The last hour of my set at the Tresor... enjoy.

Some video footage here: http://youtu.be/LaBfUtFn6IM


The next shows will be hybrid live/DJ sets with R&S Records celebrating their 30 years...

11 Oct, Village Underground, London
12 Oct, Stattbad, Berlin



DBX - Losing Control (Peacefrog)
Unklone - Grit 555 (Fifth Wall)
Fokus Group - Rave x3 (Pennyroyal)
Ikonika - Cryo (Hyperdub)
Orphx - Vanishing Point (Sonic Groove)
MRSK - Less Youth Culture Mix (Skudge)
Helena Hauff - Actio Reactio (Werk Disc)
Paula Temple - Miyako (Materials)
Rich Oddie - Bloodstream (Surface)
Paul Bailey - Relationship To Authority (Rodz Konez)
Phase - Decode (Token)
Lee Gamble - (Pan)
Drumcell - Speak Silence (CLR)
Phase - Further Trials (Token)
UZB - Crome (Sleaze)
Laurent Garnier - Crispy Bacon (F Com)
Drumcell - Context (CLR)
Barker & Baumecker - Crows (Ostgut Ton)
Joey Beltram - Forklift (The Luke slater mix of course!) (Novamute)
Cosmin TRG - Sommer (50 Weapons)
Marcel Dettmann - Corebox James Ruskin Remix (MDR)
Clouds - (Soma)
Equinox - Force (Synewave)
Delta Funktionen - Onkalo Karenn Remix (Delsin)
David Meiser - Distress (Pareto Park)
Matt Whitehead - A is for Acid Perc remix (Perc Trax) 
Jonas Kopp - Montak (Sleaze)
Clouds - Consciousness (Turbo)
Chris Page - Corpus Delicti Blawan Remix (Decoy)
Suburban Knight - Nocturbulous Behaviour (UR)
Karl O Connor - Guiltess (Tresor)
Surgeon - Dinahs Dream (Tresor)

Paula Temple at Tresor Berlin (Female:Pressure #1) 27 Sept 13

WWW.AWAKENINGS.COM​

With this mixtape I wanted to take the listener on a trippy and energetic journey, while expressing my inner feelings and trust the process of creation. The set starts with a ‘wall of sound’ and vocal textures to set the mood, and develops towards hypnotic grooves that become more and more punchy every beat. The set includes tracks of a few of my favorite producers, I hope you will enjoy the trip!

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Awakenings Podcast S230 - MYRA

LA has always had and has a special place in my heart. So many amazing memories. Been playing there since the late 90’s. In 2009 I played for the first time for “Interface” (now @Observe) and it happened to be the first time that I met Moe Espinosa aka @drumcell who is one of my best friends ever since. That first party was quite something, as I forgot one of my bags with my sound interfaces in the hotel and Moe had to drive me back to the hotel (a 45min drive.. well yeah, that is LA). During the drive we got to talk a little and I asked him if those parties he is doing never get busted as they are mostly illegal in downtown LAs warehouse district. He told me “never”. Next thing that happened was that he got a phone call with me in the car driving and someone told him that the fire marshals just showed up and busted the event. He as the promoter of the event couldn’t be there as he was driving the idiot who forgot his bag in the hotel. To make a long story short, he and his crew organised a new warehouse nearby and I ended up playing till the morning. I recently posted about it, so go back on my Instagram and you see a little video how all this went down.
This time it was the 20 year anniversary. I managed to not forget my bags, but when I entered the event space, I saw a police helicopter hovering above me with a spotlight shining right at me. Luckily it turned out they weren’t interested in our party, so this time no location change was needed and we had a blast. I am so honoured to be playing at their 20 year anniversary. The crew around Drumcell has been a cornerstone in the LA underground Techno scene and without them, Techno on the west coast would not be what it is today. All promoters running Techno shows in LA, San Diego and so on should be grateful for them building such an amazing scene. @observe , good luck for the next 20 years and I hope I can play a little part in it, also in the future.
My set was about 3,5h long and today´s show contains the second hour of it. Make sure you get the whole set on my Mixcloud Select page (alternatively also without any jingles and voiceovers) once it has all been released, as the ending was quite special with one of my absolute favourite tracks of the year..

Tracklist AMFM 407

Damon Wild, Tim Taylor - Bang the Acid - Edit CL (Echoplex Remix)
Stephan Krus - Rocket (Original Mix) - Starwork sas
Truncate – User 7 (Drumcell Remix)
Ritzi Lee - Ants on Steroidz
Uncertain - Crush
Dave Tarrida - Are You Real (Original Mix) - Mindcut Music
FJAAK - I Can't Even See Me
Risa Taniguchi & Black Asteroid - COMPULSION 
Risa Taniguchi & Black Asteroid - ACID FLESH 
Radio Slave - ACID DIP (RMX BEATLESS)
Nicole Moudaber - What Was (Chris Liebing Remix) 
DEAS - Scope 
Ritzi Lee - Re-Formation
Lewis Fautzi - Murder The Limits (Original Mix) - Mord
DJ Dextro - Climax (Original Mix) - KD RAW
Joey Beltram - Energy Flash (Mark Broom Edit)
B. Riley - Juxtaposition
Loco & Jam - Detonate (Original Mix) - Nervous Records

Spotify/Apple Playlist

AMFM I 407 - Live @Observe - 20 Year Anniversary, LA - 26.11.22 - 2/3

True Techno from https://soundcloud.com/trueundergroundone https://soundcloud.com/trueundergroundone/sets/true-techno-tu

Glasgow born producer and DJ Gary Beck has long been established as a primary figure in techno. Known and respected for his unique sound, he has gained support from the best names in the business and released music on some of the genre's leading labels, including institutions such as Soma, Cocoon & Drumcode, his own BEK Audio imprint and - most recently - Patrick Topping’s Trick label. 


