Set Report AMFM 331

"Ok, maybe I should have not chosen this set for you on AMFM, but… as it marks a milestone really for many reasons, I thought I share it with you with all its ups and downs.

I recorded this set at Akvarium Club in Budapest on Friday July 2nd 2021 and it was my first gig in front of a live crowd in a year! Felt amazing and I wanna thank everyone for making this such an awesome experience.
A second “first" is, that additionally to my regular Traktor/Maschine setup, I included 2 Pioneer CDJ 3000’s. Yes, I want to be like other DJs or rather try what many other DJs do for years, use CDJs. Not as a replacement, rather as an addition. “Why?" you might ask, well a couple of things, I always wanna learn new things (yes, never in my life I used CDJs for DJing..never), the CDJs have some cool features, like slip reverse etc and also I like the fact to mix something in from another source other than Traktor, gives me back a little more the mixing DJ “feel” (as you will hear some transitions where I struggle to keep the beats matched, but I guess that makes it all a bit more “alive” maybe?) and last but not least, using additionally CDJs gives me the peace of mind if something goes wrong with my laptop. I call it an "exit strategy". Every DJ should have that one way or the other to prevent sudden silence on the floor.
The third “first” is maybe the biggest. I use a new mixer. “What?!" I hear you ask once more, as I have been quite a Model1 guy from the beginning, even helping creating the mixer with a bunch of other DJs together under the helm of Richie, but time moves on and new things want to be discovered. So during the pandemic I stumbled upon the new Pioneer DJM V10 mixer and have to say it is quite a beast. Yes, the people at Pioneer “borrowed” quite some ideas that we had put into the Model1 mixer (fun fact, which in turn must mean that I might have indirectly also contributed to this new one? .. anyways, nothing is original these days, everything is a remix of something before, right?) , but Pioneer did whatever they did really well. What a lovely mixer with a great sound and haptics and so I decided to use this one as well on my first “real world gig” too. So as you can see, a lot of “firsts”. I find this so amazing with Techno.. it just constantly keeps evolving.. never ends really. 
Not sure if that is so smart to do so many “first” things after a year of not DJing in front of a live crowd, but hey, you gotta have some additional challenges I thought, or better, I didn´t think much at all.
And now I thought it is a good Idea to share that set with you. I might regret (and delete) that later, but hey why not see what you think….so please share your thoughts with me in the comments below, would be happy to read them. As time goes by, I guess I will learn new tricks and ways to play with that “new setup”. Always so much to learn.

Stay safe and healthy out there. Can´t wait to see you on the dance floor somewhere. Exciting times ahead."

Tracklist AMFM 331

Sailor & I - Thinking About You (Radio Slave featuring Thomas Gandey Remix)
Amotik - Ikyavan	
Joseph Capriati - Spirit Brothers (ANNA Remix)	
Stephen Disario, Danny Wabbit - Pulse feat. Danny Wabbit (Original Mix) - Planet Rhythm
Setaoc Mass	- Inferno (Original Mix) - SK_Eleven
Rene Wise - Hand Tap	
Hybrasil - Wild Blue Yonder - HBL MSTR.3	
Robert Hood	REKIDS184 B1 Robert Hood - The Majestic 1644 PM	
Hertz Collision, Gene Richards Jr - Hood Thang (Original Mix) - Truncate
Marcel Dettmann - Command - Seilscheibenpfeiler Schallplatten Berlin
Truncate Sanhaji - Brian_Sanhaji_- Lift_Off_(Truncate_Remix)	
Amotik - Daya (Original Mix) - Bpitch
Thomas Hoffknecht - 3. Push (Flug Mutation)	
Truncate - Basic (Original Mix) - Bpitch
Paul Ritch - Insomnie	
Marcal - RSPX22 01 Marcal - Ainozama 1644 PM	
Gaetano Parisio - Advanced Series Vol. I (The Advent Remix) - Conform Records
Keith Carnal	- Endless	
Robert Hood	- The Struggle

AMFM I 331

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.