So I was on a North America tour for two weekends, playing 4 gigs. All really amazing gigs, so thanks to everyone involved in San Fransisco at (@halcyon_sf) , San Diego at (@bloomdtsd) New York at (@knockdowncenter) and finally in Toronto at (@activate_events_ in a secret warehouse location) I had such a blast on each individual gig and again may I say that this was one of the best tours up to date.. Amazing to see things going so well with Techno in North America and people having so much fun. During the week I spent some nice days in LA hanging out, where by the way my next gig will be for a cool Warehouse Party with @drumcell and his crew on November 26th in case you read this and you are there, get your tix… (link is this: https://bit.ly/3EkAK28 )

In this AMFM show you can listen to the second hour of the last set that I played on the tour, the one from Toronto. There are loads of unreleased tracks in there, so don’t share with too many people please, as I really should not be already playing them out loud. Like the next release on CLR with (@Blackasteroid_official & @risa_taniguchi_rs called the ‘Acid Flesh EP’) and my next release on CLR… just look for those vocal samples like “love those who fight the oppressors” and “passion” and you know already. And there is some new awesome DEAS material as well included… so much good new music on the horizon - great times for Techno. So I hope you enjoy this week´s show and once more, thanks to everyone coming out to the shows in the US and Canada (by the way, Knockdown Center.. what a massive location and party .. wow)!

Feel free to comment in the comments below. Until next week, stay healthy and happy out there.

Tracklist AMFM 399

Audio Units - Double Slit Experiment (Original Mix) - Dynamic Reflection
B. Riley - Morphing 
Nicole Moudaber - What Was (Chris Liebing Remix) 
Planetary Assault Systems - IF I DIE
Chris Liebing - With Passion - CLR Promo
Risa Taniguchi & Black Asteroid - ACID FLESH - CLR
B. Riley - Draw The Line 
Juliet Fox - The Past, The Future, The Present
Radio Slave - ACID DIP RMX 
FJAAK - Plan Of Escape
Robert Hood - Hectic (Original Mix) - M-Plant
Chris Liebing - Fault Line (6am Club Mix) - Mute
DEAS - Symmetry 
B. Riley - Juxtaposition 
Joey Beltram - Energy Flash (Mark Broom Edit)

Spotify/Apple Playlist

AMFM I 399

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

In the homeland of Schranz, BAM HILL experienced the heyday of underground techno at a time when techno was still about the music. From 1997 onwards, a love for electronic music burned into every fiber of his being, and instead of just listening to it, he became techno.
When the scene began to soften, he started producing music himself because what was available was no longer enough for him and was moving further and further away from its origins. 
Since BAM HILL is all about the love of techno, with all its facets and styles, he never allowed himself to be pigeonholed into one school, but served the entire spectrum. He was particularly inspired in his productions by greats such as Carl Cox and Green Velvet.
Whether house, schranz, acid, dubstep, or underground, he created unique, driving, and unusual rhythms for each of these styles.
Through his special use of hi-hats, he has created a kind of signature beat that can now be heard globally at all electronic music festivals.
With his special, dynamic beats, he has already served as a “ghostwriter” for several well-known greats.
He was never interested in fame or notoriety, but only in sharing his art with the masses, bringing techno back to its roots, and getting the crowd dancing again instead of just posing.
Through his own party experiences, BAM HILL knows exactly what DJs need and what dancers want—and that's exactly what he gives them.

It's time to forget about soft-washed hands-up techno and revive the underground to get the foundations shaking again.

ᴀʟᴡᴀʏꜱ ɪɴ ꜱᴇᴀʀᴄʜ ᴏꜰ ɴᴇᴡ ꜱᴏᴜɴᴅꜱ

Underground Dance Music Event Producer + Production Company

https://linktr.ee/platformentertainment

Lebensgefühl!!!!! Hardtechno and Darktechno 