With a BBC Radio 1 Essential Mix and two Boiler Room sessions under his belt, as well as featured music on BBC 1 Drama ‘Stonemouth' and numerous collaborations with artists like MR. G, GreenVelvet, Debra Debs, Mark Broom and Speedy J, Gary has been an undeniably formidable force since hitting the scene in 2007.


His seminal 2012 debut album 'Bring a Friend', was championed by the legendary Soma Records label, marking their 100th release. The years that followed left a kaleidoscopic trail of releases spanning a multitude of studio skills, influences, styles and aliases including the house driven grooves of Tanera; to the relentlessly harder sounds of Sosak. Gary’s second full length album under his own name 'Dal Riata' dropped in November 2019, followed by a series of incredible releases including this year’s Submarine and Supervan EPs - with even more to come. 


Gary’s renowned for his incendiary live sets, destroying dancefloors across the globe including Tokyo’s Womb, Fabric London, Awakenings, T in the Park, Spazio in Rome, Output NYC, Printworks, and Timewarp, to name a few. On top of a formidable touring schedule, Beck heads up BEK Audio, an imprint which has quickly become one of the most revered techno labels on the scene. Now approaching its 52nd release, the label boasts an impressive roster of artists including Floorplan, Mark Broom, Slam, DJ Rush & Ritzi Lee. 


https://www.instagram.com/garybeck_/
https://twitter.com/gary_beck
https://www.facebook.com/garybeckmusic

Gary Beck | True Techno Podcast 52

Ellen Allien @ Nuits Sonores 2023

Tresor (German for safe or vault) is an underground techno nightclub in Berlin and a record label.

History:

The club was founded in March 1991 in the vaults of the former department store Wertheim at Leipziger Strasse 126-128 in Mitte, the central part of East Berlin, next to the Potsdamer Platz. The history of the club goes back to 1988 when the electronic music label Interfisch opened the Ufo Club in Berlin. Ufo was the original centre of Berlin house and techno, but due to financial problems that club closed in 1990.
After Ufo closed, Interfisch's head, Dimitri Hegemann, and some investors in the club found the new space in East Berlin. This was advantageous timing, as it was only a few months before Germany unified. The vaults under the Wertheim department store proved to be the perfect location for a club, and Tresor quickly became the place to be in Berlin. Tresor continued to be a popular club, having expanded and reconstructed continuously several times to include an outdoor garden area, and a second "Globus" floor. The Tresor floor in the basement was reserved specifically for hard techno, industrial and acid music, while Globus was featured mainly more mellow house sound. The record label Tresor Records was founded soon after the club first opened, in October 1991. Featured artists on the label include Jeff Mills, Blake Baxter, Juan Atkins, Robert Hood, Drexciya, Stewart Walker, Joey Beltram, DJ Surgeon, Pacou, Cristian Vogel and many others.
In 2004 the documentary "Tresor Berlin: The Vault & the Electronic Frontier" was released. Directed by Mike Andrawis, it features interviews with Hegemann, Carola Stoiber, and DJs & artists associated with the club & label. The film covers the period from Hegemann's involvement with the Fishladen and UFO clubs in Berlin-Kreuzberg to the final months prior to Tresor's closure.
Tresor closed on 16 April 2005, after several years' prolonged short-term rent. The city sold the land to an investor group to build offices on the Leipziger Straße location. It was open for each night of April 2005, with the final event starting the Saturday night with queues stretching all the way down the road, and still going Monday morning.
Tresor reopened on 24 May 2007 in the decommissioned southern tract of the combined heat and power plant Heizkraftwerk Berlin-Mitte in Köpenicker Straße. 
Since November 2019 the club has a subsidiary in the city of Dortmund called Tresor.West. 
In September 2022, Tresor published a photobook, Tresor: True Stories, to document the past 30 years of its history.

Richie Hawtin Live @ Tresor, Berlin Germany 13-05-2023

Your listening to the full set of CHRIS LIEBING (@chris-liebing) B2B LUKE SLATER (@luke-slater) on Sunday of 909 FESTIVAL 2024 which took place the weekend of 1 & 2 June in Amsterdamse Bos.

You can find the video recording of this set on our Youtube channel | www.youtube.com/909FestivalAmsterdam

909 Festival Weekend is back next year for our 15 year anniversary! Stay in the loop and be the first to know when tickets drop for 2025: 909.nl/pre-register!

See you next year!

Much love,
909 crew

CHRIS LIEBING B2B LUKE SLATER ▪ 909 FESTIVAL 2024

Obsession
Written & Produced by Dario Desaer 
Mastered by Joe Farr
Artwork by Julie van der Vaart
Layout by Sam Londero
Cat. No. MAS-003
For. Digital
© — ℗ 2025 MASSA-BETOGING

Dario Desaer | Body

Release: 12/01/2025
Monsters At Work - Zero Gravity
#Techno
Erva Doce Records

Zero Gravity

Paula Temple recorded live at Time Warp Mannheim 2018.

Time Warp

Paula Temple live at Time Warp Mannheim 2018

Dave clarke - live @ i love techno outdoor 19-07-2003 part 2

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.