so. It's a cover of a cover that Jerry Garcia (guitar, of course), Merle Saunders (keys), John Kahn (bass), and Bill Vitt (drums) recorded live at the Keystone in Berkley, CA, in 1973. It's actually a cover they did (I just found out a few years ago) of a song called Finders Keepers by the Chairmen of the Board, which is definitely worth checking out, too. This version is a more laid back, but it keeps the funk alive. 
  The guys who made this quarter century dream of mine come true are JJ Terrell, who plays the funky clavichord and dynamic organ throughout, Ken (K2 and the Three, and K2 and the Four)who's playing the tight, funky drums and great percussion, and Tez (Llanpsych), who's playing the ripping guitar lead at the end. Tez also mixed and produced this, expertly, as always. I'm on guitar, bass, and the synth lead at the beginning. Can't verbalize how much fun this was for me, and I hope all of us. We hope you enjoy it, too.

Keepers by Chairman of the Board (Eclectic Collective)

Embark on a mesmerizing sonic voyage with "Celestial Serenade: A Flight of Dreams," a transcendent composition that effortlessly blends the realms of jazz and classical music. As a nomadic multi-instrumentalist and composer, I've woven a tapestry of sound that captures the essence of dreamy wanderlust and propels you into a soaring, weightless flight through the cosmos.

Guitars take center stage, their melodic tendrils intertwining with the pulsating thump of the beat, creating a rhythmic foundation that's impossible to resist. Intense synths sweep in like solar winds, adding an otherworldly dimension to the sonic landscape, while complex harmonies weave an intricate cosmic web that ignites a sense of bewilderment and wonder.

In the heart of this sonic odyssey, a breathtaking guitar solo emerges, painting vivid arcs of euphoria across the starlit canvas. The guitar's plaintive cries evoke the emotional hunger of a traveler yearning for the unknown, yet simultaneously celebrating the journey itself.

As you journey deeper into the composition, guitar accompaniments play like constellations, guiding you through a realm where the boundaries of jazz and classical music dissolve, and a distinct sci-fi ambiance takes hold. The interplay between the instruments invokes a sense of paranoia, a lurking mystery that adds an exhilarating edge to the ethereal soundscape.

"Celestial Serenade" is not just a song; it's a sonic exploration of the universe within and beyond. It invites you to bask in its dreamy expanses, embrace the thrill of flight, and revel in the complexity of harmonies that mirror the boundless complexity of the cosmos. Let the music carry you on a journey where euphoria meets hunger, and where wonder and paranoia dance in an exquisite, harmonious ballet.

Celestial Serenade: A Flight of Dreams

This is a song that originated with Steve of Steve's Planet. He came up with a really cool guitar instrumental and the vocals, which he is very passionately singing, while travelling through the primordial forests of Central Europe and shared it with all of us. I added the bass and the electric piano. Tez (Llanpsych) added the really cool guitar parts that sound like orchestral violins. Ken (K2 and the Three, and K2 and the Four) added the perfectly complimentary rolling drums. Stephen (TexMex Shaman) added the awesome, trippy sitar and pulled the whole thing together as an expert producer and mixer. Tez also mastered it. Hope you enjoy listening to it as much as we did making it.

Bird in the Blue Sky  - (Eclectic Collective)

for more go here…
https://linktr.ee/frawstakwa
#frawstakwaforyou

go ahead (tell me what you wanna do)…

A Fifties era rock & roll heartthrob has his heart broken for the first time...
From the EP "Smilers"
Lyrics:
I had to fall in love with the girl of my dreams
The girl that lets you understand
What the universe means
But then she up & broke my heart
She tore me apart at the seams
She just looked at me and said
"Do you think you have a monopoly on tears?"
Monopoly on tears

I was the last
Self actualized Man 
Walking on planet earth
I took her up to "promise" hill
Looking for a thrill
Monopoly on tears

Wolfman Jack he won't console me
And the songs on the radio
You know, they just start to bore me
You know I could be your hard luck sock hop puppet
(All the ways I could..)
I could be your Cadillac fins
I could be your suburban
Underground 
Bomb shelter 
Best friend
You don't have a monopoly on tears
Monopoly on tears

Monopoly On Tears

In Japan, there's a cultural tradition dating back to the Edo period that discussing ghost stories can bring a sense of coolness as a way to counter the summer heat. Consequently, during the summer, tales of ghosts and haunted houses remain a symbolic aspect. This summer is expected to be exceedingly hot worldwide, and Tokyo is no exception, enduring its share of heat. As you may know, this song respectfully includes a slight nod to Michael Jackson's 'Thriller' in its arrangement. The guitar solo was contributed by SeaShea, an Australian musician I've been collaborating with frequently. 
Setting aside whether this song can endure the heat, please stay healthy and enjoy your time without succumbing to the heat.

