Another Day, the new single from Chris Liebing with @pollyscattergood and @ralfhildenbeutel

Another Day is taken from Chris Liebing's album #AnotherDay on @muterecords 

Buy/Listen to Another Day (Single Mix): https://mute.ffm.to/ad-sm
Buy/Listen to Another Day: mute.ffm.to/cl-ad
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Another Day

Another Day (feat. Polly Scattergood) (Single Mix)

Buy Another Day Here

Another Day(feat. Polly Scattergood)(Single Mix)

Fractales

Untold (Original Mix)|| AFFIN025LTD

Our remix of Romes - 4U out now on Hourglass Records

Romes - 4U (EitherOr Remix)

Auf und davon (Panic Tool)

Adding to previous 12“es on Ostgut Ton and his own RK label fellow Neuköllner and Berghain resident Kobosil offers four new uncompromising Techno club tools.

While all cuts on the 105 release share filthy, stone-cold, elemental rhythms – pounding, energetic and hypnotic 4/4 kick drum slaps – the devil is, like with all Kobosil productions, in the aesthetic details. “40000 L” uses gargling synth patterns and howling horns to dramatic effect; “Bei Nacht H (178)” contrasts the kick with a harsh, tinny drumbeat and menacing melody pad, creating a nightmarish vibe.
“Backmask N” on B1 offers heavily alienated vocal samples alongside rave-reminiscing synth stabs and staggered hi-hat percussion. “Derange” closes this four-tracker with grainy drone echoes and throbbing, sizzling synth pulses.

Adding to Kobosil’s full-floor-focussed sonic repertoire 105 shows him from his darkest and most vigorous side yet – this 12“ is a brute, in the most positive sense.

Buy 12"

Kobosil | 40000 L

FIGURE90 - Len Faki - My Black Sheep 10Y Anniversary Mixes

A1 - My Black Sheep (Deetron Remix)
A2 - My Black Sheep (Jimmy Edgar & Truncate Remix)
B1 - My Black Sheep (Cleric X Remix)
B2 - My Black Sheep (Matrixxman Isolation Mix)
Digital Bonus - My Black Sheep (Cleric Y Remix)

Originally released as a B-side in 2007 on Figure‘s then-sublabel Podium, Len Faki‘s ‚My Black Sheep‘ was one of those rare tracks that unpredictably take on a life of their own. A veritable underground hit, it not only came to define the sound of Len Faki at that time but for many became equally synonymous with the state of the scene in Berlin around that time. Now that ten years have passed since then, we felt it was about time to finally treat the sheep to a fresh shave.

Featuring a variety of vibes, Deetron first takes us for an extended trip along rattling drums, his mantra-like use of the vocal drawing the listener deep into the rabbit hole. Down there things start swirling even more wildly around Jimmy Edgar‘s marimba arps, while Truncate forcefully slaps us back on track.

On the deeper flip side Cleric unexpectedly lays down a distorted barrage of broken beats amidst apocalyptic epic choirs and acid rain. Through the haunted shelters beneath the rubble Matrixxman weaves his subtle and dubbed out yet creepingly effective Isolation Mix.

Coming as a digital-only bonus is Cleric‘s straightforward Y remix - its hard- hitting metallic stabs making for a powerful floor-weapon.

While ‚My Black Sheep‘ already spawned a series of high-profile re-interpretations back in the day, this diverse remix- package successfully places the original within the present context. With this creative cut, the sheep is now ready for another decade‘s run!

www.figure-music.com/news

Len Faki - My Black Sheep 10Y Anniversary Mixes

bandcamp

Len Faki - My Black Sheep (Cleric Y Remix)

Flyance 010
Twenty-Seven Stabs 
Produced by Głós
....................................................
Vinyl 12" & Digital format

Tracklist :

Głós - Twenty-Seven Stabs

A1. Twenty-Seven Stabs
A2. Phosphore (Cut Through Lingerie)
B1. Twenty-Seven Stabs (Błażej Malinowski Remix)
B2. Phosphore (VII Circle Remix)

Artwork by : Rosh333
Distribution : Triple Vision

FLY010 _ Głós - Twenty-Seven Stabs (incl. Błażej Malinowski & VII Circle remixes)

Aluminium

Dispenser

Buy On Beatport

Filterheadz, Actwin - Dispenser

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.