3 YEARS OF bRAVE RADIO!
Back in the studio this week with some of the freshest techno I could find. Come on 2021 💪🏻 🔥

Tom Laws - Drop The Beat
Dok & Martin - Fun At The Party
IMOGEN & Ben Pest - Shibotty
Alan Fitzpatrick & Mylo Fitzpatrick - Take Control
Alan Fitzpatrick & Joel Mull Feat Frangie - We Don’t Know Anything Yet (Adam Beyer Remix)
Rene Wise - Swap Dancer
JSPR - Magalenha
Mario Ocho - Total Recall
Jurgen Degener - Long Time
BK - Revolution (Reinier Zonneveld Remix)
Alan Fitzpatrick & Reset Robot - PINGER
Quail & Aisha - Stim

We Are The Brave
https://www.instagram.com/wearethebraveofficial/
https://www.facebook.com/wearethebraveofficial
https://twitter.com/weare_thebrave
https://soundcloud.com/wearethebraveofficial

Alan Fitzpatrick 
https://www.instagram.com/alanfitzpatrick/
https://www.facebook.com/officialalanfitzpatrick/
https://twitter.com/AlanFitzpatrick
https://soundcloud.com/alanfitzpatrick

We Are The Brave Radio 156 (Studio Mix From Alan Fitzpatrick)

Gregor Tresher & Karotte at Awakenings Klokgebouw Eindhoven 08-02-2014

SoundCloud: @soundcloud.com/awakenings
Facebook: www.facebook.com/awakenings
Website: www.awakenings.com/

Gregor Tresher & Karotte at Awakenings Klokgebouw Eindhoven 08-02-2014

Buy on Beatport: https://tinyurl.com/3yn6v36s

Follow on SoundCloud:

https://soundcloud.com/simon-erar
https://soundcloud.com/alyamusicgrooves
https://soundcloud.com/yottorecords

Follow Suprematic Sounds:

https://linktr.ee/suprematic_sounds

PREMIERE: Simon Erar, Alya — Antidust [Yotto Records]

“I Want You to Get Mad” doesn’t come to entertain — it comes to disrupt.
Virtual Geisha’s debut is a sonic punch against apathy. After years of hypnotizing with emotionally charged DJ sets and visionary curatorship, she breaks through as a producer with a techno manifesto built to set the dancefloor on fire.

At its core pulses a searing monologue from Network (1976), as urgent now as it was four decades ago. Around it, Virtual Geisha builds a ritual of tension: hypnotic bongos, gritty textures, and a piano loop by Hania Derej, re-sampled and twisted into a melancholic vortex.

This is not escapist techno: it’s techno with teeth.
A groove that bites, demands movement and awareness, turning the floor into a space of resistance and catharsis.

Rooted in theater, philosophy, and the forgotten corners of 90s electronica, Virtual Geisha treats production like dramaturgy. “I Want You to Get Mad” is her opening act, and it doesn’t whisper, it screams

BUY on BANDCAMP

PREMIERE : Virtual Geisha - I Want You Get Mad

On September 30th 2017 I played a 4h set at the beautiful Spazio 900 in Roma. It was part of a beautiful Italian weekend that had started with a super-fun night at Dude Club in Milan on Friday. There are nights when just everything flows together amazingly well. I had some new tracks that somehow fit into the vibe of that night so well, that it made it even more special to play at this amazing venue, where I have spent already quite a few good nights. That´s why I wanted you to relive this set again. Some of you might have noticed, that not only because of using my new Native Instruments Maschine MK3, I changed a little bit the way I play. Not so much musically, but technically, with more dynamics, resulting in a different vibe. Well, maybe you notice… and even if not, I hope you enjoy listening as much as I enjoyed playing. This is the third hour of the set, in my opinion one of the best sets that I ever got to play there…. Italia is amazing and I thank you all for the constant love and passion that I get to experience there. Grazie Mille!

AM/FM | 139

AM/FM BY CHRIS LIEBING

AM/FM | 145

am/fm | 155

#ITM201 is now up. Here’s what went down at Warung Beach Club, Brazil. 

#NicoleMoudaber to get in touch across all social media.
Follow Nicole Moudaber online: smarturl.it/NicoleMoudaber 
In The MOOD is produced and syndicated by theradiodepartment.com

In The MOOD - Episode 201 - LIVE from Warung Beach Club, Brazil

am/fm | 169

Monika kruse - Live @ Shockers 28-04-2002

An exclusive podcast from Nicole Moudaber recorded especially for Awakenings Carl Cox & Friends 29-03-2013 (Gashouder, Amsterdam)

SoundCloud: @soundcloud.com/awakenings
Facebook: www.facebook.com/awakenings
Website: www.awakenings.com/

Awakenings Podcast #007 - Nicole Moudaber

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.