Back in one of my favourite clubs ever… Nordstern in Basel. For those who haven't been there, it is a boat and has the best layout a club can possibly have. Amazing sound system, huge dance floor, DJ booth on almost the same level at the end of the room, all black and amazing lights and visuals – a perfect place to get lost in the groove. This time I played an all night long set, started at 1 and ended at some point after 6. This week´s AMFM 418 is actually the 3rd hour of my set, next week´s show will contain the 4th and the week after you will be able to listen to the 5th and last. If you wanna hear the beginning, you need to check out my Mixcloud Select channel, it is all there.
Why only the last three hours you may ask? Cause there will be 3 more shows of AMFM. Change is coming, be prepared.. more news soon...

Tracklist AMFM 418

DESNA - Bankroll 888 Hz	
Broken Robot - Anaso (Original Mix)	
Mascon - Artig (Original Mix) - Mord
Roog Unit - Bash  Box 
Ritzi Lee - Genesis (Original Mix)	- Mord
Lewis Fautzi	- Murder The Limits (Original Mix) - Mord
Broken Robot - Anatis (Original Mix) - Prospect Records
Klingt - Knot Theory (Original Mix) - Molecular Recordings
DEAS	- Density 	
B. Riley - Juxtaposition v2	
Rotor Militia - Impact	
FJAAK - Madlock	
LSCL - LC1 
Planetary Assault Systems - In From the Night (P.A.S. Edit)	
Chris Liebing - Love Those Dub 
Dispar Vulgo	- Daydreams of a Megalomaniac (Original Mix) - Modwerks
Promo (untitled, not yet allowed to say)
DEAS -  Scope

Spotify/Apple Playlist

AMFM I 418 - Live @Nordstern / Basel - March 4th 2023 - Part 2/4

OUT NOW: Chris Liebing Remix of Bjarki's 'Ping Pong Ball Gag' - https://lnk.to/CLR114

OUT NOW: Depeche Mode - Ghosts Again (Chris Liebing vs Luke Slater Remix) 
https://bit.ly/CLLSGHOSTSBP

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.