Crispy Duck EP

Crispy Duck

Regal - Pulzar

Have you ever looked in the mirror and thought to yourself: Who is this guy?

//

There's a ghost in the mirror
When I look it makes me shiver
If I dare to lose my sight
It watches me at night

//

Thanks to @en0ch_official for the lovely cover art!

Ghost In The Mirror

The Advent & Industrialyzer - Slash Groove [Codeworks]

OUT NOW: http://classic.beatport.com/track/slave-d-unity-remix/7505138

BEATPORT

Loco & Jam - Slave (D-Unity Remix)******OUT: (February 01, 2016)

Auf und davon

Techno two-piece Slam (Stuart McMillan & Orde Meikle) bring the new double vinyl album Machine Cut Noise to the forefront next month Stuart and Orde's day-to-day proceedings consist of maximum time spent on the road, in airports and hotels; which also forms the creative hub for their music-making. It's this transitory state that largely dominates the vibe on Machine Cut Noise.

With each of the album's eleven tracks handed its own unique energy, this concept is probably depicted most prevalently in "Psalm". There is a deep emotional core found within this programmed 7.5-minute piece. It conjures a direction that 'has been paved by the machines which surround us'. A technophile's voyage into the unknown we strongly recommend getting on board with.

Machine Cut Noise comes out on 28th October on Slam's own Soma Records.

Pre-Order

Slam "Psalm" - Boiler Room Debuts

"Closer goes first and is seven spooky minutes of spacious, acid-laced techno. Distant pads bring a cosmic feel and intimate spoken words make the whole thing feel personal yet unsettling as rubbery drums roll on below. Nothing pairs pulsating acid daubs with vocals drenched in reverb as slick drums drive things along. It’s a masterfully sparse yet engaging track that will cast its spell on all who hear it. Lastly, Motion is another absorbing track with deep drums and meandering pads sucking you into a cavernous sound world where alien motifs and acid gurgles work your mind as much as your feet.”

BUY ON BEATPORT

Nothing (Original Mix)

Featured in Sven Väths set from Boiler Room, Berlin. Hit the link down below for action 👇

https://youtu.be/uInltd4OkTQ?si=rsLqG4O9n1ZL7OKK&t=4650

Instant classic 😎😎

DC99 - Manic Brothers - Black Bay (Original Mix) [Drumcode] 10-09-2012

Len Faki - Mekong Delta

Free download from my Bandcamp Page https://robertocapuano.bandcamp.com/track/everyday

Free Download

Roberto Capuano - Everyday FREE DOWNLOAD [BANDCAMP]

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.