Mars Bill - Panorama [INTACDIG047]

Adam Beyer is back on Drumcode with an impressive array of tracks that will get the senses tingling and shows us what Drumcode is all about. These 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only Beyer can achieve within his productions. The under lying throbbing of the drums drives this EP into the forefront of the heads down Drumcode sound and have been heard in many of Beyer’s phenomenal sets throughout the year.

Adam Beyer - The Crossing - Drumcode - DC141

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Dense & Pika - TEX - Drumcode - DC142

New release by Enrico Sangiuliano and Secret Cinema - Alone in this Place EP www.facebook.com/secretcinema.gem, robert@gembookings.nl

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Secret Cinema and Enrico Sangiuliano - Alone With The Bitch

Cosmogony (from Greek for "world's birth") is the study or myth of cosmic origins. It encompasses both ancient creation stories – such as those found in Greek or Norse mythology – and scientific theories, primarily the Big Bang. Essentially, it answers humanity's fundamental question: "How did everything begin?" Whether through divine beings or physical laws, cosmogony explains the emergence of the universe from primordial chaos or a singular point into an ordered reality. This timeless concept is powerfully mirrored in CR HERZ's debut solo EP, "Universo," a sonic journey that starts from that very point of mythical genesis. The release features two dark-matter-infused originals and is grounded by a potent, transformative reinterpretation by Vicky Montefusco (FREEDL062).

Following notable appearances on labels such as Belly Dance Services, BAU_HAUS, Internasjonal, Inner Shah, and HEARec, producer Vicky Montefusco now contributes his vision to the inaugural release of the fledgling Italian imprint, Analog Disorder. His reinterpretation of “Cosmogonia” strategically strips away the original’s progressive, guitar-like synth layers, transposing the thematic core into a more minimalistic and driving domain. The track is rebuilt upon a foundation of potent, throbbing bass and animated by frenzied, oscillating synth leads, resulting in a version that carves out its own distinct, dynamic space within the EP's conceptual framework.

You can find (and buy) this and other music pearls on the Beatport page of the label: https://www.beatport.com/label/analog-disorder/158140

Follow @vickymontefusco and @analog-disorder, peeps!

PREMIERE852 // CR HERZ - Cosmogonia (Vicky Montefusco Remix)

The "b" side of CLR 23. I thought I go old school on that one.... bringing back memories? anyone? Releasedate: Dec 5th 2008

Chris Liebing - Turbular Chord

Arriving as the third outing of Len Faki’s recently established non-profit platform LF RMX, these previously exclusive edits take on a raging classic by courtesy of Frankie Bones, godfather of the North-American rave scene.

The new Hardspace Mix bolsters up the characteristic vocal and synths for even more frantic effect but trades in the percussion for Faki’s signature assault of claps and hats. These also dominate the stripped-back Hardspace Tool, which carefully builds momentum only around the sirens and some seriously sizzling low-end rumble. Both of Faki’s personal mixes capture the orignal’s raw energy, yet manage to appear in both sleek but powerful presence.

As with all releases of LF RMX, the proceeds of this record will be donated to the Berlin charity project Straßenkinder e.V. to be used in actions against child poverty.

www.lfrmx.com

Bump Your Head (Len Faki Hardspace Mix)

beatport

LFRMX003 - A - Frankie Bones - Bump Your Head (Len Faki Hardspace Mix)

“I didn’t plan to go back to Grindhouse. It’s a monster of a record and undoubtedly the biggest release we’ve had on the label, but after 10 years it seems right to revisit the track and also add some new versions from some of my favourite techno producers." – Radio Slave With Danton Eeprom’s vocal resonating throughout, Faki’s first remix features crunchy snares, ominous chords and shuffling effects before piercing synths come into effect in the latter half. Meanwhile, the second version rumbles forward with its undulating bassline, soaring atmospherics and echoing elements to round up two solid productions exemplary of the Figure founder’s seasoned abilities in the studio.

buy links

Radio Slave - Grindhouse feat. Danton Eeproms (Len Faki Hardspace Mix 1)

Buy Link : http://clr.net/data.pl?release=CLR051

CLR releases a strictly limited, vinyl only remix EP with three different versions of Chris Liebing´s take on “Lie Down In Darkness” (which owes its title to William Styron’s strange dark novel of the same name) from Moby´s recent studio album “Destroyed”.

“Lie Down In Darkness” has been described as an “achingly soulful track of sublime melancholy and symphonic grandeur”. If you want to know how this will sound, remixed by one of techno´s most sought-after producers of our time, we suggest you to get one of the 1000 vinyl copies of this release. For several obvious reasons, CLR 051 is an extraordinary record and already a collector´s item.

You can also get the full remix bundle including the original album version along with an array of remixes including, among others, Photek, Chris Liebing, Michael Mayer and Paul Van Dyk as a digital download on Moby´s very own label “Little Idiot”.

Released by: CLR 
Release/catalogue number: CLR051 
Release date: Aug 15, 2011

Moby - Lie Down In Darkness (Chris Liebing Dub Remix)

Egbert - Geheimwaffe

‘Camargue’ gets a fresh treatment on Drumcode, as a handful of techno’s finest give new life to an R&S classic. 

Coming from the studio of CJ Bolland and Portuguese journeyman The Advent, the track was born out of a golden age of Belgium dance music and first released in 1992. It stands as one of the most treasured pieces of vinyl in Adam Beyer’s collection and this six-part compilation of remixes and remakes marks a highpoint in Drumcode’s history. 

The package consists of a punchy pin-sharp 2019 version of the original, as CJ Bolland and The Advent polish the edges of their time-honoured rave favourite. Maceo Plex makes his return to DC after 2014’s ‘Conjure Dreams’ and his is a bustling industrial take, with distorted vox that gives way to sheaths of stirring melody, before the spine-tingling chords enter the fore and the cut drops into broken beats. Vintage Maceo. Enrico Sangiuliano delivers a trademark cosmic rework underlined by tribal bass stabs and twisted synth lines to accompany the famous riff. It’s an outstanding remake that’s already a big summer favourite for the Drumcode crew. Adam Beyer and Layton Giordani team up with their own groove-injected, future-focused adaption, all the while never losing sight of the misty-eyed spirit of the original. In contrast to the peak-time prowess of the other respective versions, rising Dutch talent Keith Carnal moulds a liquid smooth interpretation heavy on hypnosis and sparse drums. The Advent rounds out the package with his own fresh version, a whip-smart cut that chops and changes between pounding drums, dreamy synth interludes and warbled effects. 

“Camargue is one of my favourite tracks of all-time and has been part of my life for 25 years. To put it out on Drumcode with fresh remixes is a dream come true.” – Adam Beyer

Buy all

CJ Bolland & The Advent — Camargue 2019 (Adam Beyer & Layton Giordani Remix) — Drumcode — DC210

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.