einfach Perfekt.  Das dürften niemals Enden....

Bloody hell fhis track make me frel want thick line to sniff it 😅

In my opinion, I don't really prefer the techno music direction at the edge of the 21st century.  Here I am thinking of the almost popularly popular DJ's sets, "songs ... Of course, this does not mean that they are not the ones who are not so old or 

or just now familiar with the techno genre so esteemed.  but the Classic orientation has given me the whirlwind that won't let me go for more than a decade and it's always a joke!

And it's not a joke!  this year the six can get fingered and always know exciting seconds and minutes on the dance floor .......... 😀

CLR27 Chris Liebing - Auf... EP

Abstrakt

Joker (Original Mix)

A progressive house track built for the dancefloor, driven by a groovy bassline, clean drums and a steady energy that keeps you moving from start to finish.
Simple, effective and focused on the vibe — made for clubs, DJ sets and late-night sessions.

If you feel the groove, move your hands 🙌

✨ If you enjoy the track, don’t forget to like, comment, and share!
🔊 Available on SoundCloud, ready to pump up your playlists.

#ProgressiveHouse #House #MoveUHands #DJTrack #ClubMusic #ElectronicMusic #UndergroundHouse #NewMusic #OriginalMix #SoundCloudMusic #EDM #edm #French #french #English #english #progressivehouse #Electronic #Electro #electronic #electro

Move U Hands-DJ Momo

Auf und ab

Auf und davon

Auf und ab (Beatle Tool)

Auf und ab (On Tool)

Auf und ab (Trippel Tool)

The Advent & Industrialyzer - Up Close

https://deejay.de/Niereich_Vs_Hackler_%26_Kuch_Limit_Sequences_COL002_Vinyl__258521

[COL002] 1. Niereich Vs Hackler & Kuch - Finite Moments (Original Mix)

My Remix of one of the tracks of Brian's upcoming Album on CLR. Out now. Please also check Brian's new Album out soon on CLR. Many more Bombs there....

Brian Sanhaji - Cortosis (Chris Liebing Remix)

Pre-order now on Beatport www.beatport.com/release/goliath-remixes/2100530

A slow burning anthem: the holy grail of all producers. A tune that keeps building and building momentum gradually and naturally To the point crowds singing the bassline back when you drop it. This is the case with Gregor Treshers Goliath.

Released February 2015 on Bedrock, its been smouldering ever since. The Frankfurt DJ considers it up there with A Thousand Nights and About A Good Place as one of his most successful tunes in his career so far; its distinctive hooky bass riff capturing moments and imaginations as more and more DJs exploited its unifying charm.

Over two years later, Gregor and Bedrock present two precision-tailored remixes that add to the Goliath story. French techno OG Emmanuel Top, a man whose records inspired Gregor to produce in the first place, takes the lead with a 10 minute monolith that doesnt even hint at the riff for the first four minutes. Focusing on the machine funk rhythm of the original and turning it inside out, Top lets it sizzle for as long as possible before suddenly dropping the full musical scope of Goliath on us mid way. Alan Fitzpatrick, a man who doesnt need much of an introduction to fans of mordern Techno, also subverts the original in an equally remarkable way. Allowing himself to be taken in a whole new direction by the pads, a new topline and is added to create an entirely new experience that still instantly brings home the original tones and feels of Goliath. Remixes that build on the original and take it to entirely new pastures: The momentum continues.

Goliath Remixes

Gregor Tresher - Goliath - Emmanuel Top Remix

Best of Alter Ego

Betty Ford

remix i did for adam beyer a few years ago. he wanted something melodic. sounds fast and busy to me now, but it has a fun 101 part...

Adam Beyer - Ignition Key - Speedy J Remix

Wilderness

Cananga (Original Mix)

After a rousing reminder of why he is still on top form, with Figure 45’s - ‘Lifesigns’, Johannes Heil now teams up with Figure label creator Len Faki in two exciting new tracks. ‘Volume 1’ readies the two Techno mainstays’ skills at creating tense, dramatic and highly effective moments for the club.

This is the first of 2 volumes to be released from the pair’s studio sessions exploring the whole spectrum of their influences. In the first installment they present 2 distinctly modern distillations of Techno today!


The stomping, tripping ‘Octopuss’ represents the modern shared-vision of two of Techno’s most accomplished producers. From a bouncing start, razor sharp hats and carefully tuned ambience surrounds the cheeky, party-time vibe. As the circling synth theme emerges the track builds towards its haunting, unstoppable breakdown.

Taking things into a more introspective zone, the freaking, sound-design depths of ‘Karter Bachnabel’ jack into play. Skipping across the stereo field, filtering and gyratng, the tactile killer also focuses its energies towards a riotous break in trademark Faki/Heil style! Get Karter!


Karter Bachnabel SNIPPET

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Auf und davon

Chris Liebing

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