einfach Perfekt.  Das dürften niemals Enden....

Bloody hell fhis track make me frel want thick line to sniff it 😅

In my opinion, I don't really prefer the techno music direction at the edge of the 21st century.  Here I am thinking of the almost popularly popular DJ's sets, "songs ... Of course, this does not mean that they are not the ones who are not so old or 

or just now familiar with the techno genre so esteemed.  but the Classic orientation has given me the whirlwind that won't let me go for more than a decade and it's always a joke!

And it's not a joke!  this year the six can get fingered and always know exciting seconds and minutes on the dance floor .......... 😀

(Clarity)

Do you believe in conincidences?

I don’t - anymore. I used to believe in conincidences but I’ve learned that everything happens for a reason. And that everything in life happens for you, not to you.

So, I have been busying myself with the idea of an remix album of classic tracks of mine for quite some time. But I struggled with the selection of tracks and which remix artist to pair with which track.  Until certain people entered my life. Some of them I only „met“ through their music on social media and never in person, others I met briefly, like in a car to a festival and some I started to hang out with and they became real life friends. All of these people connect with my music and I feel drawn to their music and in many ways we insprire each other.  As a natural result this remix EP took shape and I am excited to present it to you. The record contains four remixes of tracks from my back catalogue that cover a period of 20 (!) years, from my early days on Bush in the mid 90s to my first label Spiel-Zeug Schallplatten in the 00`s up until now, where I run Electric Ballroom from Berlin.  With love. Thomas.

Check:
https://www.facebook.com/ElectricBallroomMusic
https://www.facebook.com/ThomasSchumacherOfficial
https://www.facebook.com/victorruizofficial
https://www.facebook.com/dubspeekamusic
https://www.facebook.com/OliverSchories

Thomas Schumacher - Ficken #3 (Original Remastered)

Auf und davon

Joyhauser - Megalomania (Original Mix) 160Kbps

New Release - Out now!
.............................................................

«ABONNIERE MEINEN YOUTUBE KANAL☻»
• http://bit.ly/FollowKlanglos

.............................................................

«FOLGE MIR HIER»
• Facebook:  https://fb.com/klanglos
• Soundcloud:  http://soundcloud.com/klanglos
• Beatport:  http://goo.gl/Hjs0oI
• Youtube:  http://youtube.com/c/Klanglos
• Spotify:  http://goo.gl/qV96OO
• Merchandise: https://bit.ly/TechnoShop

.............................................................

«FRAGEN? INFOS? ANFRAGEN?»
• Mail: info@klanglos.com 
• Homepage: http://klanglos.com

.............................................................

«KLANGLOS - TECHNO MIT HERZ!»
• Techno Tracks, Sets, Videos, Podcasts, Remixes uvm...
• Deep, Melodic, Dark & Impulsive!

.............................................................

BUY / DOWNLOAD

Klanglos - Miles And Miles Away (Original Mix)

Prepare your Bassface, 
Make a Moondance, 
Swirl like a Helix, 
This is Epica,
This is Ilija Djokovic,
This is Filth on Acid... NOW

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Ilija Djokovic - Moondance (Original Mix)

PLEASE SUBSCRIBE & LEAVE A LIKE
bit.ly/2VELi29
----------------------------------------------------------------------------------------------------
SPOTIFY: sptfy.com/bendust
YOUTUBE: bit.ly/2VELi29
BEATPORT: bit.ly/2kpW5Ni
INSTAGRAM: bit.ly/2G8IYKh
FACEBOOK: bit.ly/2Tr1qEp
MERCHANDISE: bit.ly/2WSWkUz
----------------------------------------------------------------------------------------------------
BOOKING CONTACT:
booking@bassgefluester.com
----------------------------------------------------------------------------------------------------
#Techno #BenDust #Dance

Follow me on YouTube

Pappenheimer & Ben Dust - Dancing (Original Mix) - OUT NOW

And All Went Dark feat. @pollyscattergood, taken from the new album  'Burn Slow' out now: http://smarturl.it/CL-BS

A 10-track album with vocal contributions from a diverse range of artists: Gary Numan, @milescooperseaton (@akron-family), @muterecords labelmate @pollyscattergood (@onDeadWaves), @coldcaveofficial and Aleen.

Connect w/ Chris
Facebook: https://www.facebook.com/chrisliebingofficial
Twitter: https://twitter.com/ChrisLiebing
Instagram: https://www.instagram.com/chris_liebing/

And All Went Dark (featuring Polly Scattergood)

Making a return to the Upon.You Records-camp after his 2017 EP "Push" is Stockholm's Kristian Heikkilä, who's been busy on the production circuit since 2008 with acclaimed releases on AFULab, AcidWorx, Gynoid Audio, Naked Lunch and others. Catering four brand new production efforts from his sound lab he's making an impact again with new "Interpol EP" this fall.

The title track "Interpol" brings forth an ultimate take on rave-driven darkness with a hefty punch and a brooding, overwhelming bassline from hell that proves to be a dangerous weapon for underground warehouse parties and humungous venues with high powered P.A. without any limitations. A killer cut in its own right that defo isn't out and about to show any form of mercy for a dancefloor going wild.

Examining the "Future Past" Mr. Kristian Heikkilä causes havoc with a distinct, masterly crafted ClubTechno tune that is as clean and futuristic as Techno can be, serving a slightly dubbed out stab motif and busy single note synths alongside a pumping, mechanical low end for additional punch and power.

Whilst exploring the "Kaukasus" region we see the Swedish producer stumbling about a seductive, bass-heavy TechHouse groove and crystalline, glockenspiel-resembling synth notes in combination with enchanting, levitating pads and lively background arrangements for a positive and uplifting note on the dancefloor.  

Finally the "Toilet Romantik" introduced by Kristian Heikkilä is something for the darkest hours on the dancefloor, providing an spiralling maelstrom of reverberating sounds and climaxing synths alongside seductive, spine-tingling vocals from another dimension and danger inducing atmospheres that could surely make up for an intense score of a sci-fi or horror flic from the past. Massive.

Kristian Heikkila - Interpol

Favorites, Vol. 1

Bombing Lessions

Electrifying

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Auf und davon

Chris Liebing

Recent comments

E-LEVEN

Granada

Granada

Granada

Related tracks