chris liebing am/fm

Kaiserdisco Live @ Abfahrt 50 at Alfons X in Sigmaringen Part 2 / Germany (14-05-2022)

01. ENERTY - Rolling (Original Mix) - KD RAW
02. Kaiserdisco - Dark Knight (Original Mix) - KD RAW
03. Pig&Dan - Foundation (Mark Reeve Remix) - Fervour
04. Kaiserdisco - Seduction (Original Mix) - KD RAW
05. Lucas Aguilera - Catastrofico (Original Mix) - KD RAW
06. A.Paul & DJ Dextro - Manipulation (Original Mix) - Code
07. Adam Beyer & DJ Rush - Control (Anna Remix) - Drumcode
08. ENERTY - Kontakt (Original Mix) - KD RAW
09. Lucas Aguilera - Change Your Future (Original Mix) - KD RAW
10. Cari Lekebusch - Seen (Original Mix) - H-Production
11. Kaiserdisco - Alkaline (Original Mix) - Snatch!
12. Kaiserdisco - Clap Clap Clap (Original Mix) - KD Music

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KDR110 - KD Music Radio - Kaiserdisco (Live in Sigmaringen Pt.2, Germany)

This week´s AMFM is the seventh and last hour of a 7 h set that I played in a very special location. The club is called Distillery and is in Leipzig Germany. It is the longest running club that I have played at in my DJ career. My first gig there was part of the Harthouse 100 Tour in September 1996. The club has an upstairs floor and a downstairs basement floor. The basement is the smaller of both floors and that was the one I got to play in 1996. Since the club now goes into its final year, I wanted to once more play in the basement, so I did an all night long set on May 25th 2022. I started at midnight and ended shortly after 7 in the morning, playing quite a few classics as well. Sadly, due to a technical issue, I didn't manage to save a tracklist, so I appreciate any help that I can get with that in the comments from all of you! (Well I know what I played, it is just quite a lot of work to reconstruct that...) I hope you enjoy this whole set, it was very special to me and quite emotional at times, as I had loads of great memories popping up during my time down there, from all the amazing times that I got to have in this fantastic venue over the years. A big thanks goes out to the whole crew of the club, especially to Steffen, who has been running this place passionately since the beginning and is currently preparing the move into a new location by January 2023. Once more this is a reminder, how important the club scene is for our music and that we all should always support our local clubs. In the end they are the foundation for the music, for the resident DJs and for the crowd that enjoys a good time together. We would be nowhere without those kind of clubs run by passionate people for so many years. Long live Distillery Leipzig!

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Spotify/Apple Playlist

AMFM I 386

🔴 We’re back with the newest episode of our PODcst series with the amazing and super talented https://soundcloud.com/sophie-kah of https://soundcloud.com/anomalieartclubberlin! You were able to hear her incredible, fast BPM Techno and Tech House selection during the Rave The Planet Parade last year from the Anomalie ✖️ Valerio Sinatra float!🚦
Here is her new exclusive mix for all the ravers who, like us, can’t wait for the second big 𝗥𝗮𝘃𝗲 𝗧𝗵𝗲 𝗣𝗹𝗮𝗻𝗲𝘁 𝗣𝗮𝗿𝗮𝗱𝗲 this summer! 🎶 🌍 💚🙌


www.ravetheplanet.com

❤️ Wenn Du die Arbeit von Rave The Planet mit einer Spende unterstützen möchtest, kannst Du das gerne hier tun: www.ravetheplanet.com/starseite/spenden/

❤️ If you would like to support the work of Rave The Planet with a donation, you are welcome to do so here: www.ravetheplanet.com/en/frontpage/donation-en/

Sophie Kah @ Rave The Planet PODcst #030

Mark Spoon @ Mayday - Sonic Empire (30/04/1997)

"Welcome to af/fm by Chris Liebing. This show is all about the music in the moment it was played. It kind of functions like an audible dj diary. The idea behind it is that I choose a recent set that I played and deliver it to you unedited, raw and direct, in 60 minutes pieces on a weekly basis. For example, if I play a three hours set somewhere, it will be divided in three 60 minutes long am/fm shows, so after three weeks you will have the full set. You could even put them into a playlist and listen to the whole set with seamless transitions. I try to keep the commentaries to a minimum, so that you get a maximum amount of music. Still, I want to mention certain things during the show, but beyond that, I will provide additional info in form of a written set report, which can be found on www.chrisliebing.com or on my facebook-site.

This week's show is taken from a set I played at Stereo in Montreal, Canada on the 27th of Feb 2015, well actually already the 28th, since Stereo is a so called "after hours" club according to Canadian law (correct me if I am wrong). This means that the club opens around 2am, can't serve alcohol, but stays open as long as it wants. My set time started at 7 in the morning and I ended up playing for 5 and a half hours. What you hear on this week´s show is the music I played between 8:30 am and 9:30. The first 90 min of my set can be found on the very last episode n° 315 of the CLR Podcast."