Composition and Sampling collage by Synline
Guitar Solo by SeaShea on.soundcloud.com/CnDF4
Photo by Nick Magwood

Featured on the my new album 'Chrome Logue' https://on.soundcloud.com/ATDQp

Ghost House (ft.SeaShea)

My thanks to the multi talented Mike Gabriel aka UNGUIDED EXPRESS For sending me this amazing piano piece . Indeed it was truly a joy to play on !!  As I've said in the past, we don't always recover but reform and transform .  This is a celebration of transformation.   Maybe a new phase in life, or just accepting reality and being at peace about it.
we truly hope you enjoy this piece 
for more outstanding music visit Mike @https://soundcloud.com/user-928406991
Cheers G

Transform....  Unguided Express & Gina Wood

Traveler - Titan

The City

Wild frenzied flute solo - as can occasionally happen when warming up before a 'first take'....just had to keep it..glad I pressed record!
Flutezilla was born!

FLUTEZILLA

81 DAYS OF TOTAL BLISS
 RAIN DROPS SUN RAYS
PLUS A MORNING KISS
 81 DAYS GONE BY 
ONE BY ONE    AND MAKING SO MANY FRIENDS
 IN OUR LITTLE GARDEN

  81 DAYS YOU AND I
BLACKBIRDS BLUEJAYS
ALL OVER THE SKY

I DON’T HAVE THE WORDS TO SAY
THANK YOU SO   
FOR LETTING ME WELL YOU KNOW
IN OUR FUZZY HEAVEN

80 SUNDAYS
PLUS ONE NIGHT
81 DAYS
UPON A KITE

81 DAYS (Lyrics) + Barbara Browning cello & vcls and Gary Reeves on drums

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

B1Archive

This piece of music is a cover from the soundtrack of the ARD series Nord bei Nordwest 'in eigener Sache'. Unfortunately, I don't know the composer's name.

Lona is a police officer, who in the scene from which this piece is the soundtrack, is brutally murdered. In fiction it depicts the reality that an officer may not return home.

Lona´s Theme cover

Pyrrhic Victory - Πύρρειος Νίκη

THE ALERT  IPG1 & LIllithe
https://soundcloud.com/ipg1/the-alert-rap-vocals-150-bpm
Lillithe :  Music, Mix, Arrangement and Production
Vocals and Verses: IPG1
Heat’s bubbling everywhere——coming to the surface —- Straight from the underground ——so don’t go ——getting nervous ———don’t go getting nervous—— Nothing but dopeness —————- both a product and the service——-
———checking ———in——- where you been —————get in ——where you fit in Standing room only—close the doors and let us begin And If All the seats are taken———-consider that a win—-win
Nah!—Y’all ——can’t hold back the vibes—-
—————Now Bounce It!
Braking down—— the of elements Tune me —-as a reference Acknowledge —-the —existence  So what’s the big difference —————-Tried and true—eloquence —————-brand new—-it’s evident I’m Betting that’s your——preference Really don’t stand a chance
—where’s the —competition at —-What’s their -name— ——Tell me ———who? Only two I’m—-worried bout —-is IPG1—- and there’s Lou That’s ——me myself and I ——-cause I really ——-ain’t scared of you No overselling bro————yo!—this is what I was born to do
——My styles never——basic—I bend the bar and twist it tryin match —-my cadres —-well that’s ——your first mistake Check out——How I operate—chill——- lemme demonstrate
Decision’s made—-coordinate Drop that beat——anticipate I rock it ——-and—— I—-regulate Now it’s time ———to——-devastate—— off the top ————-decapitate opposition ———seal their fate  While—————-my flow accelerate Catch the wave— I dominate—- hope your will ——is up to date  eliminate ——and terminate I just had to ———set things straight  Game over——checkmate
Part of me——- part of you— ————-ignition———————Now Bounce It!
Dropping heat’s no issue It’s IPG1 —-and it’s LOU———this is just what I do
Deep for me ———and for you—- Nothing late and —-nothing’s new—- nothing even overdue Boost the volume——-Lemme ——through—- Lemme change your point of view nothings basic——like the flu  Nothing’s crazy—-like voodoo  simple facts—-a quick—-review Catch the vibe ——it’s simply Lou No holding back just bouncing through (X2)Vocals and Verses : IPG1

The Alert - IPG1 & Lillithe

Pierre Bordetti productions (c) 09/2023.
Composed, arranged, performed, produced and Jacket by:
Pierre Bordetti

Electro-Jazz Instrumental

The computer tool is used today by man for a very large part of his life. We use it in such an intense way that even our thinking is itself altered by the infinite data that we draw from the net and from the media of all kinds. I think it takes us away and out of phase with reality, with nature and many other things.
Unfortunately, I also belong to this category of out-of-phase people. I tried through this track to translate this impression into music.

