SANDSTORM - ΑΜΜΟΘΥΕΛΛΑ

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Recommended, use 🎧 to listen to my songs





https://www.instagram.com/larengonat/

HERE ARE FREEDOWNLOAD ACAPPELLAS 
for WHO WANT USE PARTS & REMIX IT...
READ TRACK's INFOS  FOR DETAILS...

MORE VOCALS WILL COME AGAIN...

If you like what you hear, please also listen via my Spotify page. Always grateful for the support. Thank you.
https://open.spotify.com/artist/0dMBWuIwRXXEduU7VwJunr

I love the sounds of the 60s and 70s especially. I try to write songs that I would enjoy listening to myself. It’s the only gauge I have. My songs are just the sum total of all my positive listening experiences. I'll let you try to guess who they are!

I set the words to chords on piano. Kind of singing along. I recorded the Casio electric piano, then my sawed-body Austin bass guitar, both plugged in directly. Bass played with a pick. (a square corner of my old driver's license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. One vocal is only on the left, and the other is only on the right. 

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Microphone used: Shure SM57.

Words: Riley Robinson
Music: Ryan Bulliner

All songs recorded in my room on an Hp laptop, through a Focusrite interface. On Audacity. One piece at a time. 

No A.I. 
No auto-tune. 
No metronome. 
No samples.

- Osatethe

Shout out to Ali Sky, Aziza Eskender, Sofia Marietta. Their YouTube channels inspired me a lot at the time. 

SC shouts:
MNOTR
!mmortal Creatures
Laura Hell



Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.

SANDSTORM - ΑΜΜΟΘΥΕΛΛΑ

CHRIS JUNOS