AM/FM BY CHRIS LIEBING

am/fm | 168

From the green age of 8, Danny Sims, a San Diego native, found himself obsessed with music. Starting with clarinet and working his way to guitar, it wasn't long before he found his home in electronic music. Heavy into trance and progressive house, it was easy to see that his musical obsession would soon lead to a much deeper connection with the world of EDM.

In June of 2010, as a short term resident of Jacksonville, Florida, Danny Sims picked up his first pieces of equipment: a set of Technics SL-1200 MK2 turntables, a Macbook Pro, and together with Serato Scratch Live, he took the next step in his musical journey. Before too long he found himself playing at local EDM nights around Jacksonville, including “Phuk The Politics,” “The MusicBox” and “Euphoria.”

Moving back to his home state, he made yet another turn on his road to musical enlightenment and entered the world of controllerism and music production, utilizing an Allen & Heath Xone:4D mixer/controller, Ableton Live and Traktor Scratch Pro. Sims currently travels across the US and Europe as a DJ, producer and as Regional Manager for Xpel Muzik, and holds residency at Euphoria in Jacksonville. He embraces a new approach on electronic music by pushing the boundaries of genres by merging elements from many genres to create a fresh, dynamic musical idea. Sims is scheduled to showcase his ideas throughout 2011, touring across the USA and over to Europe this summer.


"Music is a moral law. 
It gives soul to the universe, 
wings to the mind, 
flight to the imagination, 
and charm and gaiety to life and to everything" ~ Plato

Grew up in "Little LA" (Lampertheim, Germany) Lover of Music...Techno is my thing...esp Dark Techno

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.