L'outil informatique est aujourd'hui utilisé par l'homme une très grande partie de sa vie. On s'en sert d'une façon tellement intense que même notre pensée est elle-même altérée par les données infinies que nous puisons sur le net et sur les médias en tout genre. Je pense que cela nous éloigne et nous déphase de la réalité, de la nature et de biens d'autres choses encore.
Je fais partie malheureusement également de cette catégorie de personnes déphasées. J'ai essayé à travers cette piste de traduire en musique cette impression.

Unphased Man

Music, lyrics, vocal & ac. guitar : Grave
Other instruments & mix : PJ Project

Pale Fire W/ Grave

YOUTUBE VIDEO:
https://youtu.be/Jny9m9osJ9M

ETNA - ΑΙΤΝΑ

Better feat. Patricia Edwards
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/14815/better-by-patriciaedwards-72bpm-jazz-acapella
Paploviante:
E-Bass, Music Composing, Mix and Mastering
Picture from Mallorca Holidays Paploviante

Better feat. Patricia Edwards - Paploviante Music

HEPHAESTUS - ΗΦΑΙΣΤΟΣ

Another little "Ditty" for the Autumn,
Many thanks for all of your kind plays , shares ,reposts and playlists.

Silly Games

来歴

lubanje(demo)

Maggie Sunrise 3

Så som denna dag är skapad. 286 ( 1999 ) Margareta Theorin-Eddy Mango ( Margareta )

Texte Français et Google traduction

Je continue à me mentir, j’ai trop la haine de ne rien dire
Les « Robinson » de l’aventure me font la gueule par être peu sûrs.
De trop compter les potes qui tombent, ma main qui lâche casse la ronde
D’une ribambelle aux fières allures, mais quand c’est d’trop, y’a rien qui dure.

En naviguant dans les eaux troubles, l’algue marine épie mon double
L’équivoque de mes tourbillons, dans l’éphémère n’sent pas bien bon.
J’finirai ma vie au cachot, on vit sale derrière les barreaux
A givrer des nuits d’insomnies, çà fait très mal à c’qu’on m’a dit.

Mais à y regarder de près, sans même le faire exprès
Du niveau de la mer, c’est fou, ce qu’on voit clair.

Les stigmates d’un mauvais chemin au visage pâle et trop repeint,
Peuvent me conduire au bas d’l’autel de l’amertume pour le mortel.
A me la faire cul et chemise,la partie ne s’ra jamais remise
Pour tous les clous que j’y enfonce, il n’y aura pas cinquante réponses.

Trop lourd le poids de mes fumées, à faire le speed pour exister
Tous mes cadastres et mauvais plans, me mettront un d’ces quatre dedans.
A tout à l’heure, à toute allure, j’me barre pour mieux faire le mur
Quand j’me la joue à la dégonfle c’est pas ma vérité qui pionce.

Mais à y regarder de près, sans même le faire exprès
Du niveau de la mer, c’est fou, ce qu’on voit clair.

Des p’t-être bien qu’oui peut-être bien qu’non, y’a même des jours j’sais plus mon nom
J’bègue d’avoir une idendité, j’suis pourtant pas un sans-papiers.
A m’trimballer sur terrains vagues, dans mes amours, je cache les bagues
D’fidélité qu’on s’passe aux doigts, y’a bien une fois où çà s’saura.

J’suis pas du genre à suer l’maillot, mais à m’tirer aux moindres maux
Dans les effets ou mes annonces, j’me prends pour l’arc qui fait l’triomphe.
La réclusion naît par nature, je moque les doutes de l’envergure
A n’pas poser mes cartes sur table, y’a bien un temps où j’s’rai minable.

Mais à y regarder de près, sans même le faire exprès
Du niveau de la mer, c’est fou, ce qu’on voit clair.