Chris Liebing AM/FM Radioshow - 001 Chris Liebing

"This week's show is taken from a set I played at Stereo in Montreal, Canada on the 27th of Feb 2015, well actually already the 28th, since Stereo is a so called "after hours" club according to Canadian law (correct me if I am wrong). This means that the club opens around 2am, can't serve alcohol, but stays open as long as it wants. My set time started at 7 in the morning and I ended up playing for 5 and a half hours. What you hear on this week´s show is the music I played between 9:30 am and 10:30. The first 90 min of my set can be found on the very last episode n° 315 of the CLR Podcast and the following hour on last week´s show of AM/FM. Enjoy!"

Chris Liebing AM/FM Radioshow - 002 Chris Liebing

"This week's show is taken from a set I played at Stereo in Montreal, Canada on the 27th of Feb 2015, well actually already the 28th, since Stereo is a so called "after hours" club according to Canadian law (correct me if I am wrong). This means that the club opens around 2am, can't serve alcohol, but stays open as long as it wants. My set time started at 7 in the morning and I ended up playing for 5 and a half hours. What you hear on this week´s show is the music I played between 10:30 am and 11:30. The first 90 min of my set can be found on the very last episode n° 315 of the CLR Podcast and the following two hours on the first two of AM/FM shows. Enjoy!"

Chris Liebing AM/FM Radioshow - 003 Chris Liebing

Chris Liebing AM-FM 014 - www.mixing.dj

produced by @therealsagaa                  
mastered by @annafruit

[PREMIERE] sa+ga - Some Like It Hot [PLOT RECORDS]

SABATO.20.AGOSTO.2011


• IDA ENGBERG (DRUMCODE \ TRUESOUL) - SVE
http://www.myspace.com/idaengberg


Un prodotto dell'espressione della musica tecno Svedese che sembra non avere fine, Ida Engberg ha costruito una carriera DJ/Producer nel modo tradizionale, attraverso il lavoro duro e l incessante passione. Il suo profilo e' aumentato costantemente negli ultimi anni, senza clamore, ma a testa bassa , solo utilizzando grooves imponenti e facendo impazzire i dancefloor di mezzo mondo

il 2010 e 2011 ha visto Ida partecipare a festival come DETROIT ELECTRONIC MUSIC MOVEMENT, TOMORROWLAND (BEGLIO) , DANCE VALLEY (OLANDA), COCOON (FRANCOFORTE) WATERGATE (BERLINO) , AWAKENINGS (OLANDA) cosi come con il tuor con il compagno ADAM BEYER negli eventi DRUMCODE a Berlino, Tokyo , Londra, Milano , Barcellona , Amsterdam, New York, San Francisco e Citta Del Messico.


IDA ENGBERG @ SUN BAY | 20.08.2011

AM/FM 110

AM/FM 113

AM/FM 117

Egbert celebrates 10 years in music with a documentary, a release, a beach party and full on live set for Gem FM like only he can bring. The set showcases Haasten and Straktrekken (10 Jaar Live Remix) which are soundtrack to the documentary and recently released on Gem Records. Links below.

http://bit.ly/GEM057_Soundcloud
http://bit.ly/GEM057_Beatport

attend: https://www.facebook.com/events/229408304374037/

DOCUMENTARY:

Part 1: https://www.facebook.com/DiscoverEgbert/videos/2115534938473824/
Part 2: https://www.facebook.com/DiscoverEgbert/videos/2120806337946684/
Part 3: https://www.facebook.com/DiscoverEgbert/videos/2134825349878116/
Part 4: https://www.facebook.com/DiscoverEgbert/videos/1696857753746884/
Part 5: https://www.facebook.com/DiscoverEgbert/videos/2115910802009667/
Part 6: https://www.facebook.com/DiscoverEgbert/videos/2158041404223177/

TRACKLIST

Metha - Never Too Late (Egbert Remix)
Egbert - Unknown (Unreleased)
Egbert - Oil (Unreleased)
Egbert - Straktrekken (2018 Version)
Egbert - Fractals (Coming on GEM)
Egbert - Zwoel (Unreleased)
Egbert - Unknown (Unrelased)
Egbert - Lachgas (Mindshake Rec)
Egbert - Haasten (2018 Version)
Egbert - Zaag (Mindshake Rec)
Egbert - Duister (GEM Rec)
Egbert - Unknown (Unreleased)

Gem FM 067 - Egbert

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

It would be nice if one day, an algorithm could figure out my musical tastes!

AM/FM 110

Chris Liebing

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