This is the CLR Podcast 342 with a set by R.M.K., recorded live at Fossil Archive Presents @ The Glove That Fits, London. Enjoy!


Tracklist CLR Podcast 342 I R.M.K.

Recorded live at Fossil Archive Presents @ The Glove That Fits, London.

01. R.M.K - Rising From The Ashes
02. R.MK - Unsigned
03. Planetary Assault Systems - Raww
04. Stef Mendesidis - Inertial Force
05. James Ruskin - Work (Ø [Phase] Edit)
06. Temudo - Lea & Blanche 
07. K-Alexi - Man Love (R.M.K Edit)
08. Ackermann - Bring it Back
09. Black Girl / White Girl - Galaxian 
10. Scorp - New Energy
11. R.MK - Unsigned
12. Reeko - Dystopic Futures
13. Robert Hood - Omega (End Times) 
14. R.MK - 16 Bits
15. Steve Stoll - Thirty A1 (Alternate Mix)
16. The Advent - Tremomer  
17. Pacou - X-Factor 
18. Joris Voorn - Fever (Rephrased)  
19. Technasia - Acid Storm 
20. Jamie Anderson & Robert Owens - Talk With Myself (R.M.K Remix)
21. Phil Kieran - Wasps Under A Toy Boat (Planetary Assault Systems Remix)
22. Will Clarke - Father [R.M.K Remix]
23. Minimal Man - Treatment Feel 
24. Steve Rachmad - Levigi
25. R.MK - Werk It
26. Mark Williams - Full Circle
27. R.MK - Deep
28. Faster Horses - You’re In My System (Dax J Dubbed Out Remix) 
29. Josh Wink - Selecta
30. Steve Bicknell - A1 - In Order To Remember One Needs To Know 
31. DVS1 - Falling
32. Ø [Phase] - Human Error (Stef Mendesidis remix)
33. R.M.K - Azteca
34. Samuel L Session - Merengue (Oliver Ho Mix)

CLR Podcast 342 I R.M.K.

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Production Date: 09.11.1970. Bonn, NRW, Germany. Male. Raver4Life. 
husband, father 'n all. just an ordinary man. in order to dance.
cosmic traveller. one love one unity.

Patrick van het Nederend plays minimal, melodic, dark, climax , acid techno with a spirit that makes you want to move. Al the credits go’s to those who makes the tracks!

INDUSTRIAL HARD TECHNO. 
She's traveling every day, to somewhere else—in her mind, in her brain.
That’s Mia Fête.

When techno knocked on my door, something shifted inside me.
I woke up and I could see.

Now, I'm able to create
I don’t just repeat what the system tells me.

I believe creativity fuels health.
I believe we weren’t made to stay confined to one place.
I believe ART can break the rules.
I believe in determination and conviction.

Born and raised in Chile, now living in Australia.
Not just a DJ. Not just a producer.
I am a wanderlust.