Faudra changer mon écriture et les photos de ma brochure
Mettre dans le coin d’un vieux placard les apparences qui me font, car
J’finirai ma vie au cachot, de faire le zouave et jouer faux
Il fait si bon et chaud dehors, que çà s’ra con d’changer l’décor.

Car à y regarder de près, sans même le faire exprès
Du niveau de la mer, c’est fou, ce qu’on voit clair.

WATCH OUT

I continue to lie to myself, I have too much hatred to say nothing
The "Robinson" of the adventure make me mouth by being unsure.
To count too much the falling fellows, my loose hand breaks the round
Of a gang with the proud gaits, but when it is too much, there is nothing that lasts.

While navigating in troubled waters, seaweed spies my double
The equivocation of my whirlwinds in the ephemeral are not very good.
I'll end my life in prison, we live dirty behind bars
Frosting nights of insomnia, it hurts a lot to me.

But to look closely, without even doing it on purpose
From the sea level, it's crazy, what we see clearly.

The stigmata of a bad path with a pale face and too much repainting,
Can lead me down the altar of bitterness to the mortal.
To make me ass and shirt, the game will never be reset
For all the nails I put in, there will not be fifty answers.

Too heavy the weight of my smoke, to speed to exist
All my cadastres and bad plans, will put one of these four in me.
A moment ago, at full speed, I bar to better make the wall
When I play it deflates it is not my truth that pionce.

R.

Well, maybe yes, but no, there's even days I do not know my name anymore
I think I have an identity, but I am not an undocumented one.
To put me on vague grounds, in my loves, I hide the rings
Fidelity that passes to the fingers, there's a good time where it will be.

A Y REGARDER DE PRES (Bon en face, mauvais par derrière... Cà se voit toujours et on finit seul))

Once settled in Artica Point, almost frozen, I watch the world happening fast, and I tell you about by singing five verses with different vocal styles, a main instrumental theme in progress all along, and some bits of the other songs in the album to keep it conceptual ;)

Letra  /  Translated Lyrics:

DESDE AQUÍ (HISTORIA CONTEMPORÁNEA)  /  FROM HERE (CONTEMPORARY HISTORY)

Ahora que estoy aquí congelado,  /  Now I’m frozen here,
observo el mundo por internet y radio.  /  I watch the world on internet and radio.
Todo sucede ahí abajo tan rápido,  /  Everything happens so fast down there,
que se aprecian claramente los cambios,  /  that changes are clearly appreciated,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Con mis constantes vitales al mínimo,  /  With my vital signs down to a minimum,
como viviendo una película,  /  like living in a movie,
soy capaz de comprender el mecanismo  /  I am able to understand the mechanism
de la evolución de nuestra civilización,  /  of the evolution of our civilization,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

El frío que congela mi cuerpo  /  The cold that freezes my body
… … no me permite llorar,  /  … … doesn’t allow me to cry,
pero mi corazón sigue caliente muy adentro, en algún lugar,  /  but my heart is still warm deep inside, somewhere,
y puedo al menos entristecerme por lo que veo al mirar  /  and I can at least feel sad about what I see when I look
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Ahora que lo comprendo todo  /  Now when I understand everything,
entiendo que todos somos iguales,  /  I realize we’re all the same,
que sentimos lo mismo aunque ninguno lo sabe.  /  and we feel the same although no one knows it.
Desde aquí me identifico con cada hombre,  /  From here I feel identified with every man,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Desde aquí me alegro de no estar ahí abajo.  /  From here I’m glad not being down there.
Esperaré a ver qué pasa dentro de cien años.  /  I’ll wait and see what happens a hundred years from now.
Mi cuerpo apenas será un poco más viejo,  /  My body will hardly be a little older,
pero sí cumpliré siglo y medio de sabiduría y tristeza,  /  but I will get a century and a half of wisdom and sadness,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

ER36 PA03 RUIZZO ©1996 ®2020

Desde aquí (Historia Contemporánea)

Mix with different tracks from both Ucrage and Sigfus. This is an alternative version, which also where used at an exhibition with my artwork September 2020 In Copenhagen.

Sequences of dust [mix: alt. version]

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

Playing keyboards from 80s / Recording music from 90s. CHRIS JUNOS, based in Alexandroupoli, Greece, is known for his DAWless, live-recorded electronic music with a Balkan/Mediterranean influence, as seen in his earlier work ΕΛΕΚΤΡΟ-ΝΙΚΑ (2022), which blends ambient, synth-pop, and ethnic Greek elements, suggesting GREEK DRAMA may continue this unique fusion.

https://chrisjunos.bandcamp.com